http://cargocollective.com valentina verc Fri, 24 Aug 2012 16:28:18 +0000 http://cargocollective.com en http://cargocollective.com/valentinaverc/Coffee-Habit-2011 http://cargocollective.com/valentinaverc/following/valentinaverc/Coffee-Habit-2011 Fri, 24 Aug 2012 16:28:18 +0000 valentina verc 2462907 <img src="http://payload8.cargocollective.com/1/5/173809/2462907/info_desw1.jpg" width="670" height="541" width_o="900" height_o="728" src_o="http://payload8.cargocollective.com/1/5/173809/2462907/info_desw1_o.jpg" data-mid="28182919" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2462907/info_desw2.jpg" width="670" height="541" width_o="900" height_o="728" src_o="http://payload8.cargocollective.com/1/5/173809/2462907/info_desw2_o.jpg" data-mid="28182920" border="0" align="left"/> A result of a research into the visualisation of statistical information. I have made two versions of the project. In the second version I included the substance, colour end texture of coffee. A result of a research into the visualisation of statistical information. I have made two versions of the project. In the second version I included the... http://cargocollective.com/valentinaverc/Nike-Journey-to-Greatness http://cargocollective.com/valentinaverc/following/valentinaverc/Nike-Journey-to-Greatness Tue, 31 Jul 2012 06:54:47 +0000 valentina verc 3836895 <img src="http://payload76.cargocollective.com/1/5/173809/3836895/NIKE1_800.jpg" width="670" height="496" width_o="800" height_o="593" src_o="http://payload76.cargocollective.com/1/5/173809/3836895/NIKE1_800_o.jpg" data-mid="20012015" border="0" align="left"/><img src="http://payload76.cargocollective.com/1/5/173809/3836895/research05322 web 2_9.jpg" width="670" height="675" width_o="1013" height_o="1021" src_o="http://payload76.cargocollective.com/1/5/173809/3836895/research05322 web 2_9_o.jpg" data-mid="20036263" border="0" align="left"/> T-shirt Design for Nike The Journey to Greatness project was a collaboration between Nike and University of the Arts London (UAL). Four teams of handpicked UAL graduates were challenged to come up with a t-shirt inspired by the journeys athletes must endure to come to the very top. Through a series of workshops and meetings with Nike leading athletes - Paula Radcliffe, Dai Greene, Harry Aikines-Aryeetey and Allyson Felix - each of the teams created a t-shirt design. I was part of the LCC team (London College of Communication) together with Alex Leonhardt, Sarah Schrauwen and Freya Dyson. The project was mentored by artist Dave White and London College of Communication Dean of Design Lawrence Zeegen. You can read more about the project on It's Nice That, here and here, as well as on the 1948 website, LCC blog and jotta. <img src="http://payload76.cargocollective.com/1/5/173809/3836895/NIKE2_800.jpg" width="670" height="496" width_o="800" height_o="593" src_o="http://payload76.cargocollective.com/1/5/173809/3836895/NIKE2_800_o.jpg" data-mid="20012904" border="0" align="left"/> Our initial inspirations came from the meetings we had with some of today's best athletes: Harry Aikines-Aryeteey, Allyson Felix, Dai Greene, Paula Radcliffe. They all talked about sacrifice; how being the best requires them to prioritize their sport over other important aspects in life, such as friends and family. Harry talked about his fear of failure and how winning is addictive, while Dai shared with us how his days are planned out and repetitive in order to be as prepared as he can be for a race. These ideas of determination, addiction and repetitiveness excited us and they formed the basis of our concept. We went through an extensive research and development stage touching on viscous circles, spirographs, kaleidoscopes and strobo photography. We also knew we wanted to use information design for our final piece so that was a thread throughout our conceptual phase. After our first interim crit we decided to look for more unconventional ways of data visualization, something that was more unpredictable and organic and that reflected our initial inspirations of