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<channel>
	<title>silvasilva</title>
	<link>http://cargocollective.com</link>
	<description>silvasilva</description>
	<pubDate>Wed, 20 Mar 2013 10:28:21 +0000</pubDate>
	<generator>http://cargocollective.com</generator>
	<language>en</language>
	
		
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		<title>1project</title>
				
		<link>http://cargocollective.com/silvasilva/1project</link>

		<comments>http://cargocollective.com/silvasilva/following/silvasilva/1project</comments>

		<pubDate>Wed, 20 Mar 2013 10:28:21 +0000</pubDate>

		<dc:creator>silvasilva</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">5222173</guid>

		<description></description>
		
		<excerpt></excerpt>

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	<item>
		<title>raydale dower</title>
				
		<link>http://cargocollective.com/silvasilva/raydale-dower</link>

		<comments>http://cargocollective.com/silvasilva/following/silvasilva/raydale-dower</comments>

		<pubDate>Sat, 30 Jun 2012 09:59:26 +0000</pubDate>

		<dc:creator>silvasilva</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">3676914</guid>

		<description></description>
		
		<excerpt></excerpt>

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	<item>
		<title>tramway gordon</title>
				
		<link>http://cargocollective.com/silvasilva/tramway-gordon</link>

		<comments>http://cargocollective.com/silvasilva/following/silvasilva/tramway-gordon</comments>

		<pubDate>Sat, 30 Jun 2012 09:44:32 +0000</pubDate>

		<dc:creator>silvasilva</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">3676867</guid>

		<description>Gordon Schmidt’s practice is concerned with relationships between cultural, historical and technological occurrences. Using contemporary mechanisms and methods to present and re-present cultural documents from previous eras, Schmidt’s works are ultimately his own subjective renderings of the largely secondhand experience of these occurrences.
Schmidt creates subtle treatments of found objects or pre-existing documents in the form of books, TV shows or films, which can
be read as subjective renderings of second-hand experiences, an approach that openly reflects and acknowledges a subjective relationship with the events and times that he draws from. Previous works have included documentary footage of the Mai 68 demonstrations in Paris, Elvis Presley’s televised Comeback Special and a forged Pollock painting.
Whilst these works demonstrate an ongoing engagement with collaborative activities and notions of a group mentality, more recently the artist has broadened his inquiry, focusing on the subjective rather than the objective encounter. This latest work examines the role of the individual within the context of the current preoccupation towards group focused experience, visible in all aspects of life from the social and cultural to the political and economic.
The made for television ‘Wednesday Play’ dramatisation of Satre’s play huis clos is a cultural document which considers both the individual and the group. In his new film work ‘the soul is easier to know than the body’, Schmidt represents footage originally made for single channel TV broadcast as an immersive installation, customised to heighten the experience of the individual viewer. Presented on free’ standing screens, the three synchronised video projections create a phenomenological, rather than a purely visual experience.

</description>
		
		<excerpt>Gordon Schmidt’s practice is concerned with relationships between cultural, historical and technological occurrences. Using contemporary mechanisms and methods to...</excerpt>

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	<item>
		<title>Tramway matthew</title>
				
		<link>http://cargocollective.com/silvasilva/Tramway-matthew</link>

		<comments>http://cargocollective.com/silvasilva/following/silvasilva/Tramway-matthew</comments>

		<pubDate>Sat, 30 Jun 2012 09:38:00 +0000</pubDate>

		<dc:creator>silvasilva</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">3676841</guid>

		<description>Tramway is proud to present T Rooms, Matthew Darbyshire’s largest public exhibition to date and a major commission for Tramway’s visual art programme. It is an immersive installation which continues Darbyshire’s exploration into design as a barometer of social change. Often working collaboratively, Darbyshire has worked here with Rupert Ackroyd, Jacob Farrell, Owen Hatherley and Scott King on four individual components housed within the overall exhibition structure.
T Rooms transforms Tramway’s main gallery space with an ambitious and thought provoking response to the building’s own physical and social context whilst at the same time referencing how Glasgow’s own cultural history has been re-deployed and ‘re-branded’ within a contemporary context.

