http://cargocollective.com Ross T. Smith Wed, 19 Jul 2017 04:27:18 +0000 http://cargocollective.com en http://cargocollective.com/rosstsmith/C-V-Architecture http://cargocollective.com/rosstsmith/following/rosstsmith/C-V-Architecture Wed, 19 Jul 2017 04:27:18 +0000 Ross T. Smith 3754338 Curriculum Vitae : a r c h i t e c t u r e <br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/3754338/Ross.crop.02---Copy_305.jpg" width="305" height="374" width_o="305" height_o="374" src_o="https://payload.cargocollective.com/1/8/260293/3754338/Ross.crop.02---Copy_305.jpg" data-mid="55461149" border="0" align="left" data-title="800 (305) — 305 × 374"/><br /> Turkey, 2015<br /> <br /> Name: Dr Ross T. Smith <br /> E-mail: rosstsmith@gmail.com <br /> <br /> Education:<br /> 2013-14 Post-Doctoral Research Fellow. Gerphau Laboratoire: Philosophie-Architecture-Urbain. <br /> L’Ecole Nationale Supérieure d’Architecture de Paris la Villette. Paris, France. <br /> 2014 PhD, Architecture. University of Melbourne, Australia.<br /> 2013 Graduate Certificate in University Teaching. University of Melbourne, Australia.<br /> 2008 Master of Architecture (First Class Honours), University of Auckland, New Zealand. <br /> 2006 Bachelor of Architecture (Hons), Victoria University, Wellington, New Zealand.<br /> 1987-89 Photography Fine Art; Australian College of Photography, Art and Communication, Melbourne.<br /> 1981-84 Registered General Nurse, Auckland Public Hospital, New Zealand.<br /> <br /> Academic and Teaching Positions:<br /> 2019+ Senior Lecturer, School of Architecture and Built Environment. Deakin University, Geelong, Australia.<br /> 2017-2019 Principal Lecturer, College of Art, Design, and Architecture, Otago Polytechnic, <br /> Dunedin, New Zealand.<br /> 2016-2017 Associate Professor of Architecture, Xi'an Jiaotong Liverpool University, Suzhou, China.<br /> 2016-2017 Honorary Academic, University of Liverpool, U.K.<br /> 2014-2016 Assistant Professor of Architecture, Abdullah Gül University, Kayseri, Turkey.<br /> 2013 Guest Scholar. Studio Leader, Master of Architecture Design Studio: ‘Silence.’<br /> Taliesin, the Frank Lloyd Wright School of Architecture, Wisconsin, U.S.A.<br /> 2012 Studio Leader, Master of Architecture Thesis Design Studio: ‘Sub Rosa.’<br /> Faculty of Architecture, University of Melbourne, Australia. <br /> 2012 Studio Leader, Master of Architecture Design Studio: ‘Live/Work.’<br /> Faculty of Architecture, University of Melbourne, Australia.<br /> 2012 Resident Tutor in Architecture: St Hilda’s College, <br /> University of Melbourne, Australia.<br /> 2012 Sessional Tutor in Architecture: Ormond College; University College; <br /> University of Melbourne, Australia.<br /> 2010 Lecturer of Photography, Northtec, Whangarei, New Zealand.<br /> 2009 Studio Leader, Architecture, University of Auckland, New Zealand. <br /> 2009 Tutor of Visual Communication, University of Auckland, Auckland.<br /> 2008 Studio Leader, Architecture, University of Auckland, New Zealand.<br /> 2008 Studio Leader, Architecture, Unitec, Auckland, New Zealand.<br /> 2008 Tutor of Visual Communication, Unitec, Auckland, New Zealand.<br /> 2007 Studio Leader, Architecture, University of Auckland, New Zealand.<br /> 2007 Studio Leader, Architecture, Unitec, Auckland, New Zealand.<br /> 2006 Studio Leader, Architecture, Victoria University, Wellington, New Zealand.<br /> 2005 Lecturer of Photography, Massey University, Wellington, New Zealand.<br /> 2004 Lecturer of Photography, Massey University, Wellington, New Zealand.<br /> 2004 Tutor of Photography, School of Architecture and Design, <br /> Victoria University, Wellington, New Zealand. <br /> <br /> Publications:<br /> 2019 'Spirit in Ruin: touched by silence.' Scope: Art and Design. Otago Polytechnic. Dunedin, New Zealand. (Peer Reviewed)<br /> 2018 International Journal of Arts & Sciences. British School at Rome, Italy. ‘Sensing Not Seeing: a disruption of perfectionism.’ Teaching and Education; Architecture. (Peer Reviewed)<br /> 2017 Smith, Ross T. ‘Zhouzhuang Water Village: the Poetics of Historical Sensibility.’ Design Studies 17. International Conference on Design Studies, Fields and Methods. Istanbul, Turkey. Pp16-22. (Peer Reviewed)<br /> 2017 Smith, Ross T. (chapter essay.) ‘Design Studio through the Subtle Revelation of<br /> Phenomenology.’ The Interior Architecture Theory Reader. Ed. Gregory Marinic. <br /> Routledge, Taylor & Francis, USA. (Peer Reviewed)<br /> 2016 Smith, Ross T. Riding a Horse Across the World; traveller and provocateur. Charrette, Journal of Association of Architectural Educators. Special issue – Volume 3, Issue 2 (Autumn 2016). (Peer Reviewed)<br /> 2016 Smith, Ross T. ‘Stains of Beauty.’ Dichotomy 22. Creep. University of Detroit Mercy School of <br /> Architecture, Detroit, USA. (Peer Reviewed)<br /> 2016 Smith, Ross T. ‘Blind Drawing.’ Tracey Journal. Drawing and Presence. Loughborough <br /> University, U.K. (Peer Reviewed)<br /> 2015 Smith, Ross T. Argos Aotearoa: A Journal of Place/Politics. <br /> Waste. Issue 02: University of Auckland, New Zealand. <br /> 2014 Smith, Ross T. ‘Vague Intentions: Direct Challenges.’ Inflection Journal. Vol 1. Spurbuch / <br /> Art, Architecture, and Design Research (AADR), Germany. (Peer Reviewed) <br /> 2014 Smith, Ross T. ‘The Taste of Concrete: experiential learning in architecture.’ Architecture and<br /> Writing. ArchTheo’14. Theory of Architecture. Istanbul: Dakam Publishing, 2014. (Peer Reviewed) <br /> 2014 Smith, Ross T. and Fenina Acance. ‘Transitional Displacement: Quarantine.’ Scroope 23.<br /> The Cambridge Architecture Journal, University of Cambridge, England. (Peer Reviewed) <br /> 2013 Smith, Ross T. ‘Experiential Wisdom.’ Sub Rosa. Master of Architecture Thesis <br /> Design Studio. University of Melbourne, Australia.<br /> 2013 Smith, Ross T. ‘Heidelberg Project, Detroit.’ Freerange. Vol. 6. New Zealand. 2013. <br /> 2012 Smith, Ross T. ‘The Pull of a Secret Tide.’ Ultima Thule. Journal of Architectural Imagination. <br /> To The Islands: The Architecture of Isolation. Vol 2, No 1. Australia, Adelaide. (Peer Reviewed) <br /> 2012 Smith, Ross T. ‘The Quivering Fish of Phenomenology.’ Live/Work. Master of Architecture <br /> Design Studio. University of Melbourne, Australia. <br /> 2012 Burns, Karen and Peter Raisbeck (Eds). MAP 2011. Australia: Melbourne School of Design, University of Melbourne, 2012. <br /> 2012 Smith, Ross T. ‘This Pulpy Thing: the captivating body.’ Stimulus-Respond: Captive. <br /> London. (Peer Reviewed)<br /> 2011 Smith, Ross T. ‘Raise the Earth; returning home, quietly.’ Freerange. Vol. 4. <br /> New Zealand. 2011. <br /> 2010 Smith, Ross T. ‘Juhani Pallasmaa, (warm fuzzies).’ Architecture New Zealand magazine.<br /> March/April 2010. (Peer Reviewed)<br /> 2010 Smith, Ross T. ‘Time and Silence: the photography of time, an architecture of silence.’ Drawing Out. Conference. RMIT, Melbourne, in association with the University of the Arts London, U.K. April 2010. (Peer Reviewed)<br /> 2009 Waghorn, Kathy, and Ross T. Smith. ‘bodies+spaces.’ Interior Territories. IDEA Journal. Ed. Gini Lee. Brisbane: Queensland University of Technology, 2009. (Peer Reviewed) <br /> <br /> Books:<br /> 2013 Smith, Ross T. (Editor) Sub Rosa. Master of Architecture Thesis Design Studio, Semester 2, 2012. University of Melbourne, Australia. ISBN: 978-0734048165<br /> 2012 Smith, Ross T. (Editor) Live/Work. Master of Architecture Design Studio, Semester 1, 2012. University of Melbourne, Australia. ISBN: 978-0734047878<br /> 2009 Smith, Ross T. (Author). Shadowlife: shadow, art, architecture. Germany: Lambert Academic <br /> Publishing, 2009. ISBN: 978-3838302942<br /> 1998 HOKIANGA: Ross T. Smith. (Author/Artist). Monograph book. Bateman Publishers, Auckland, <br /> New Zealand. ISBN: 978-1869534394 <br /> Texts: Peter Weiermair, Director, Rupertinum Museum of Modern Art, Salzburg, Austria.<br /> Peter Hay Halpert, dealer, critic, curator, New York, U.S.A.<br /> Ron Brownson, senior curator, Auckland Art Gallery, Auckland, New Zealand.<br /> Brett Levine, Director, Lopdell House Gallery, Auckland, New Zealand. <br /> <br /> Conferences / Invited Presentations: <br /> 2018 International Journal of Arts & Sciences. British School at Rome, Italy. ‘Sensing Not Seeing: a disruption of perfectionism.’ Teaching and Education; Architecture.<br /> 2018 ArchTheo’18. XII. International Theory and History of Architecture Conference. ‘Light on the Edge of the World.’ Istanbul, Turkey. <br /> 2017 Design Studies 17. International Conference on Design Studies, Fields and Methods. <br /> ‘Zhouzhuang Water Village: the Poetics of Historical Sensibility.’ <br /> Istanbul, Turkey. March 2017. (Peer Reviewed)<br /> 2015 Applied Collaborations. 8th International Conference of the Association <br /> of Architecture Schools Australasia. Christchurch, New Zealand.<br /> And, co-curator of exhibition in conjunction with conference.<br /> 2014 ArchTheo’14 conference, Theory of Architecture. Istanbul, Turkey. <br /> ‘The Taste of Concrete: experiential learning in architecture.’ (Peer Reviewed)<br /> 2014 Gerphau Laboratoire. ‘Phenomenology and Architecture.’ <br /> L’Ecole Nationale Supérieure d’Architecture de Paris la Villette. Paris, France. <br /> 2014 Columbia University Paris architecture programme: GSAPP. Paris, France. <br /> Lecture : ‘Thinking Phenomenology and Design.’ May 2014.<br /> 2014 L’Ecole Nationale Supérieure d’Architecture de Paris la Villette. Paris, France. <br /> Lecture : ‘Phenomenology and Design Studio.’ April 2014. <br /> 2013 Woods Bagot Architects, Melbourne. Lecture: ‘Phenomenology and the Body.’ Oct. 2013.<br /> 2012 Taliesin West, the Frank Lloyd Wright School of Architecture, Arizona, U.S.A. Lecture and presentation: ‘Sub Rosa, Master of Architecture Studio’. Dec. 2012.<br /> 2010 Smith, Ross T. ‘Time and Silence: the photography of time, an architecture of silence.’ Drawing Out. Conference presentation. RMIT, Melbourne, in association with the University of the Arts London, U.K. (Peer Reviewed) April 2010.<br /> 2008 Rural Studio. Newbern, Alabama, U.S.A. Lecture to architecture students. <br /> ‘Phenomenology and Photography.’ Oct. 2008.<br /> <br /> Guest Reviewer for Architecture Design Studios:<br /> 2017 Xi’an Jiaotong Liverpool University, Suzhou, China.<br /> 2014 Columbia University Paris architecture programme: GSAPP. Paris, France.<br /> 2014 L’Ecole Nationale Supérieure d’Architecture de Paris la Villette. Paris, France. <br /> 2013 Faculty of Architecture, University of Melbourne, Australia.<br /> 2012 Taliesin West, the Frank Lloyd Wright School of Architecture, Arizona, U.S.A.<br /> 2012 Faculty of Architecture, University of Melbourne, Australia.<br /> 2011 Faculty of Architecture, University of Melbourne, Australia.<br /> 2009 Faculty of Architecture, University of Auckland, New Zealand.<br /> 2008 Faculty of Architecture, University of Auckland, New Zealand.<br /> 2007 Faculty of Architecture, Unitec, Auckland, New Zealand. <br /> 2006 Faculty of Architecture, Victoria University, Wellington, New Zealand.<br /> <br /> Awards, Grants, Scholarships:<br /> 2013 Teaching Excellence Award, (Dean’s Honours), Faculty of Architecture, <br /> University of Melbourne, Australia. (For academic year 2012.)<br /> 2013 AUSMIP/ERASMUS Fellowship, Post-Doctoral research, Paris, France.