SUPERCINEMA

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	<title>SUPERCINEMA</title>
	<link>http://cargocollective.com</link>
	<description>SUPERCINEMA</description>
	<pubDate>Mon, 04 Apr 2011 18:19:52 +0000</pubDate>
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	<item>
		<title>Days of Heaven</title>
				
		<link>http://cargocollective.com/supercinema/Days-of-Heaven-1</link>

		<comments>http://cargocollective.com/supercinema/following/supercinema/Days-of-Heaven-1</comments>

		<pubDate>Mon, 04 Apr 2011 18:19:52 +0000</pubDate>

		<dc:creator>SUPERCINEMA</dc:creator>
		
		<category><![CDATA[Screening, Upcoming]]></category>

		<guid isPermaLink="false">1263465</guid>

		<description>ScreeningFriday, May 27, 2011 at 7:00 PM 
Tisch School of the Arts, NYU
721 Broadway, New York, NY (Map)
Screening Room 006
Criterion restoration (digital)
Must be 21+ to attend

TicketsTickets are $10.  Online ticketing has ended, but tickets will still be available at the door.
ProgramIn anticipation of Terence Malick's new films The Tree of Life and The Burial, we are getting together to re-discover his 1978 masterpiece Days of Heaven, starring Sam Shephard, Richard Gere, and Brooke Adams.  Film writer Darrell Hartman (Interview Magazine) will introduce the film and present a critical look at Malick's vision.  Join us as we follow these Chicago runaways on their journey into a classic American love triangle.  

Wine provided by Bear Flag and craft beers by Harlem Brewing Company.

&#60;img src="http://payload.cargocollective.com/1/3/99939/1263465/bearflag2.jpg" width="153" height="100" width_o="153" height_o="100" src_o="http://payload.cargocollective.com/1/3/99939/1263465/bearflag2_o.jpg" data-mid="6655951"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263465/harlem.jpg" width="87" height="100" width_o="87" height_o="100" src_o="http://payload.cargocollective.com/1/3/99939/1263465/harlem_o.jpg" data-mid="6655947"  border="0" align="left"/&#62;
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SynopsisIn 1910, a Chicago steelworker (Richard Gere) accidentally kills his supervisor, and he, his girlfriend (Brooke Adams), and his little sister (Linda Manz) flee to the Texas panhandle, where they find work harvesting wheat in the fields of a dying farmer (Sam Shepard). A love triangle, a swarm of locusts, a hellish fire—Malick captures it all with dreamlike authenticity, creating a timeless American idyll that is also a gritty evocation of turn-of-the-century labor.

- Criterion Collection


Dueling Cinematographers"Days of Heaven'' is above all one of the most beautiful films ever made.  [Its] great photography has also generated a mystery. The credit for cinematography goes to the Cuban Nestor Almendros, who won an Oscar for the film; "Days of Heaven'' established him in America, where he went on to great success. Then there is a small credit at the end: "Additional photography by Haskell Wexler.'' Wexler, too, is one of the greatest of all cinematographers. 

&#60;img src="http://payload.cargocollective.com/1/3/99939/1263465/daysofheaven-00011_420.png" width="420" height="236" width_o="853" height_o="480" src_o="http://payload.cargocollective.com/1/3/99939/1263465/daysofheaven-00011_o.png" data-mid="6373371"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263465/daysofheaven-00033_420.png" width="420" height="236" width_o="853" height_o="480" src_o="http://payload.cargocollective.com/1/3/99939/1263465/daysofheaven-00033_o.png" data-mid="6373382"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263465/daysofheaven-00029_420.png" width="420" height="236" width_o="853" height_o="480" src_o="http://payload.cargocollective.com/1/3/99939/1263465/daysofheaven-00029_o.png" data-mid="6373375"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263465/daysofheaven-00019_420.png" width="420" height="236" width_o="853" height_o="480" src_o="http://payload.cargocollective.com/1/3/99939/1263465/daysofheaven-00019_o.png" data-mid="6373372"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263465/daysofheaven-00040_420.png" width="420" height="236" width_o="853" height_o="480" src_o="http://payload.cargocollective.com/1/3/99939/1263465/daysofheaven-00040_o.png" data-mid="6373385"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263465/daysofheaven-00049_420.png" width="420" height="236" width_o="853" height_o="480" src_o="http://payload.cargocollective.com/1/3/99939/1263465/daysofheaven-00049_o.png" data-mid="6373389"  border="0" align="left"/&#62;

That credit has always rankled him, and he once sent me a letter in which he described sitting in a theater with a stopwatch to prove that more than half of the footage was shot by him. The reason he didn't get top billing is a story of personal and studio politics, but the fact remains that between them these two great cinematographers created a film whose look remains unmistakably in the memory. 

