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Buccleuch House

2012

The 1930 Housing Act enabled Local Authorities to work with the voluntary housing sector. This sector was dominated by women's organisations and the Act provided a new avenue for increased participation. The company known as the Women's Pioneer Housing Ltd was run as a Co-operative Society, employing its own woman architect, Gertrude Leverkus (1899-1976) to design each flat. There were four different styles on offer to suit diverse needs and by 1936 it provided 36 developments in London and one in Brighton.

The National Association of Women Civil Servants (NAWCS) had urged the government and local authorities since 1947 to build low cost rentals but shortage of land made single-unit dwellings expensive. NAWCS representatives were impressed by the model Buccleuch House, Clapton Common, London E5 with its 96 flats plus communal facilities for single women, which Hackney Council had built and invited them to visit in 1951.

photo credit. > Georgia Trower / Lower Level

ref. > Women’s Housing Associations

francis & georgia

Paul Harrison

Recent years have seen the faltering of economic growth, the erosion of the welfare state and the disappearance of social consensus. Nowhere have these processes cut more deeply than in the inner city, where industrial decline, low income, persistent high unemployment and housing decay are fuelling crime and racial tension to create our most daunting social problem. Combining interviews and eye-witness accounts with his own analysis, the author provides a portrait of the underside of the affluent society and the hidden human costs of public policies. From dying factories to social security offices, from single mothers to street thieves, it offers an insight into the realities of deprivation and social conflict in Britain today.


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Clapton Common

Recordings of passerbys answering questions regarding LCC's Buccleuch House and its state of disrepair.
Hackney, E5
Recorded by Georgia Trower & Francis Qureshi

♫ 01 Clapton Common.m4a

♫ 01 Clapton Common 1.m4a

♫ 01 Clapton Common 2.m4a

♫ 01 Clapton Common 3.m4a

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Patrick Keiller

London, 1994
85mins Colour 35mm

Patrick Keiller's extraordinary portrait of London re-imagines the city through the explorations of an unseen 'researcher' Robinson and his similarly unseen companion, the film's narrator (voiced by Paul Scofield).

ref. > Patrick Keiller

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James Turrell

Roden Crater
Excrept from BBC Imagine, November 2008

I first experienced Turrell's work at the Gagosian gallery in late 2010, a barrage of constant, pure, balanced colour left me speechless, his works are sensory experiences like no other. I found that his work which appears quite cold, stark is a first impression, but once you experience it, the physical attributes to his work are merely that, apparatus to these naked observatories unlike anything we've ever seen before.

ref. > James Turrell

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Format Perspective

Format Perspective is a film by Phil Evans that explores the work, lives and opinions of six European skate photographers. The film showcases the photography of Nils Svensson (Malmo), Stu Robinson (Belfast), Alex Irvine (London), Rich Gilligan (Dublin) and Bertrand Trichet (Barcelona/Tokyo), while also giving us an insight into the different approaches used by this diverse line-up of photographers. Filmed completely on super 8 film, this project gives a behind-the-scenes look at the skating that these guys like to shoot, as well as the resulting photos that emerge from these sessions.

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Tacita Dean

The Uncles, 77 Min, 16 mm, Cinemascope 2004.

A filmed conversation between Winton Dean and Jonathan Balcon about their fathers Basil Dean (1888–1978) and Michael Balcon (1896–1977). Both men helped to pave the way for the British film industry. Basil Dean started his career working in theatre; he founded his first theatre company in 1907 and became director of a Liverpool repertory theatre in 1911. He was decorated for his tireless efforts to entertain the nation during the First World War, and in the years that followed he became one of the country’s leading theatrical impresarios. His stage productions helped to launch the careers of dramatists such as Somerset Maugham, Noel Coward and John Gals- worthy, not only in London but also in New York. Dean became a specialist in boulevard comedies with a British flavour and this was what drew Michael Balcon’s attention to him. Balcon was the man who “discovered” Alec Guinness’ screen potential, and who had produced Alfred Hitchcock’s early masterpieces THE MAN WHO KNEW TOO MUCH and THE 39 STEPS in the 1930s. It was his dream to create a British industry that would match the competitiveness and omnipotence of Hollywood. Balcon’s brainchild, Ealing Studios, turned out comedies that were instrumental in enshrining an image of Britishness as a mixture of good manners and dark humour, with heroes clad in Harris tweed. Basil Dean’s career as a film director never quite measured up to the success of his theatre productions, but as a producer at Ealing he had an enormous stylistic influence on the studio’s output.

For the Berlinale Special

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Vietnam, 36 Years

April 30th marked the fall of Saigon and the end of the Vietnam War, Boston's The Big Picture looks retrospectively over the war in pictures.
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The United Kingdom explained

Take the time to learn it, it's embarrassing making it up when asked.

For those of you like me who haven't yet in their British lives taken the time to fully figure our heritage of insanity out, here's a helpful short explaining it all. And yeah, i er, knew all that.



tom