<br /> 2012 Melbourne Research Scholarship for International PhD Research. <br /> 2011 Doctoral Scholarship, University of Melbourne. APA: Australian Postgraduate Award. <br /> 2009 International Research Grant. University of Auckland, New Zealand.<br /> 2009 Frederick Ost Scholarship in Architecture. New Zealand. <br /> 2009 NZPSAA Education Fund for international PhD research. New Zealand.<br /> 2008 Doctoral Scholarship. University of Auckland, New Zealand.<br /> <br /> Research: <br /> 2015+ 'Drawing from your Imagination.' <br /> A series of drawing workshops at international schools of architecture. <br /> 2014 Turkish traditional kilim design, pattern-making, wool-dye techniques, weaving. <br /> 2014+ Poetic Wonderment: the revelation of un-saturated phenomena. <br /> Gerphau Laboratoire (Philosophie-Architecture-Urbain). <br /> L’Ecole Nationale Supérieure d’Architecture de Paris la Villette. Paris, France. <br /> 2014 PhD thesis title: ‘Phenomenology and Experiential Learning as an Approach to Teaching <br /> Studio in Architecture.’<br /> 2013 Rural Studio, Alabama, U.S.A. Pedagogical methods.<br /> 2012 Cranbrook Academy of Art, Michigan, U.S.A. Pedagogical methods. <br /> 2012 Taliesin West, the Frank Lloyd Wright School of Architecture, Arizona, U.S.A.<br /> 2009 Invited to spend three months for PhD research in the office of Juhani Pallasmaa, <br /> Helsinki, Finland.<br /> 2009 Invited as a Guest Researcher to the Helsinki University of Technology, <br /> School of Architecture, Finland.<br /> 2008 Rural Studio, Alabama, U.S.A. <br /> <br /> Director and Curator<br /> 2016-17 DB Gallery of Architecture, <br /> School of Architecture,<br /> Xi’an Jiatong Liverpool University, Suzhou, China.<br /> <br /> Exhibitions – Curated (architecture):<br /> 2018 Light. Bachelor of Architectural Studies. Studio. (Sem. 1, Year 2.) <br /> Otago Polytechnic, New Zealand.<br /> 2018 Brew. Bachelor of Interior Design Lab 3. Otago Polytechnic, New Zealand. <br /> 2018 First Year, 2017. Inaugural Bachelor of Architectural Studies degree. Polytechnic, New Zealand.<br /> 2018 Sensory Feast. Interior Design Studio (Semester 2, 2017). Otago Polytechnic, New Zealand.<br /> 2017 Sergio Pascolo Architects. DB gallery, Department of Architecture, Xi’an Jiaotong Liverpool University. Suzhou, China.<br /> 2015 Applied Collaborations. <br /> 8th International Conference of the Association of Architecture Schools Australasia. <br /> Co-curator of international exhibition in conjunction with conference. Christchurch, New Zealand.<br /> 2015 Discovering Architecture. First Year Design Studio. Abdullah Gül University, Turkey.<br /> 2012 Sub Rosa. Master of Architecture Thesis Design Studio. Faculty of Architecture, University of Melbourne, Australia.<br /> 2012 Live/Work. Master of Architecture Design Studio. Faculty of Architecture, University of Melbourne, Australia.<br /> <br /> Workshops:<br /> 2015 ‘Drawing from your Imagination.’ <br /> Melikşah University, Kayseri, Turkey.<br /> 2015 ‘Drawing from your Imagination.’ <br /> School of Architecture, Gediz University. Izmir, Turkey. <br /> 2015 Architectural Association (AA) London. Invited Guest Professor of Design.<br /> Mittelmeerland Project, Izmir, Turkey.<br /> An international workshop examining coastal Mediterranean cities.<br /> <br /> Juror:<br /> 2013 Juror, New Zealand Architecture Awards.<br /> <br /> Curriculum Vitae : a r c h i t e c t u r e Turkey, 2015 Name: Dr Ross T. Smith E-mail: rosstsmith@gmail.com Education: 2013-14 Post-Doctoral Research... http://cargocollective.com/rosstsmith/C-V-Artist http://cargocollective.com/rosstsmith/following/rosstsmith/C-V-Artist Wed, 19 Jul 2017 03:59:07 +0000 Ross T. Smith 3715382 Curriculum Vitae : creative practice / a r t i s t <br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/3715382/rts - Copy - Copy 2.jpg" width="239" height="368" width_o="239" height_o="368" src_o="https://payload.cargocollective.com/1/8/260293/3715382/rts - Copy - Copy 2_o.jpg" data-mid="27871916" border="0" align="left" data-title="800 (239) — 239 × 368"/> <br /> 1998. Auckland, New Zealand<br /> <br /> Name: Dr Ross T. Smith <br /> E-mail: rosstsmith@gmail.com <br /> <br /> Education:<br /> 2014 Post-Doctoral Research Fellow. Gerphau Laboratoire: Philosophie-Architecture-Urbain. <br /> L’Ecole Nationale Supérieure d’Architecture de Paris la Villette. Paris, France. <br /> 2014 PhD, Architecture. University of Melbourne, Australia.<br /> 2013 Graduate Certificate in University Teaching, University of Melbourne, Australia.<br /> 2008 Master of Architecture, (First Class Honours.) University of Auckland, New Zealand.<br /> 2006 Bachelor of Architecture (Hons), Victoria University, Wellington, New Zealand.<br /> 1987-90 Photography Fine Art; Australian College of Photography, Art and Communication, Melbourne.<br /> 1981-84 Registered General Nurse, Auckland Public Hospital, New Zealand.<br /> <br /> Academic and Teaching Positions:<br /> 2017+ Principal Lecturer, College of Art, Design, And Architecture, Otago Polytechnic, <br /> Dunedin, New Zealand.<br /> 2016-2017 Associate Professor of Architecture, Xi'an Jiaotong Liverpool University, Suzhou, China.<br /> 2016-2017 Honorary Academic, University of Liverpool, U.K. <br /> 2014-2016 Assistant Professor of Architecture, Abdullah Gül University, Kayseri, Turkey.<br /> 2013 Guest Scholar. Studio Leader, Master of Architecture Design Studio: ‘Silence.’<br /> Taliesin, the Frank Lloyd Wright School of Architecture, Wisconsin, U.S.A.<br /> 2012 Studio Leader, Master of Architecture Thesis Design Studio: ‘Sub Rosa.’<br /> Faculty of Architecture, University of Melbourne, Australia. <br /> 2012 Studio Leader, Master of Architecture Design Studio: ‘Live/Work.’<br /> Faculty of Architecture, University of Melbourne, Australia.