determination, addiction and repetitiveness. That's how we found the automated drawing machine by Robert Howsare - we rebuilt his machine made up of old turntable decks, made a few tweaks and started experimenting with it. Our final concept draws from the 5K we ran with Paula - the idea that everyone can run and that it's addictive even to the mere mortal. One of our teammates ran from Niketown at Oxford Circus to London College of Communication at Elephant&Castle - two places that obviously meant a lot to us during this journey - while our turntable was drawing the final design based on the date the runner fed back to us: his heart-rate, speed, time and location. In this video we talk about our inspiration for this project and explain the concept behind it. <img src="http://payload76.cargocollective.com/1/5/173809/3836895/052.jpg" width="670" height="447" width_o="1415" height_o="945" src_o="http://payload76.cargocollective.com/1/5/173809/3836895/052_o.jpg" data-mid="20013466" border="0" align="left"/><img src="http://payload76.cargocollective.com/1/5/173809/3836895/Journey_To_Greatness.jpg" width="670" height="285" width_o="940" height_o="400" src_o="http://payload76.cargocollective.com/1/5/173809/3836895/Journey_To_Greatness_o.jpg" data-mid="20013516" border="0" align="left"/> Our first workshop and moodboard. Photographs of all 16 graduates with the Nike athletes that inspired us for this journey: Paula Radcliffe, Harry Aikines-Aryeetey, Dai Greene and Allyson Felix. <img src="http://payload76.cargocollective.com/1/5/173809/3836895/LCC_072.jpg" width="670" height="446" width_o="1427" height_o="951" src_o="http://payload76.cargocollective.com/1/5/173809/3836895/LCC_072_o.jpg" data-mid="20013556" border="0" align="left"/><img src="http://payload76.cargocollective.com/1/5/173809/3836895/082.jpg" width="670" height="447" width_o="1423" height_o="950" src_o="http://payload76.cargocollective.com/1/5/173809/3836895/082_o.jpg" data-mid="20013574" border="0" align="left"/><img src="http://payload76.cargocollective.com/1/5/173809/3836895/0932.jpg" width="670" height="446" width_o="1416" height_o="943" src_o="http://payload76.cargocollective.com/1/5/173809/3836895/0932_o.jpg" data-mid="20013590" border="0" align="left"/><img src="http://payload76.cargocollective.com/1/5/173809/3836895/0953.jpg" width="670" height="411" width_o="1425" height_o="875" src_o="http://payload76.cargocollective.com/1/5/173809/3836895/0953_o.jpg" data-mid="20014119" border="0" align="left"/> Packaging design for the T-shirt collection in collaboration with INT Works Photography by Ryan Hopkinson Films by Andrew Telling T-shirt Design for Nike The Journey to Greatness project was a collaboration between Nike and University of the Arts London (UAL). Four teams of handpicked UAL... http://cargocollective.com/valentinaverc/Visual-Interpretations http://cargocollective.com/valentinaverc/following/valentinaverc/Visual-Interpretations Sat, 17 Dec 2011 17:54:54 +0000 valentina verc 2473840 <img src="http://payload8.cargocollective.com/1/5/173809/2473840/Visual-Interpretation-VI-web.jpg" width="670" height="600" width_o="2048" height_o="1834" src_o="http://payload8.cargocollective.com/1/5/173809/2473840/Visual-Interpretation-VI-web_o.jpg" data-mid="12469894" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2473840/Visual-Interpretation-I-web.jpg" width="670" height="607" width_o="2048" height_o="1858" src_o="http://payload8.cargocollective.com/1/5/173809/2473840/Visual-Interpretation-I-web_o.jpg" data-mid="12469733" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2473840/Visual-Interpretation-III-web.jpg" width="670" height="504" width_o="2048" height_o="1543" src_o="http://payload8.cargocollective.com/1/5/173809/2473840/Visual-Interpretation-III-web_o.jpg" data-mid="12469881" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2473840/Visual-Interpretation-XII-1web.jpg" width="670" height="335" width_o="2048" height_o="1025" src_o="http://payload8.cargocollective.com/1/5/173809/2473840/Visual-Interpretation-XII-1web_o.jpg" data-mid="20265354" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2473840/Visual-Interpretation-IX-web.jpg" width="670" height="448" width_o="2048" height_o="1371" src_o="http://payload8.cargocollective.com/1/5/173809/2473840/Visual-Interpretation-IX-web_o.jpg" data-mid="12469886" border="0" align="left"/> A