</description>
		
		<excerpt>Tramway is proud to present T Rooms, Matthew Darbyshire’s largest public exhibition to date and a major commission for Tramway’s visual art programme. It is an...</excerpt>

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	</item>
		
		
	<item>
		<title>research</title>
				
		<link>http://cargocollective.com/silvasilva/research</link>

		<comments>http://cargocollective.com/silvasilva/following/silvasilva/research</comments>

		<pubDate>Fri, 29 Jun 2012 17:08:51 +0000</pubDate>

		<dc:creator>silvasilva</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/  .jpg" width="312" height="400" width_o="312" height_o="400" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/  _o.jpg" data-mid="19069147"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/02.turrell.gasworks.011.jpg" width="350" height="241" width_o="350" height_o="241" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/02.turrell.gasworks.011_o.jpg" data-mid="19069149"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/6a00d83455aaff69e200e54f52c9b38834-800wi.jpg" width="467" height="360" width_o="467" height_o="360" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/6a00d83455aaff69e200e54f52c9b38834-800wi_o.jpg" data-mid="19069218"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/210px-Ouroboros.jpg" width="210" height="223" width_o="210" height_o="223" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/210px-Ouroboros_o.jpg" data-mid="19069221"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/300px-MagrittePipe.jpg" width="300" height="210" width_o="300" height_o="210" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/300px-MagrittePipe_o.jpg" data-mid="19069222"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/Anish Kapoor Sky Mirror Brighton May 09 3.jpg" width="670" height="502" width_o="1600" height_o="1200" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/Anish Kapoor Sky Mirror Brighton May 09 3_o.jpg" data-mid="19069223"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/anish-kapoor-guggenheim-2.jpg" width="670" height="502" width_o="1417" height_o="1063" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/anish-kapoor-guggenheim-2_o.jpg" data-mid="19069225"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/AR00180.jpg" width="540" height="344" width_o="540" height_o="344" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/AR00180_o.jpg" data-mid="19069226"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/Cyprien_Gaillard.jpg" width="500" height="333" width_o="500" height_o="333" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/Cyprien_Gaillard_o.jpg" data-mid="19069227"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/dibbets-2.1267454034.jpg" width="670" height="502" width_o="1296" height_o="972" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/dibbets-2.1267454034_o.jpg" data-mid="19069229"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/eclipse31.jpg" width="670" height="488" width_o="1024" height_o="747" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/eclipse31_o.jpg" data-mid="19069231"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/Eliasson_DoubleSunset1999_Panorama_Utrecht2000.jpg" width="600" height="455" width_o="600" height_o="455" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/Eliasson_DoubleSunset1999_Panorama_Utrecht2000_o.jpg" data-mid="19069232"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/James-Turrell-Bindu-Shards-Sphere.jpg" width="523" height="347" width_o="523" height_o="347" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/James-Turrell-Bindu-Shards-Sphere_o.jpg" data-mid="19069233"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/Nauman1 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src_o="http://payload68.cargocollective.com/1/2/64790/3674983/Picasso-Le-baiser_o.jpg" data-mid="19069240"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/Ruscha 1.img_assist_custom.jpg" width="350" height="308" width_o="350" height_o="308" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/Ruscha 1.img_assist_custom_o.jpg" data-mid="19069242"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/16_Nauman_RoomWithmySoul.jpg" width="670" height="446" width_o="950" height_o="633" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/16_Nauman_RoomWithmySoul_o.jpg" data-mid="19069269"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/94d0a18e.jpg" width="670" height="440" width_o="700" height_o="460" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/94d0a18e_o.jpg" data-mid="19069271"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/3899_9.jpg" width="410" height="512" width_o="410" height_o="512" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/3899_9_o.jpg" data-mid="19069273"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/12286386.jpg" width="670" height="525" width_o="1024" height_o="803" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/12286386_o.jpg" data-mid="19069274"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/a0011285_4c738e2b9cd5c.jpg" width="670" height="554" width_o="1300" height_o="1075" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/a0011285_4c738e2b9cd5c_o.jpg" data-mid="19069277"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/b7381e3c.jpg" width="461" height="600" width_o="461" height_o="600" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/b7381e3c_o.jpg" data-mid="19069279"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/Bild 2.jpg" width="670" height="561" width_o="2048" height_o="1715" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/Bild 2_o.jpg" data-mid="19069286"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/cat_cairn_may_05.jpg" width="670" height="445" width_o="1504" height_o="1000" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/cat_cairn_may_05_o.jpg" data-mid="19069288"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/dibbets_4_o.jpg" width="356" height="272" width_o="356" height_o="272" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/dibbets_4_o_o.jpg" data-mid="19069289"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/downside-up.jpg" width="350" height="326" width_o="350" height_o="326" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/downside-up_o.jpg" data-mid="19069293"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/es_platon-gante-col-priv.jpg" width="670" height="951" width_o="721" height_o="1024" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/es_platon-gante-col-priv_o.jpg" data-mid="19069298"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/god.jpg" width="400" height="330" width_o="400" height_o="330" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/god_o.jpg" data-mid="19069300"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/hugo ball cabaret.jpg" width="670" height="1089" width_o="922" height_o="1499" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/hugo ball cabaret_o.jpg" data-mid="19069303"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/JAMES-TURRELL-2010_Bindu-Shards-lower-res-615x403.jpg" width="615" height="403" width_o="615" height_o="403" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/JAMES-TURRELL-2010_Bindu-Shards-lower-res-615x403_o.jpg" data-mid="19069307"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/jan dibbets- perspective correction I- 15op15-760179.jpg" width="670" height="670" width_o="1116" height_o="1116" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/jan dibbets- perspective correction I- 15op15-760179_o.jpg" data-mid="19069310"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/JanDibbets_The_Shortest_Day_at_the_Van_Abbemuseum-1970-photoPeterCox.jpg" width="670" height="692" width_o="1548" height_o="1601" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/JanDibbets_The_Shortest_Day_at_the_Van_Abbemuseum-1970-photoPeterCox_o.jpg" data-mid="19069316"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/kosuth13chairs65q.jpg" width="670" height="562" width_o="1012" height_o="850" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/kosuth13chairs65q_o.jpg" data-mid="19069317"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/Large_H1000xW950.jpg" width="670" height="845" width_o="792" height_o="1000" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/Large_H1000xW950_o.jpg" data-mid="19069318"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/moon high res.jpg" width="500" height="500" width_o="500" height_o="500" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/moon high res_o.jpg" data-mid="19069319"  border="0" align="left"/&#62;&#60;img src="http://payload68.cargocollective.com/1/2/64790/3674983/x5o1vs.jpg" width="565" height="745" width_o="565" height_o="745" src_o="http://payload68.cargocollective.com/1/2/64790/3674983/x5o1vs_o.jpg" data-mid="19069320"  border="0" align="left"/&#62;</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload68.cargocollective.com/1/2/64790/3674983/prt_1341007252.png" />