<br /> 2012 Resident Tutor in Architecture: St Hilda’s College, <br /> University of Melbourne, Australia.<br /> 2012 Sessional Tutor in Architecture: Ormond College; University College; <br /> University of Melbourne, Australia.<br /> 2010 Lecturer of Photography, Northtec, Whangarei, New Zealand.<br /> 2009 Studio Leader, Architecture, University of Auckland, New Zealand. <br /> 2009 Tutor of Visual Communication, University of Auckland, Auckland.<br /> 2008 Studio Leader, Architecture, University of Auckland, New Zealand.<br /> 2008 Studio Leader, Architecture, Unitec, Auckland, New Zealand.<br /> 2008 Tutor of Visual Communication, Unitec, Auckland, New Zealand.<br /> 2007 Studio Leader, Architecture, University of Auckland, New Zealand.<br /> 2007 Studio Leader, Architecture, Unitec, Auckland, New Zealand.<br /> 2006 Studio Leader, Architecture, Victoria University, Wellington, New Zealand.<br /> 2005 Lecturer of Photography, Massey University, Wellington, New Zealand.<br /> 2004 Lecturer of Photography, Massey University, Wellington, New Zealand.<br /> 2004 Tutor of Photography, School of Architecture and Design, <br /> Victoria University, Wellington, New Zealand. <br /> <br /> Exhibitions - Solo: <br /> 2013 Ross T. Smith: Hemi Tuwharerangi Paraha and Stillness Falls Gradually. <br /> Whangarei Art Museum, New Zealand.<br /> 2010 Linger; Bartley and Company, Wellington, New Zealand.<br /> 2009 Linger; Lopdell House Gallery, Auckland, NewZealand.<br /> 2008 New Pinhole Works; Great Little Room, Village Arts Gallery, Kohukohu, Hokianga, New Zealand.<br /> 2008 New Pinhole Works; Martin Hughes Pacific Art Awards Retrospective. McCarthy Gallery, Auckland.<br /> 2008 Stations of the Cross, Hemi Tuwharerangi Paraha, New Pinholes; University of Alabama Gallery, Birmingham, Alabama, U.S.A.<br /> 2003 Stations of the Cross; and selected photographs 1998-2001, McNamara Gallery, Wanganui, N.Z.<br /> 2001 Stations of the Cross; Southland Museum and Art Gallery, Invercargill, New Zealand.<br /> 2001 Stillness Falls Gradually; Lopdell House Gallery, Auckland, New Zealand.<br /> 2001 Your Mouth Is Stained With Sun; Pataka Porirua Museum of Arts and Cultures, Porirua, N.Z.<br /> 2001 Stillness Falls Gradually; Peter Hay Halpert Fine Art, New York, U.S.A.<br /> 2001 Hokianga; Whangarei Art Museum, Whangarei, New Zealand.<br /> 2000 Hokianga; (in conjunction with Minor White) Rupertinum Museum of Modern Art, Salzburg, Austria.<br /> 2000 Hokianga; Olympic Arts Festival; Sydney College of the Arts Gallery, Rozelle, Sydney, Australia.<br /> 2000 Hemi Tuwharerangi Paraha; Southland Museum and Art Gallery, Invercargill, New Zealand.<br /> 2000 Hokianga; Pataka Porirua Museum of Arts and Cultures, Porirua, New Zealand.<br /> 1999 Hokianga; Rotorua Art Museum, Rotorua, New Zealand. <br /> 1999 Hokianga; Dunedin Public Art Gallery, Dunedin, New Zealand. <br /> 1999 Hokianga; Manawatu Art Gallery, Palmerston North, New Zealand.<br /> 1999 Hokianga; The Photographers’ Gallery, London, England.<br /> 1999 Hemi Tuwharerangi Paraha; Forrester Gallery, Oamaru, New Zealand. <br /> 1999 Hemi Tuwharerangi Paraha; Aigantighe Gallery, Timaru, New Zealand.<br /> 1999 Hemi Tuwharerangi Paraha; Ashburton Art Gallery, Ashburton, New Zealand. <br /> 1999 Hemi Tuwharerangi Paraha; Whakatane Museum and Gallery, Whakatane, New Zealand.<br /> 1998 Hemi Tuwharerangi Paraha; Dowse Art Museum, Lower Hutt, New Zealand.<br /> 1998 Hemi Tuwharerangi Paraha; The Boatshed, Hokianga, Northland, New Zealand.<br /> 1998 Hokianga; New Gallery, Auckland Art Gallery, Auckland, New Zealand.<br /> 1998 Hemi Tuwharerangi Paraha; Whangarei Art Museum, Whangarei, New Zealand.<br /> 1992 Hush; Linden Gallery, Melbourne, Australia.<br /> 1990 Parallel; Ministry for the Arts Gallery, Melbourne, Australia. <br /> 1990 Subluxation; Photographers' Gallery, Brisbane, Australia.<br /> 1989 Subluxation; Fringe Studio, Melbourne, Australia.<br /> <br /> Exhibitions – Group: <br /> 2017 Every Brilliant Eye: Australian Art of the 1990s; National Gallery of Victoria (NGV), <br /> Melbourne, Australia.<br /> 2017 A Sea of Possibilities; Poreč Museum, Croatia.<br /> 2017 Make Your Self at Home; Village Arts Gallery, Kohukohu, Hokianga, New Zealand.<br /> 2016 Bizarre Bazaar; Village Arts Gallery, Kohukohu, Hokianga, New Zealand.<br /> 2016 Miniature; Hangar Gallery, Whangarei, New Zealand. <br /> 2016 Lost and Found. (Floating in a Foreign Land.) Poreč Museum, Croatia. <br /> 2016 Speaking Silence; International Photography Symposium, <br /> Mark Rothko Arts Centre, Daugavpils, Latvia.<br /> 2014 Transmissions; George Paton Gallery, University of Melbourne, Australia.<br /> 2011 Major Photographs: Wallace Art Collection; Wallace Arts Centre, Auckland, New Zealand.<br /> 2009 Hotere Country; Village Arts Gallery, Kohukohu, Hokianga, New Zealand.<br /> 2008 Entwined; Whangarei Art Museum, Whangarei , New Zealand.<br /> 2005 Gallery Artists; Mayer Gallery, Napier, New Zealand.<br /> 2003 The Caravan; Taupo Art Gallery, Taupo, New Zealand.<br /> 2003 The Caravan; Suter Gallery, Nelson, New Zealand.<br /> 2003 The Caravan; Pataka Porirua Museum of Arts and Cultures, Porirua, New Zealand.<br /> 2003 The Caravan; McNamara Gallery, Wanganui, New Zealand.<br /> 2002 Photo III; Te Wa:The Space, Wanganui, New Zealand.<br /> 2002 About Face; Australian Centre for Photography, Sydney, Australia.<br /> 2001 Leaping Boundaries: A Century of New Zealand Artists in Australia; <br /> Mosman Art Gallery, Sydney, Australia.<br /> 2001 Gallery PhotoArtists; Galerie Oliver Schweden, Munich, Germany.<br /> 2001 Prospect 2001: (Stillness Falls Gradually); City Gallery, Wellington, New Zealand.<br /> 2001 Martin Hughes Pacific Art Trust Exhibition; ArtStation, Auckland, New Zealand.