series of visual interpretations of poems from the poem book The Erotic and Fear. A series of visual interpretations of poems from the poem book The Erotic and Fear. http://cargocollective.com/valentinaverc/Visual-Summary http://cargocollective.com/valentinaverc/following/valentinaverc/Visual-Summary Sat, 17 Dec 2011 17:09:22 +0000 valentina verc 2473698 <img src="http://payload8.cargocollective.com/1/5/173809/2473698/vscoverw.jpg" width="670" height="501" width_o="850" height_o="636" src_o="http://payload8.cargocollective.com/1/5/173809/2473698/vscoverw_o.jpg" data-mid="28936312" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2473698/vs1w.jpg" width="670" height="501" width_o="850" height_o="636" src_o="http://payload8.cargocollective.com/1/5/173809/2473698/vs1w_o.jpg" data-mid="28936320" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2473698/vs2w.jpg" width="670" height="501" width_o="850" height_o="636" src_o="http://payload8.cargocollective.com/1/5/173809/2473698/vs2w_o.jpg" data-mid="28936327" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2473698/vs3w.jpg" width="670" height="501" width_o="850" height_o="636" src_o="http://payload8.cargocollective.com/1/5/173809/2473698/vs3w_o.jpg" data-mid="28936329" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2473698/vs5w.jpg" width="670" height="501" width_o="850" height_o="636" src_o="http://payload8.cargocollective.com/1/5/173809/2473698/vs5w_o.jpg" data-mid="28936337" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2473698/vs4w.jpg" width="670" height="501" width_o="850" height_o="636" src_o="http://payload8.cargocollective.com/1/5/173809/2473698/vs4w_o.jpg" data-mid="28936340" border="0" align="left"/> The book encompasses the visual summary of the projects created during the Postgraduate Certificate Design for Visual Communication Course at LCC. The book encompasses the visual summary of the projects created during the Postgraduate Certificate Design for Visual Communication Course at LCC. http://cargocollective.com/valentinaverc/GF-Smith-Colorplan http://cargocollective.com/valentinaverc/following/valentinaverc/GF-Smith-Colorplan Sat, 17 Dec 2011 08:37:25 +0000 valentina verc 2472212 <img src="http://payload8.cargocollective.com/1/5/173809/2472212/webL_1.jpg" width="670" height="498" width_o="900" height_o="670" src_o="http://payload8.cargocollective.com/1/5/173809/2472212/webL_1_o.jpg" data-mid="28182802" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2472212/webL_2.jpg" width="670" height="498" width_o="900" height_o="670" src_o="http://payload8.cargocollective.com/1/5/173809/2472212/webL_2_o.jpg" data-mid="28182807" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2472212/webL_3.jpg" width="670" height="498" width_o="900" height_o="670" src_o="http://payload8.cargocollective.com/1/5/173809/2472212/webL_3_o.jpg" data-mid="28182809" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2472212/webL_4.jpg" width="670" height="498" width_o="900" height_o="670" src_o="http://payload8.cargocollective.com/1/5/173809/2472212/webL_4_o.jpg" data-mid="28182813" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2472212/webL_5.jpg" width="670" height="498" width_o="900" height_o="670" src_o="http://payload8.cargocollective.com/1/5/173809/2472212/webL_5_o.jpg" data-mid="28182816" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2472212/webL_6.jpg" width="670" height="498" width_o="900" height_o="670" src_o="http://payload8.cargocollective.com/1/5/173809/2472212/webL_6_o.jpg" data-mid="28182818" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2472212/webL_7.jpg" width="670" height="498" width_o="900" height_o="670" src_o="http://payload8.cargocollective.com/1/5/173809/2472212/webL_7_o.jpg" data-mid="28182821" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2472212/webL_8.jpg" width="670" height="498" width_o="900" height_o="670" src_o="http://payload8.cargocollective.com/1/5/173809/2472212/webL_8_o.jpg" data-mid="28182827" border="0" align="left"/> The