- Roger Ebert</description>
		
		<excerpt>ScreeningFriday, May 27, 2011 at 7:00 PM  Tisch School of the Arts, NYU 721 Broadway, New York, NY (Map) Screening Room 006 Criterion restoration (digital) Must be...</excerpt>

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	<item>
		<title>Plein Soleil</title>
				
		<link>http://cargocollective.com/supercinema/Plein-Soleil</link>

		<comments>http://cargocollective.com/supercinema/following/supercinema/Plein-Soleil</comments>

		<pubDate>Mon, 04 Apr 2011 18:07:45 +0000</pubDate>

		<dc:creator>SUPERCINEMA</dc:creator>
		
		<category><![CDATA[Screening, Past]]></category>

		<guid isPermaLink="false">1263390</guid>

		<description>ScreeningFriday, October 22, 2010 
(Past Event)

ProgramOur debut screening is Plein Soleil (aka Purple Noon), french director Rene Clement’s nail-biting European version of The Talented Mr. Ripley.

The evening features a critical introduction by Darrell Hartman, live performances from the original book by Tisch MFA alumni actors Kathleen Wise, JD Taylor, and Michael Schantz, and a digital interpretation of Nino Rota's score by ITP alumni musician Ted Hayes.  Prepare for a ride through the mysterious mind of Tom Ripley, Patricia Highmith's infamous anti-hero.

Invite	
		
			
			
			
			
			
			
			
		
		
			
				
					
					
				
			
		
	
Photos&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9545_420.jpg" width="420" height="280" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9545_o.jpg" data-mid="6159451"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9559_420.jpg" width="420" height="280" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9559_o.jpg" data-mid="6159452"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9682_420.jpg" width="420" height="280" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9682_o.jpg" data-mid="6159533"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9570_420.jpg" width="420" height="280" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9570_o.jpg" data-mid="6159459"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9580_420.jpg" width="420" height="280" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9580_o.jpg" data-mid="6159467"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9595_420.jpg" width="420" height="280" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9595_o.jpg" data-mid="6159473"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9602_420.jpg" width="420" height="280" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9602_o.jpg" data-mid="6159478"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9607_420.jpg" width="420" height="280" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9607_o.jpg" data-mid="6159482"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9618_420.jpg" width="420" height="280" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9618_o.jpg" data-mid="6159484"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9637_420.jpg" width="420" height="280" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9637_o.jpg" data-mid="6159494"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9649_420.jpg" width="420" height="280" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9649_o.jpg" data-mid="6159498"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9651_420.jpg" width="420" height="280" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9651_o.jpg" data-mid="6159501"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9656_420.jpg" width="420" height="280" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9656_o.jpg" data-mid="6159506"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9662_420.jpg" width="420" height="280" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9662_o.jpg" data-mid="6159514"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9665_420.jpg" width="420" height="280" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9665_o.jpg" data-mid="6159521"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9668_420.jpg" width="420" height="280" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9668_o.jpg" data-mid="6159526"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9674_420.jpg" width="420" height="280" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9674_o.jpg" data-mid="6159528"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9565_420.jpg" width="420" height="280" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9565_o.jpg" data-mid="6159456"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9678_420.jpg" width="420" height="280" width_o="1000" height_o="667" src_o="http://payload.cargocollective.com/1/3/99939/1263390/supercinema-9678_o.jpg" data-mid="6159531"  border="0" align="left"/&#62;

Photography by Rick Kim.

SponsorsItalian treats are compliments of Tribeca's newest Southern Italian hotspot, Stuzzicheria, and signature cocktails are courtesy of 42 Below Vodka.  

&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/42logo_horizontal_Converted.jpg" width="100" height="40" width_o="100" height_o="40" src_o="http://payload.cargocollective.com/1/3/99939/1263390/42logo_horizontal_Converted_o.jpg" data-mid="6323208"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/99939/1263390/Screen shot 2011-04-13 at 12.15.54 PM.jpg" width="200" height="40" width_o="200" height_o="40" src_o="http://payload.cargocollective.com/1/3/99939/1263390/Screen shot 2011-04-13 at 12.15.54 PM_o.jpg" data-mid="6323222"  border="0" align="left"/&#62;

</description>
		
		<excerpt>ScreeningFriday, October 22, 2010  (Past Event)  ProgramOur debut screening is Plein Soleil (aka Purple Noon), french director Rene Clement’s nail-biting European...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

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