<br /> 2000 Gallery Artists; Peter Hay Halpert Fine Art, New York, U.S.A.<br /> 1999 Female; Wessel + O'Connor Gallery, New York, U.S.A.<br /> 1999 Wallace Art Award - finalist; Wallace Trust Gallery, Auckland, New Zealand.<br /> - City Gallery, Wellington, New Zealand. <br /> - Centre for Contemporary Art, Christchurch, New Zealand. <br /> 1999 Glory; Dowse Art Museum, Lower Hutt, New Zealand.<br /> 1999 Collection Show; Whangarei Art Museum, Whangarei, New Zealand.<br /> 1998 Sense and Sensibility; ArtStation, Auckland, New Zealand.<br /> 1998 Wallace Art Award - finalist; Wallace Trust Gallery, Auckland, New Zealand.<br /> 1994 Don't Leave Me This Way; National Gallery of Australia, Canberra, Australia. <br /> 1993 Dislocations: Body, Memory, Place; National Gallery of Victoria, Melbourne, Australia.<br /> 1993 Summer Salon; Centre for Contemporary Photography, Melbourne, Australia.<br /> 1991 Postcard Show; Linden Gallery, Melbourne, Australia.<br /> 1990 Icons and Angels; St Paul's Cathedral, Melbourne, Australia.<br /> <br /> Artist Residencies:<br /> 2016 Mark Rothko Art Centre, Daugavpils, Latvia.<br /> 2001 William Hodges Fellowship, Southland, New Zealand.<br /> <br /> Commissions: <br /> 2000 Your Mouth Is Stained With Sun. Pataka Porirua Museum of Arts and Cultures, New Zealand. (permanent collection)<br /> <br /> Art Grants:<br /> 2009 Creative New Zealand/Te Waka Toi, New Work grant.<br /> 2007 Creative New Zealand, international travel grant.<br /> 1999 Martin Hughes/Tautai Art Trust, international travel grant.<br /> 1999 UK/NZ Link Foundation, international travel grant.<br /> 1998 Creative New Zealand, to tour exhibition.<br /> 1998 South Hokianga Arts Council, Northland, New Zealand.<br /> 1998 Cathy Pelly Maungarongo Trust, New Zealand.<br /> 1998 Creative Communities, Far North District, CNZ.<br /> 1998 Creative New Zealand, project development funding<br /> 1990 Studio Assistance Grant, Ministry for the Arts, Melbourne.<br /> <br /> Books, Monographs, Catalogues:<br /> 2017 Dead Days of a Wet Moth. (Author/Artist). Poetry. Private publication.<br /> 2017 Pinholes: 2001-2010 New Zealand. (Author/Artist) Photographs. Private publication.<br /> 2009 Hotere Country, exhibition catalogue. Village Arts Gallery, Kohukohu, Hokianga, New Zealand.<br /> 2008 Hemi Tuwharerangi Paraha, Stations of the Cross, New Pinhole Works. Exhibition catalogue, Visual Arts Gallery, University of Alabama at Birmingham, U.S.A.<br /> 2001 Stations of the Cross, catalogue essay ‘The Pilgrim’s Road-Maps.’ J.J. Benefield, PhD.<br /> 2001 Your Mouth Is Stained With Sun, catalogue essay ‘Afterglow.’ Jonathan Mane-Wheoki, <br /> Senior Lecturer in Art History, University of Canterbury, N.Z., Kaitiaki Maori, Robert McDougall Art Gallery, New Zealand.<br /> 2001 Stillness Falls Gradually, catalogue essay ‘Blood and Bone.’ Kellyana Morey, New Zealand.<br /> 1999 HOKIANGA, Ross T. Smith; monograph book. Bateman Publishers, Auckland, New Zealand.<br /> - Texts: Peter Weiermair, Director, Rupertinum Museum of Modern Art, Salzburg, Austria.<br /> - Peter Hay Halpert, dealer, critic, curator, New York, U.S.A.<br /> - Ron Brownson, senior curator, Auckland Art Gallery, Auckland, New Zealand.<br /> - Brett Levine, Director, Lopdell House Gallery, Auckland, New Zealand. <br /> 1998 Hemi Tuwharerangi Paraha, exhibition catalogue, Brett Levine, Director, Lopdell House Gallery, Auckland, New Zealand.<br /> 1998 Hokianga, exhibition catalogue, New Gallery, Auckland Art Gallery. Ron Brownson, senior curator, Auckland Art Gallery, New Zealand.<br /> 1994 Don’t Leave Me This Way, exhibition book publication. Ted Gott, Curator of International Art, Canberra, National Gallery of Australia.<br /> <br /> Collections: <br /> National Gallery of Victoria. Melbourne, Australia.<br /> Museum of Fine Arts, Houston, Texas, U.S.A<br /> Te Papa, Museum of New Zealand, Wellington, New Zealand.<br /> Auckland Art Gallery, Auckland, New Zealand.<br /> Dowse Art Museum, Lower Hutt, New Zealand.<br /> Whangarei Art Museum. Whangarei, New Zealand.<br /> Pataka Porirua Museum of Arts and Cultures, New Zealand.<br /> Wallace Trust Collection, New Zealand.<br /> Dick Quan collection, Sydney, Australia.<br /> Frances Packer collection, Sydney, Australia. <br /> Private Collections; New Zealand, Australia, U.S.A., Spain, Germany, Finland. Curriculum Vitae : creative practice / a r t i s t 1998. Auckland, New Zealand Name: Dr Ross T. Smith E-mail: rosstsmith@gmail.com Education: 2014... http://cargocollective.com/rosstsmith/Drawing-from-your-Imagination-Workshops http://cargocollective.com/rosstsmith/following/rosstsmith/Drawing-from-your-Imagination-Workshops Sun, 16 Jul 2017 02:39:34 +0000 Ross T. Smith 9670275 A series of international workshops at Schools of Architecture.<br /> Indian ink smear, smudge, splash. Lead pencil drawing. A0 paper size. Eight hours of drawing.<br /> <br /> DRAWİNG FROM YOUR IMAGİNATİON (excerpt from brief)<br /> Everyone can draw ! <br /> Drawing is a process of expressing yourself and your ideas on paper using simple techniques and materials. Hand-drawing is imperfect and allows for the flow of the imagination as a meditative process.<br /> This exercise is to be fun, there are no right answers and no pre-determined oucomes – only potential for concentrated personal expression and exploration of ways of drawing.<br /> You will draw an imagined world on one sheet of A0 paper. <br /> You will make simple blotches, splashes, smears, or rubbings with black Indian ink on your single sheet of A0 paper. After the ink is dried you will use lead pencil only to draw out from the ink markings an imagined world inspired by the patterns of ink. İt is to be conceptual, abstract and wondrous.