project was part of the Colour and Structure brief. The intention of the project was to promote the range of Gf Smith Colorplan: The Student Edition papers. I took the map of Hull (where the company is based) as the basic structure of the images and divided it into eight sections for the eight colourcards. In the compositions, I presented the specific colour contrasts. The project was part of the Colour and Structure brief. The intention of the project was to promote the range of Gf Smith Colorplan: The Student Edition papers. I... http://cargocollective.com/valentinaverc/Visual-Grammar http://cargocollective.com/valentinaverc/following/valentinaverc/Visual-Grammar Sat, 17 Dec 2011 06:31:40 +0000 valentina verc 2471887 <img src="http://payload8.cargocollective.com/1/5/173809/2471887/vg_coverw_1.jpg" width="670" height="394" width_o="850" height_o="500" src_o="http://payload8.cargocollective.com/1/5/173809/2471887/vg_coverw_1_o.jpg" data-mid="28182634" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_1.jpg" width="670" height="394" width_o="850" height_o="500" src_o="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_1_o.jpg" data-mid="28182637" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_2.jpg" width="670" height="394" width_o="850" height_o="500" src_o="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_2_o.jpg" data-mid="28182639" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_3.jpg" width="670" height="394" width_o="850" height_o="500" src_o="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_3_o.jpg" data-mid="28182641" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_4.jpg" width="670" height="394" width_o="850" height_o="500" src_o="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_4_o.jpg" data-mid="28182642" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_5.jpg" width="670" height="394" width_o="850" height_o="500" src_o="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_5_o.jpg" data-mid="28182645" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_6.jpg" width="670" height="394" width_o="850" height_o="500" src_o="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_6_o.jpg" data-mid="28182648" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2471887/vg_coverw_2.jpg" width="670" height="394" width_o="850" height_o="500" src_o="http://payload8.cargocollective.com/1/5/173809/2471887/vg_coverw_2_o.jpg" data-mid="28182658" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_7.jpg" width="670" height="394" width_o="850" height_o="500" src_o="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_7_o.jpg" data-mid="28182663" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_8.jpg" width="670" height="394" width_o="850" height_o="500" src_o="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_8_o.jpg" data-mid="28182666" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_9.jpg" width="670" height="394" width_o="850" height_o="500" src_o="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_9_o.jpg" data-mid="28182668" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_10.jpg" width="670" height="394" width_o="850" height_o="500" src_o="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_10_o.jpg" data-mid="28182669" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_11.jpg" width="670" height="394" width_o="850" height_o="500" src_o="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_11_o.jpg" data-mid="28182673" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2471887/vg_coverw_3.jpg" width="670" height="394" width_o="850" height_o="500" src_o="http://payload8.cargocollective.com/1/5/173809/2471887/vg_coverw_3_o.jpg" data-mid="28182678" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_12.jpg" width="670" height="394" width_o="850" height_o="500" src_o="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