http://cargocollective.com Victor Vasarely Mon, 26 Jan 2009 18:35:54 +0000 http://cargocollective.com en http://cargocollective.com/vasarely/Taft-Museum-Cincinatti http://cargocollective.com/vasarely/following/vasarely/Taft-Museum-Cincinatti Mon, 26 Jan 2009 18:35:54 +0000 Victor Vasarely 1484 <img src="http://payload.cargocollective.com/1/0/208/1484/temp5.jpg" width="540" height="473" width_o="540" height_o="473" src_o="http://payload.cargocollective.com/1/0/208/1484/temp5_o.jpg" data-mid="5143" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/208/1484/artwork_images_904_353388_victor-vasarely.jpg" width="318" height="320" width_o="318" height_o="320" src_o="http://payload.cargocollective.com/1/0/208/1484/artwork_images_904_353388_victor-vasarely_o.jpg" data-mid="5148" border="0" align="left"/> http://cargocollective.com/vasarely/Palais-des-Beaux-Arts http://cargocollective.com/vasarely/following/vasarely/Palais-des-Beaux-Arts Mon, 26 Jan 2009 18:29:24 +0000 Victor Vasarely 1483 <img src="http://payload.cargocollective.com/1/0/208/1483/temp3.jpg" width="670" height="698" width_o="670" height_o="698" src_o="http://payload.cargocollective.com/1/0/208/1483/temp3_o.jpg" data-mid="5142" border="0" align="left"/> 1951-1955: Kinetic images, black-white photographies: From his Gordes works he developed his kinematic images, superimposed acrylic glass panes create dynamic, moving impressions depending on the viewpoint. In the black-white period he combined the frames into a single pane by transposing photographies in two colours. Tribute to Malevitch, a ceramic wall picture of 100 m² adorns the University of Caracas, Venezuela which he co-designed in 1954 with the architect Carlos Raúl Villanueva, is a major work of this period. Kinetic art flourished and works by Vasarely, Calder, Duchamp, Man Ray, Soto, Tinguely were exhibited at the Denise René gallery under the title Le Mouvement (the motion). Vasarely published his Yellow Manifest. Building on the research of constructivist and Bauhaus pioneers, he postulated that visual kinetics (plastique cinétique) relied on the perception of the viewer who is considered the sole creator, playing with optical illusions. 1951-1955: Kinetic images, black-white photographies: From his Gordes works he developed his kinematic images, superimposed acrylic glass panes create dynamic,... http://cargocollective.com/vasarely/Collages-et-Oevres http://cargocollective.com/vasarely/following/vasarely/Collages-et-Oevres Mon, 26 Jan 2009 18:15:50 +0000 Victor Vasarely 1482 <img src="http://payload.cargocollective.com/1/0/208/1482/temp2.jpg" width="500" height="490" width_o="500" height_o="490" src_o="http://payload.cargocollective.com/1/0/208/1482/temp2_o.jpg" data-mid="5141" border="0" align="left"/> In 1929 he painted his Blue Study and Green Study. In 1930 he married his fellow student Claire Spinner (1908-1990). Together they had two sons, Andre and Jean-Pierre. In Budapest, he worked for a ball-bearings company in accounting and designing advertising posters. Victor Vasarely became a graphics designer and a poster artist during the 1930’s who combined patterns and organic images with each other. <img src="http://payload.cargocollective.com/1/0/208/1482/victor_vasarely_7.jpg" width="220" height="217" width_o="220" height_o="217" src_o="http://payload.cargocollective.com/1/0/208/1482/victor_vasarely_7_o.jpg" data-mid="5150" border="0" align="left"/> In 1929 he painted his Blue Study and Green Study. In 1930 he married his fellow student Claire Spinner (1908-1990). Together they had two sons, Andre and... http://cargocollective.com/vasarely/Tapisteries-recentes http://cargocollective.com/vasarely/following/vasarely/Tapisteries-recentes Mon, 26 Jan 2009 17:56:23 +0000 Victor Vasarely 1481 <img