<br /> Your drawing can use architectural techniques and forms, freehand drawing styles, or any experimentation of the pencil and drawing tools you wish to make. Fine quality and detail is important.<br /> Let your imagination run free !<br /> <br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/9670275/workshop-gediz.01_655.jpg" width="655" height="960" width_o="655" height_o="960" src_o="https://payload.cargocollective.com/1/8/260293/9670275/workshop-gediz.01_655.jpg" data-mid="52093278" border="0" align="left" data-title="800 (655) — 655 × 960"/><br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/9670275/workshop-gediz.02_800.jpg" width="800" height="555" width_o="2048" height_o="1422" src_o="https://payload.cargocollective.com/1/8/260293/9670275/workshop-gediz.02_2048.jpg" data-mid="52093313" border="0" align="left" data-title="800 — 800 × 555"data-hi-res="https://payload.cargocollective.com/1/8/260293/9670275/workshop-gediz.02_1600_c.jpg" /><br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/9670275/workshop-gediz.04_800.jpg" width="800" height="555" width_o="2048" height_o="1421" src_o="https://payload.cargocollective.com/1/8/260293/9670275/workshop-gediz.04_2048.jpg" data-mid="52093318" border="0" align="left" data-title="800 — 800 × 555"data-hi-res="https://payload.cargocollective.com/1/8/260293/9670275/workshop-gediz.04_1600_c.jpg" /><br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/9670275/workshop-gediz.03_800.jpg" width="800" height="560" width_o="2048" height_o="1436" src_o="https://payload.cargocollective.com/1/8/260293/9670275/workshop-gediz.03_2048.jpg" data-mid="52093319" border="0" align="left" data-title="800 — 800 × 560"data-hi-res="https://payload.cargocollective.com/1/8/260293/9670275/workshop-gediz.03_1600_c.jpg" /><br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/9670275/workshop-gediz.group.05_800.jpg" width="800" height="600" width_o="1065" height_o="799" src_o="https://payload.cargocollective.com/1/8/260293/9670275/workshop-gediz.group.05_1065.jpg" data-mid="52093322" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/9670275/workshop-gediz.group.05_1065.jpg" /><br /> Gediz University. Izmir, Turkey.<br /> <br /> <br /> A series of international workshops at Schools of Architecture. Indian ink smear, smudge, splash. Lead pencil drawing. A0 paper size. Eight hours of drawing. ... http://cargocollective.com/rosstsmith/Speaking-Silence http://cargocollective.com/rosstsmith/following/rosstsmith/Speaking-Silence Fri, 06 May 2016 06:25:30 +0000 Ross T. Smith 11485485 SPEAKING SILENCE. Digital photographs. 50 x 70cm.<br /> <br /> Residency and Symposium<br /> Mark Rothko Arts Centre<br /> Daugavpils, Latvia.<br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/11485485/Branches-stacked-01.FINAL.50X70.sm_800.jpg" width="800" height="571" width_o="3307" height_o="2362" src_o="https://payload.cargocollective.com/1/8/260293/11485485/Branches-stacked-01.FINAL.50X70.sm_3307.jpg" data-mid="61594192" border="0" align="left" data-title="800 — 800 × 571"data-hi-res="https://payload.cargocollective.com/1/8/260293/11485485/Branches-stacked-01.FINAL.50X70.sm_1600_c.jpg" /><img src="https://payload.cargocollective.com/1/8/260293/11485485/Pond-01.FINAL.50X70.sm_800.jpg" width="800" height="571" width_o="3307" height_o="2362" src_o="https://payload.cargocollective.com/1/8/260293/11485485/Pond-01.FINAL.50X70.sm_3307.jpg" data-mid="61594193" border="0" align="left" data-title="800 — 800 × 571"data-hi-res="https://payload.cargocollective.com/1/8/260293/11485485/Pond-01.FINAL.50X70.sm_1600_c.jpg" /><img src="https://payload.cargocollective.com/1/8/260293/11485485/Stumps-cut-01.FINAL.50X70.sm_800.jpg" width="800" height="571" width_o="3307" height_o="2362" src_o="https://payload.cargocollective.com/1/8/260293/11485485/Stumps-cut-01.FINAL.50X70.sm_3307.jpg" data-mid="61594196" border="0" align="left" data-title="800 — 800 × 571"data-hi-res="https://payload.cargocollective.com/1/8/260293/11485485/Stumps-cut-01.FINAL.50X70.sm_1600_c.jpg" /><br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/11485485/Rock-w-moss.FINAL.50X70.RTS.sm_800.jpg" width="800" height="571" width_o="3307" height_o="2362" src_o="https://payload.cargocollective.com/1/8/260293/11485485/Rock-w-moss.FINAL.50X70.RTS.sm_3307.jpg" data-mid="61594199" border="0" align="left" data-title="800 — 800 × 571"data-hi-res="https://payload.cargocollective.com/1/8/260293/11485485/Rock-w-moss.FINAL.50X70.RTS.sm_1600_c.jpg" /><br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/11485485/Glass-02-on-rocks.FINAL.sm_800.jpg" width="800" height="533" width_o="2400" height_o="1600" src_o="https://payload.cargocollective.com/1/8/260293/11485485/Glass-02-on-rocks.FINAL.sm_2400.jpg" data-mid="61594201" border="0" align="left" data-title="800 — 800 × 533"data-hi-res="https://payload.cargocollective.com/1/8/260293/11485485/Glass-02-on-rocks.FINAL.sm_1600_c.jpg" /><img src="https://payload.cargocollective.com/1/8/260293/11485485/Glass-03-on-moss.FINAL.50X70.sm_800.jpg" width="800" height="571" width_o="3307" height_o="2362" src_o="https://payload.cargocollective.com/1/8/260293/11485485/Glass-03-on-moss.FINAL.50X70.sm_3307.jpg" data-mid="61594206" border="0" align="left" data-title="800 — 800 × 571"data-hi-res="https://payload.cargocollective.com/1/8/260293/11485485/Glass-03-on-moss.FINAL.50X70.sm_1600_c.jpg" /><img src="https://payload.cargocollective.com/1/8/260293/11485485/Glass-01-on-leaves.FINAL.50X70.RTS.sm_800.jpg" width="800" height="571" width_o="3307" height_o="2362" src_o="https://payload.cargocollective.com/1/8/260293/11485485/Glass-01-on-leaves.FINAL.50X70.RTS.sm_3307.jpg" data-mid="61594209" border="0" align="left" data-title="800 — 800 × 571"data-hi-res="https://payload.cargocollective.com/1/8/260293/11485485/Glass-01-on-leaves.FINAL.50X70.RTS.sm_1600_c.jpg" /><br /> <br /> Mark Rothko Arts Centre - exhibition April 2016<br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/11485485/P1130920_800.JPG" width="800" height="410" width_o="2048" height_o="1052" src_o="https://payload.cargocollective.com/1/8/260293/11485485/P1130920_2048.JPG" data-mid="61594385" border="0" align="left" data-title="800 — 800 × 410"data-hi-res="https://payload.cargocollective.com/1/8/260293/11485485/P1130920_1600_c.JPG" /><img src="https://payload.cargocollective.com/1/8/260293/11485485/P1140022_800.JPG" width="800" height="533" width_o="2048" height_o="1366" src_o="https://payload.cargocollective.com/1/8/260293/11485485/P1140022_2048.JPG" data-mid="61594386" border="0" align="left" data-title="800 — 800 × 533"data-hi-res="https://payload.cargocollective.com/1/8/260293/11485485/P1140022_1600_c.JPG" /> SPEAKING SILENCE. Digital photographs. 50 x 70cm. Residency and Symposium Mark Rothko Arts Centre Daugavpils, Latvia. Mark Rothko Arts Centre - exhibition... http://cargocollective.com/rosstsmith/Turkish-Kilim http://cargocollective.com/rosstsmith/following/rosstsmith/Turkish-Kilim Mon, 04 Jan 2016 00:14:08 +0000 Ross T. Smith 6254155 New TURKISH KILIMS - designed by Ross T. Smith<br /> <br /> Made in Kayseri, Turkey with the assistance of Adem Seçil<br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/6254155/kilim-stripes.07a---Copy_284.jpg" width="284" height="378" width_o="284" height_o="378" src_o="https://payload.cargocollective.com/1/8/260293/6254155/kilim-stripes.07a---Copy_284.jpg" data-mid="51190885" border="0" align="left" data-title="800 (284) — 284 × 378"/> <br /> <img src="https://payload.cargocollective.com/1/8/260293/6254155/P1050334---Copy_1_480.JPG" width="480" height="531" width_o="480" height_o="531" src_o="https://payload.cargocollective.com/1/8/260293/6254155/P1050334---Copy_1_480.JPG" data-mid="51190732" border="0" align="left" data-title="800 (480) — 480 × 531"/> <br /> Wool on wool. Hand-woven. 130 x 190 cm. <br /> <img src="https://payload.cargocollective.com/1/8/260293/6254155/P1050336---Copy_3_530.JPG" width="530" height="398" width_o="530" height_o="398" src_o="https://payload.cargocollective.com/1/8/260293/6254155/P1050336---Copy_3_530.JPG" data-mid="51190749" border="0" align="left" data-title="800 (530) — 530 × 398"/><br /> Detail<br /> Photoshop design given to weaver<br /> <img src="https://payload.cargocollective.com/1/8/260293/6254155/Grey-Visni-02---Copy_284.jpg" width="284" height="415" width_o="284" height_o="415" src_o="https://payload.cargocollective.com/1/8/260293/6254155/Grey-Visni-02---Copy_284.jpg" data-mid="51196073" border="0" align="left" data-title="800 (284) — 284 × 415"/> <img src="https://payload.cargocollective.com/1/8/260293/6254155/20150310_191540---Copy_14_424.jpg" width="424" height="530" width_o="424" height_o="530" src_o="https://payload.cargocollective.com/1/8/260293/6254155/20150310_191540---Copy_14_424.jpg" data-mid="58570331" border="0" align="left" data-title="800 (424) — 424 × 530"/> <img src="https://payload.cargocollective.com/1/8/260293/6254155/Kilim3b---Copy_252.jpg" width="252" height="378" width_o="252" height_o="378" src_o="https://payload.cargocollective.com/1/8/260293/6254155/Kilim3b---Copy_252.jpg" data-mid="58570298" border="0" align="left" data-title="800 (252) — 252 × 378"/> <img src="https://payload.cargocollective.com/1/8/260293/6254155/P1030661---Copy_576.JPG" width="576" height="470" width_o="576" height_o="470" src_o="https://payload.cargocollective.com/1/8/260293/6254155/P1030661---Copy_576.JPG" data-mid="58570272" border="0" align="left" data-title="800 (576) — 576 × 470"/><br /> <img src="https://payload.cargocollective.com/1/8/260293/6254155/Stripes-BW-03---Copy_284.jpg" width="284" height="414" width_o="284" height_o="414" src_o="https://payload.cargocollective.com/1/8/260293/6254155/Stripes-BW-03---Copy_284.jpg" data-mid="51196003" border="0" align="left" data-title="800 (284) — 284 × 414"/> <br /> Natural colour kilim (no dye).<br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/6254155/illusion-stripes-little-bricks-005.yellow---Copy_284.jpg" width="284" height="415" width_o="284" height_o="415" src_o="https://payload.cargocollective.com/1/8/260293/6254155/illusion-stripes-little-bricks-005.yellow---Copy_284.jpg" data-mid="51196022" border="0" align="left" data-title="800 (284) — 284 × 415"/> <img src="https://payload.cargocollective.com/1/8/260293/6254155/Arrows.yellow.blue.01---Copy_284.jpg" width="284" height="379" width_o="284" height_o="379" src_o="https://payload.cargocollective.com/1/8/260293/6254155/Arrows.yellow.blue.01---Copy_284.jpg" data-mid="51196044" border="0" align="left" data-title="800 (284) — 284 × 379"/> <br /> <img src="https://payload.cargocollective.com/1/8/260293/6254155/Kilim.13---Copy_284.jpg" width="284" height="426" width_o="284" height_o="426" src_o="https://payload.cargocollective.com/1/8/260293/6254155/Kilim.13---Copy_284.jpg" data-mid="51210470" border="0" align="left" data-title="800 (284) — 284 × 426"/><br /> <br /> New TURKISH KILIMS - designed by Ross T. Smith Made in Kayseri, Turkey with the assistance of Adem Seçil Wool on wool. Hand-woven. 130 x 190 cm. Detail ... http://cargocollective.com/rosstsmith/Blind-Drawing http://cargocollective.com/rosstsmith/following/rosstsmith/Blind-Drawing Mon, 07 Sep 2015 02:37:58 +0000 Ross T. Smith 10299786 Blind Drawing. <br /> Charcoal, chalky pastels, big sheets of paper, blindfold, imagination, sensory perception ... play and fun. 1.5 hours of drawing. Trees, storms, mosquitoes, 'suddenness'.<br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-1.