_12_o.jpg" data-mid="28182685" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_13.jpg" width="670" height="394" width_o="850" height_o="500" src_o="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_13_o.jpg" data-mid="28182692" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_14.jpg" width="670" height="394" width_o="850" height_o="500" src_o="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_14_o.jpg" data-mid="28182701" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_15.jpg" width="670" height="394" width_o="850" height_o="500" src_o="http://payload8.cargocollective.com/1/5/173809/2471887/vgw_15_o.jpg" data-mid="28182707" border="0" align="left"/> The Visual Grammar book series: Lines, Circles and Squares, is an editorial outcome of an exploration into the basic elements of line, dot and square. I combined the compositions made with Illustrator and compositions made by hand (collage and stamping), with black and white photographs of the elements in the environment to show the abstract dimension of the world that surrounds us. The manuals are aimed at Design for Visual Communication students. The Visual Grammar book series: Lines, Circles and Squares, is an editorial outcome of an exploration into the basic elements of line, dot and square. I combined... http://cargocollective.com/valentinaverc/Found-Alphabet http://cargocollective.com/valentinaverc/following/valentinaverc/Found-Alphabet Thu, 15 Dec 2011 10:36:07 +0000 valentina verc 2464309 <img src="http://payload8.cargocollective.com/1/5/173809/2464309/foundt_web_L.jpg" width="670" height="498" width_o="900" height_o="670" src_o="http://payload8.cargocollective.com/1/5/173809/2464309/foundt_web_L_o.jpg" data-mid="28182767" border="0" align="left"/> http://cargocollective.com/valentinaverc/Typescapes http://cargocollective.com/valentinaverc/following/valentinaverc/Typescapes Thu, 15 Dec 2011 05:15:06 +0000 valentina verc 2462965 <img src="http://payload8.cargocollective.com/1/5/173809/2462965/types_w.jpg" width="670" height="498" width_o="900" height_o="670" src_o="http://payload8.cargocollective.com/1/5/173809/2462965/types_w_o.jpg" data-mid="28182884" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2462965/types1_w.jpg" width="670" height="498" width_o="900" height_o="670" src_o="http://payload8.cargocollective.com/1/5/173809/2462965/types1_w_o.jpg" data-mid="28182892" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2462965/types2_w.jpg" width="670" height="498" width_o="900" height_o="670" src_o="http://payload8.cargocollective.com/1/5/173809/2462965/types2_w_o.jpg" data-mid="28182897" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2462965/types3_w.jpg" width="670" height="498" width_o="900" height_o="670" src_o="http://payload8.cargocollective.com/1/5/173809/2462965/types3_w_o.jpg" data-mid="28182904" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2462965/types4_w.jpg" width="670" height="498" width_o="900" height_o="670" src_o="http://payload8.cargocollective.com/1/5/173809/2462965/types4_w_o.jpg" data-mid="28182907" border="0" align="left"/> http://cargocollective.com/valentinaverc/Type-Classification http://cargocollective.com/valentinaverc/following/valentinaverc/Type-Classification Thu, 15 Dec 2011 04:34:03 +0000 valentina verc 2462715 <img src="http://payload8.cargocollective.com/1/5/173809/2462715/coverNw.jpg" width="670" height="320" width_o="850" height_o="406" src_o="http://payload8.cargocollective.com/1/5/173809/2462715/coverNw_o.jpg" data-mid="28182527" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2462715/typecw_1.jpg" width="670" height="320" width_o="850" height_o="406" src_o="http://payload8.cargocollective.com/1/5/173809/2462715/typecw_1_o.jpg" data-mid="28182529" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2462715/typecw_2.jpg" width="670" height="320" width_o="850" height_o="406" src_o="http://payload8.cargocollective.com/1/5/173809/2462715/typecw_2_o.jpg" data-mid="28182532" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2462715/typecw_3.jpg" width="670