[FOR.M.E.] - Concert Hall
This is the first of three projects for Monza that I designed. These projects are still only ideas, presented in the exhibition FORMS - For Monza Exposition of 2008.
in particular this project of a concert hall:
Location: VIA GRAMSCI
Project&Rendering: Alessandro Vigoni (Themis)
Spatial characteristics: structure suspended
The project of a concert hall is designed to create a music center for the city OF Monza.
Its shape is elevated and SPACED OUT from the earth, as to express the strength and the "power" of music: the most intimate and universal ART, that does not need a language to be understood, but only one soul that can hear the sound
of the universe.
The plan on which is developed is strongly shaped and the audience, by entering through a spiral staircase, trIES a strong sense of wonder: the space of irrational walls, different forms, and the ceiling of large titanium path polygonal faces, upset and attract the viewer.
The hall is a glass parallelepiped with two floors and the WOODEN stage is raised.
The game of reflection in the glass wall is driven by an electronic system THAT receivS the acoustic wave which comes to the material AND reflects IT accurately.
The architecture in question is thought as a container capable of touching the strings OF senses: the goal is to return to the great music THE role it
deserves AMONG THE other major arts.
in particular this project of a concert hall:
Location: VIA GRAMSCI
Project&Rendering: Alessandro Vigoni (Themis)
Spatial characteristics: structure suspended
The project of a concert hall is designed to create a music center for the city OF Monza.
Its shape is elevated and SPACED OUT from the earth, as to express the strength and the "power" of music: the most intimate and universal ART, that does not need a language to be understood, but only one soul that can hear the sound
of the universe.
The plan on which is developed is strongly shaped and the audience, by entering through a spiral staircase, trIES a strong sense of wonder: the space of irrational walls, different forms, and the ceiling of large titanium path polygonal faces, upset and attract the viewer.
The hall is a glass parallelepiped with two floors and the WOODEN stage is raised.
The game of reflection in the glass wall is driven by an electronic system THAT receivS the acoustic wave which comes to the material AND reflects IT accurately.
The architecture in question is thought as a container capable of touching the strings OF senses: the goal is to return to the great music THE role it
deserves AMONG THE other major arts.