	</item>
		
		
	<item>
		<title>till/ syberberg</title>
				
		<link>http://cargocollective.com/silvasilva/till-syberberg</link>

		<comments>http://cargocollective.com/silvasilva/following/silvasilva/till-syberberg</comments>

		<pubDate>Fri, 29 Jun 2012 16:04:03 +0000</pubDate>

		<dc:creator>silvasilva</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">3674813</guid>

		<description>Hans-Jürgen Syberberg (born 8 December 1935) is a German film director, whose best known film is his lengthy feature, Hitler: A Film from Germany.

www.syberberg.de/Syberberg4_2012/19_Juni-Max-Joseph.html


</description>
		
		<excerpt>Hans-Jürgen Syberberg (born 8 December 1935) is a German film director, whose best known film is his lengthy feature, Hitler: A Film from Germany. ...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload68.cargocollective.com/1/2/64790/3674813/prt_1341003858.png" />

	</item>
		
		
	<item>
		<title>syberberg</title>
				
		<link>http://cargocollective.com/silvasilva/syberberg</link>

		<comments>http://cargocollective.com/silvasilva/following/silvasilva/syberberg</comments>

		<pubDate>Fri, 29 Jun 2012 13:27:20 +0000</pubDate>

		<dc:creator>silvasilva</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">3674069</guid>

		<description>Hans-Jürgen Syberberg (born 8 December 1935) is a German film director, whose best known film is his lengthy feature, Hitler: A Film from Germany.

www.syberberg.de/Syberberg4_2012/19_Juni-Max-Joseph.html


</description>
		
		<excerpt>Hans-Jürgen Syberberg (born 8 December 1935) is a German film director, whose best known film is his lengthy feature, Hitler: A Film from Germany. ...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload68.cargocollective.com/1/2/64790/3674069/prt_1340994412.png" />

	</item>
		
		
	<item>
		<title>kriegenburg</title>
				
		<link>http://cargocollective.com/silvasilva/kriegenburg</link>

		<comments>http://cargocollective.com/silvasilva/following/silvasilva/kriegenburg</comments>

		<pubDate>Fri, 29 Jun 2012 13:17:12 +0000</pubDate>

		<dc:creator>silvasilva</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">3674022</guid>

		<description>Andreas Kriegenburg (* 15. November 1963 in Magdeburg) ist ein deutscher Theaterregisseur.