" height="320" width_o="850" height_o="406" src_o="http://payload8.cargocollective.com/1/5/173809/2462715/typecw_3_o.jpg" data-mid="28182534" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2462715/typecw_4.jpg" width="670" height="320" width_o="850" height_o="406" src_o="http://payload8.cargocollective.com/1/5/173809/2462715/typecw_4_o.jpg" data-mid="28182536" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2462715/typecw_5.jpg" width="670" height="320" width_o="850" height_o="406" src_o="http://payload8.cargocollective.com/1/5/173809/2462715/typecw_5_o.jpg" data-mid="28182539" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2462715/typecw_6.jpg" width="670" height="320" width_o="850" height_o="406" src_o="http://payload8.cargocollective.com/1/5/173809/2462715/typecw_6_o.jpg" data-mid="28182541" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2462715/typecw_7.jpg" width="670" height="320" width_o="850" height_o="406" src_o="http://payload8.cargocollective.com/1/5/173809/2462715/typecw_7_o.jpg" data-mid="28182544" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2462715/typecw_8.jpg" width="670" height="320" width_o="850" height_o="406" src_o="http://payload8.cargocollective.com/1/5/173809/2462715/typecw_8_o.jpg" data-mid="28182549" border="0" align="left"/><img src="http://payload8.cargocollective.com/1/5/173809/2462715/typecw_9.jpg" width="670" height="320" width_o="850" height_o="406" src_o="http://payload8.cargocollective.com/1/5/173809/2462715/typecw_9_o.jpg" data-mid="28182551" border="0" align="left"/> In the Type Classification booklet I presented the characters of six typefaces: Garamond, Baskerville, Bodoni, Gill Sans, Futura and Univers, and focused on the distinction between serif and sans-serif typography. In the Type Classification booklet I presented the characters of six typefaces: Garamond, Baskerville, Bodoni, Gill Sans, Futura and Univers, and focused on the... http://cargocollective.com/valentinaverc/Semantic-Typography http://cargocollective.com/valentinaverc/following/valentinaverc/Semantic-Typography Mon, 12 Dec 2011 06:18:28 +0000 valentina verc 2444785 <img src="http://payload7.cargocollective.com/1/5/173809/2444785/sNw_1.jpg" width="670" height="498" width_o="850" height_o="633" src_o="http://payload7.cargocollective.com/1/5/173809/2444785/sNw_1_o.jpg" data-mid="28182461" border="0" align="left"/><img src="http://payload7.cargocollective.com/1/5/173809/2444785/sNw_2.jpg" width="670" height="498" width_o="850" height_o="633" src_o="http://payload7.cargocollective.com/1/5/173809/2444785/sNw_2_o.jpg" data-mid="28182468" border="0" align="left"/><img src="http://payload7.cargocollective.com/1/5/173809/2444785/sNw_4.jpg" width="670" height="498" width_o="850" height_o="633" src_o="http://payload7.cargocollective.com/1/5/173809/2444785/sNw_4_o.jpg" data-mid="28182476" border="0" align="left"/><img src="http://payload7.cargocollective.com/1/5/173809/2444785/sNw_3.jpg" width="670" height="498" width_o="850" height_o="633" src_o="http://payload7.cargocollective.com/1/5/173809/2444785/sNw_3_o.jpg" data-mid="28182472" border="0" align="left"/><img src="http://payload7.cargocollective.com/1/5/173809/2444785/sNw_5.jpg" width="670" height="498" width_o="850" height_o="633" src_o="http://payload7.cargocollective.com/1/5/173809/2444785/sNw_5_o.jpg" data-mid="28182479" border="0" align="left"/><img src="http://payload7.cargocollective.com/1/5/173809/2444785/st_webL.jpg" width="670" height="498" width_o="900" height_o="670" src_o="http://payload7.cargocollective.com/1/5/173809/2444785/st_webL_o.jpg" data-mid="28182483" border="0" align="left"/> The intention of the project was to create a series of invintation cards and a poster for the promotion of young Slovenian women poets at international book fairs. The project encompassed a visual exploration into semantic typography alongside the possibilities of letterpress. The intention of the project was to create a series of invintation cards and a poster for the promotion of young Slovenian women poets at international book...