src="http://payload.cargocollective.com/1/0/208/1481/temp6.jpg" width="670" height="672" width_o="670" height_o="672" src_o="http://payload.cargocollective.com/1/0/208/1481/temp6_o.jpg" data-mid="5144" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/208/1481/temp5.jpg" width="670" height="548" width_o="670" height_o="548" src_o="http://payload.cargocollective.com/1/0/208/1481/temp5_o.jpg" data-mid="1796984" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/208/1481/temp8.jpg" width="670" height="773" width_o="670" height_o="773" src_o="http://payload.cargocollective.com/1/0/208/1481/temp8_o.jpg" data-mid="1796985" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/208/1481/temp9.jpg" width="670" height="537" width_o="670" height_o="537" src_o="http://payload.cargocollective.com/1/0/208/1481/temp9_o.jpg" data-mid="1796986" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/208/1481/temp1.jpg" width="670" height="620" width_o="670" height_o="620" src_o="http://payload.cargocollective.com/1/0/208/1481/temp1_o.jpg" data-mid="5140" border="0" align="left"/> 1951-1955: Kinetic images, black-white photographies: From his Gordes works he developed his kinematic images, superimposed acrylic glass panes create dynamic, moving impressions depending on the viewpoint. In the black-white period he combined the frames into a single pane by transposing photographies in two colours. Tribute to Malevitch, a ceramic wall picture of 100 m² adorns the University of Caracas, Venezuela which he co-designed in 1954 with the architect Carlos Raúl Villanueva, is a major work of this period. 1951-1955: Kinetic images, black-white photographies: From his Gordes works he developed his kinematic images, superimposed acrylic glass panes create dynamic,... http://cargocollective.com/vasarely/Pavillon-de-Marsan http://cargocollective.com/vasarely/following/vasarely/Pavillon-de-Marsan Mon, 26 Jan 2009 16:59:03 +0000 Victor Vasarely 1480 <img src="http://payload.cargocollective.com/1/0/208/1480/temp9.jpg" width="670" height="537" width_o="670" height_o="537" src_o="http://payload.cargocollective.com/1/0/208/1480/temp9_o.jpg" data-mid="5138" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/208/1480/zebres.gif" width="300" height="346" width_o="300" height_o="346" src_o="http://payload.cargocollective.com/1/0/208/1480/zebres_o.gif" data-mid="5149" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/208/1480/bigzebre.jpg" width="350" height="268" width_o="350" height_o="268" src_o="http://payload.cargocollective.com/1/0/208/1480/bigzebre_o.jpg" data-mid="5147" border="0" align="left"/> http://cargocollective.com/vasarely/Kaare-Berntsen-Oslo http://cargocollective.com/vasarely/following/vasarely/Kaare-Berntsen-Oslo Mon, 26 Jan 2009 16:53:08 +0000 Victor Vasarely 1479 <img src="http://payload.cargocollective.com/1/0/208/1479/temp8.jpg" width="670" height="773" width_o="670" height_o="773" src_o="http://payload.cargocollective.com/1/0/208/1479/temp8_o.jpg" data-mid="5137" border="0" align="left"/> http://cargocollective.com/vasarely/Galerie-Rose-Fried http://cargocollective.com/vasarely/following/vasarely/Galerie-Rose-Fried Mon, 26 Jan 2009 16:46:25 +0000 Victor Vasarely 1478 <img src="http://payload.cargocollective.com/1/0/208/1478/temp7.jpg" width="670" height="684" width_o="670" height_o="684" src_o="http://payload.cargocollective.com/1/0/208/1478/temp7_o.jpg" data-mid="5136" border="0" align="left"/> http://cargocollective.com/vasarely/Galerie-Kovacs-Akos http://cargocollective.com/vasarely/following/vasarely/Galerie-Kovacs-Akos Mon, 26 Jan 2009 16:29:57 +0000 Victor Vasarely 1477 <img src="http://payload.cargocollective.com/1/0/208/1477/temp6.jpg" width="670" height="525" width_o="670" height_o="525" src_o="http://payload.cargocollective.com/1/0/208/1477/temp6_o.jpg" data-mid="5135" border="0" align="left"/> (Image