www.bayerische.staatsoper.de


</description>
		
		<excerpt>Andreas Kriegenburg (* 15. November 1963 in Magdeburg) ist ein deutscher Theaterregisseur.  www.bayerische.staatsoper.de   </excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload68.cargocollective.com/1/2/64790/3674022/prt_1340993806.png" />

	</item>
		
		
	<item>
		<title>i rpomise inside</title>
				
		<link>http://cargocollective.com/silvasilva/i-rpomise-inside</link>

		<comments>http://cargocollective.com/silvasilva/following/silvasilva/i-rpomise-inside</comments>

		<pubDate>Fri, 29 Jun 2012 13:01:04 +0000</pubDate>

		<dc:creator>silvasilva</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">3673940</guid>

		<description>promise &#124;ˈpräməs&#124;
noun
a declaration or assurance that one will do a particular thing or that a particular thing will happen: what happened to all those firm promises of support? &#124; [ with clause ] : he took my fax number with the promise that he would send me a drawing &#124; [ with infinitive ] : I did not keep my promise to go home early.
• the quality of potential excellence: he showed great promise even as a junior officer.
• [ in sing. ] an indication that something specified is expected or likely to occur: the promise of peace.
verb
1 [ reporting verb ] assure someone that one will definitely do, give, or arrange something; undertake or declare that something will happen: [ with infinitive ] : he promised to forward my mail &#124; [ with clause ] : she made him promise that he wouldn't do it again &#124; [ with direct speech ] : “I'll bring it right back,” she promised &#124; [ with two objs. ] : he promised her the job.
• [ with obj. ] (usu. be promised) archaic pledge (someone, esp. a woman) to marry someone else; betroth: I've been promised to him for years.
2 [ with obj. ] give good grounds for expecting (a particular occurrence or situation): forthcoming concerts promise a feast of music from around the world &#124; [ with infinitive ] : it promised to be a night that all present would long remember.
• (of a person, publication, institution, etc.) announce (something) as being expected to happen: in its pre-Christmas trading statement it promised record results &#124; [ with two objs. ] : we're promised more winter weather tonight.
• (promise oneself) contemplate the pleasant expectation of: he tidied up the room, promising himself an early night.
PHRASES
I promise (or I promise you ) informal used for emphasis, esp. so as to reassure, encourage, or threaten someone: oh, I'm not joking, I promise you.
promise ( someone ) the earth (or moon )make extravagant promises to someone that are unlikely to be fulfilled: interactive technology titillates, promises the earth, but delivers nothing.
promises, promises informal used to indicate that the speaker is skeptical about someone's stated intention to do something.
DERIVATIVES
promiser noun
ORIGIN late Middle English: from Latin promissum ‘something promised,’ neuter past participle of promittere ‘put forth, promise,’ from pro- ‘forward’ + mittere ‘send.’


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		<excerpt>promise &#124;ˈpräməs&#124; noun a declaration or assurance that one will do a particular thing or that a particular thing will happen: what happened to all those firm...</excerpt>

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		<title>INSIDE PETER GIDAL2</title>
				
		<link>http://cargocollective.com/silvasilva/INSIDE-PETER-GIDAL2</link>

		<comments>http://cargocollective.com/silvasilva/following/silvasilva/INSIDE-PETER-GIDAL2</comments>

		<pubDate>Fri, 29 Jun 2012 12:38:22 +0000</pubDate>

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		<description>PETER GIDAL PERFORMANCE OF SORTS WITH BRECHT + FILMS VOLCANO (2005) AND DENIALS (1985). 

First Edition of 200 published 2011 in the UK by LUX, 3rd Floor, Shacklewell Studios, 18 Shacklewell Lane, London, E8 2EZ www.lux.org.uk

All films on this DVD are distributed by LUX. 
For more information on Peter Gidal see www.luxonline.org.uk
Editor Benjamin Cook
DVD Production Adam Jones
DVD-R/ PAL/ Region 0 © 2011
Films Peter Gidal
Documentation Chris Jinks/ VitalSign Productions / 
no.w.here Publication LUX
Produced with thanks to no.w.here, 
Chisenhale Gallery, William Rose and
Chris Jinks

</description>
		
		<excerpt>PETER GIDAL PERFORMANCE OF SORTS WITH BRECHT + FILMS VOLCANO (2005) AND DENIALS (1985).   First Edition of 200 published 2011 in the UK by LUX, 3rd Floor,...</excerpt>

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