via Watz) In 1929 he painted his Blue Study and Green Study. In 1930 he married his fellow student Claire Spinner (1908-1990). Together they had two sons, Andre and Jean-Pierre. In Budapest, he worked for a ball-bearings company in accounting and designing advertising posters. Victor Vasarely became a graphics designer and a poster artist during the 1930’s who combined patterns and organic images with each other. (Image via Watz) In 1929 he painted his Blue Study and Green Study. In 1930 he married his fellow student Claire Spinner (1908-1990). Together they had two sons,... http://cargocollective.com/vasarely/Sidney-Janis-Gallery http://cargocollective.com/vasarely/following/vasarely/Sidney-Janis-Gallery Mon, 26 Jan 2009 16:16:28 +0000 Victor Vasarely 1476 <img src="http://payload.cargocollective.com/1/0/208/1476/temp5.jpg" width="670" height="548" width_o="670" height_o="548" src_o="http://payload.cargocollective.com/1/0/208/1476/temp5_o.jpg" data-mid="5134" border="0" align="left"/> (Image via Watz) Vasarely left Hungary and settled in Paris in 1930 working as a graphic artist and as a creative consultant at the advertising agencies Havas, Draeger and Devambez (1930-1935). His interactions with other artists during this time were limited. He played with the idea of opening up an institution modeled after Sándor Bortnyik's műhely and developed some teaching material for it. Having lived mostly in cheap hotels, he settled in 1942/1944 in Saint-Céré in the Lot département. After the Second World War, he opened an atelier in Arcueil, a suburb some 10 kilometers from the center of Paris (in the Val-de-Marne département of the Île-de-France). In 1961 he finally settled in Annet-sur-Marne (in the Seine-et-Marne département). <img src="http://payload.cargocollective.com/1/0/208/1476/Victor-Vasarely.Gestalt.plavo.1970.jpg" width="345" height="354" width_o="345" height_o="354" src_o="http://payload.cargocollective.com/1/0/208/1476/Victor-Vasarely.Gestalt.plavo.1970_o.jpg" data-mid="5146" border="0" align="left"/> (Image via Watz) Vasarely left Hungary and settled in Paris in 1930 working as a graphic artist and as a creative consultant at the advertising agencies Havas,... http://cargocollective.com/vasarely/Musee-Ernst http://cargocollective.com/vasarely/following/vasarely/Musee-Ernst Mon, 26 Jan 2009 16:08:13 +0000 Victor Vasarely 1475 <img src="http://payload.cargocollective.com/1/0/208/1475/temp3.jpg" width="670" height="406" width_o="900" height_o="546" src_o="http://payload.cargocollective.com/1/0/208/1475/temp3_o.jpg" data-mid="5132" border="0" align="left"/> (Image via Watz) 1951-1955: Kinetic images, black-white photographies: From his Gordes works he developed his kinematic images, superimposed acrylic glass panes create dynamic, moving impressions depending on the viewpoint. In the black-white period he combined the frames into a single pane by transposing photographies in two colours. Tribute to Malevitch, a ceramic wall picture of 100 m² adorns the University of Caracas, Venezuela which he co-designed in 1954 with the architect Carlos Raúl Villanueva, is a major work of this period. Kinetic art flourished and works by Vasarely, Calder, Duchamp, Man Ray, Soto, Tinguely were exhibited at the Denise René gallery under the title Le Mouvement (the motion). Vasarely published his Yellow Manifest. Building on the research of constructivist and Bauhaus pioneers, he postulated that visual kinetics (plastique cinétique) relied on the perception of the viewer who is considered the sole creator, playing with optical illusions. (Image via Watz) 1951-1955: Kinetic images, black-white photographies: From his Gordes works he developed his kinematic images, superimposed acrylic glass panes...