-Gediz-University--Turkey.-2015.---Copy_800.jpg" width="800" height="1066" width_o="1280" height_o="1706" src_o="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-1.-Gediz-University--Turkey.-2015.---Copy_1280.jpg" data-mid="55921849" border="0" align="left" data-title="800 — 800 × 1066"data-hi-res="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-1.-Gediz-University--Turkey.-2015.---Copy_1250.jpg" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-4.-Abdullah-Gl-University--Turkey.-2014.---Copy_800.jpg" width="800" height="606" width_o="3440" height_o="2607" src_o="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-4.-Abdullah-Gl-University--Turkey.-2014.---Copy_3440.jpg" data-mid="55921857" border="0" align="left" data-title="800 — 800 × 606"data-hi-res="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-4.-Abdullah-Gl-University--Turkey.-2014.---Copy_1600_c.jpg" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-8.-University-of-Melbourne--Australia.-2012.---Copy_800.jpg" width="800" height="1085" width_o="2037" height_o="2764" src_o="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-8.-University-of-Melbourne--Australia.-2012.---Copy_2037.jpg" data-mid="55921861" border="0" align="left" data-title="800 — 800 × 1085"data-hi-res="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-8.-University-of-Melbourne--Australia.-2012.---Copy_1600_c.jpg" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-10.-Gediz-University--Turkey.-2015.---Copy_800.jpg" width="800" height="600" width_o="1706" height_o="1280" src_o="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-10.-Gediz-University--Turkey.-2015.---Copy_1706.jpg" data-mid="55921863" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-10.-Gediz-University--Turkey.-2015.---Copy_1600_c.jpg" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-12.-Abdullah-Gl-University--Turkey.-2014.---Copy_800.jpg" width="800" height="533" width_o="3112" height_o="2074" src_o="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-12.-Abdullah-Gl-University--Turkey.-2014.---Copy_3112.jpg" data-mid="55921865" border="0" align="left" data-title="800 — 800 × 533"data-hi-res="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-12.-Abdullah-Gl-University--Turkey.-2014.---Copy_1600_c.jpg" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-3.-Gediz-University--Turkey.-2015.---Copy_800.jpg" width="800" height="600" width_o="1706" height_o="1280" src_o="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-3.-Gediz-University--Turkey.-2015.---Copy_1706.jpg" data-mid="55921854" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-3.-Gediz-University--Turkey.-2015.---Copy_1600_c.jpg" /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-9.-Gediz-University--Turkey.-2015.---Copy_800.jpg" width="800" height="600" width_o="1024" height_o="768" src_o="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-9.-Gediz-University--Turkey.-2015.---Copy_1024.jpg" data-mid="55921862" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-9.-Gediz-University--Turkey.-2015.---Copy_1024.jpg" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-6.-Taliesin--the-Frank-Lloyd-Wright-School-of-Architecture--America.-2013.---Copy_800.JPG" width="800" height="1068" width_o="916" height_o="1224" src_o="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-6.-Taliesin--the-Frank-Lloyd-Wright-School-of-Architecture--America.-2013.---Copy_916.JPG" data-mid="55921859" border="0" align="left" data-title="800 — 800 × 1068"data-hi-res="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-6.-Taliesin--the-Frank-Lloyd-Wright-School-of-Architecture--America.-2013.---Copy_916.JPG" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-11.-University-of-Melbourne--Australia.-2012.---Copy_800.jpg" width="800" height="600" width_o="868" height_o="651" src_o="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-11.-University-of-Melbourne--Australia.-2012.---Copy_868.jpg" data-mid="55921864" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-11.-University-of-Melbourne--Australia.-2012.---Copy_868.jpg" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-5.-University-of-Melbourne--Australia.-2012.---Copy_800.jpg" width="800" height="547" width_o="869" height_o="595" src_o="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-5.-University-of-Melbourne--Australia.-2012.---Copy_869.jpg" data-mid="55921858" border="0" align="left" data-title="800 — 800 × 547"data-hi-res="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-5.-University-of-Melbourne--Australia.-2012.---Copy_869.jpg" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-2.-Melikah-University--Turkey.-2015.---Copy_800.jpg" width="800" height="1066" width_o="1280" height_o="1706" src_o="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-2.-Melikah-University--Turkey.-2015.---Copy_1280.jpg" data-mid="55921852" border="0" align="left" data-title="800 — 800 × 1066"data-hi-res="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-2.-Melikah-University--Turkey.-2015.---Copy_1250.jpg" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-7.-Melikah-University--Turkey.-2015.---Copy_800.jpg" width="800" height="600" width_o="1706" height_o="1280" src_o="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-7.-Melikah-University--Turkey.-2015.---Copy_1706.jpg" data-mid="55921860" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-7.-Melikah-University--Turkey.-2015.---Copy_1600_c.jpg" /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-13.-Melikah-University--Turkey.-2015.---Copy_800.jpg" width="800" height="600" width_o="1706" height_o="1280" src_o="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-13.-Melikah-University--Turkey.-2015.---Copy_1706.jpg" data-mid="55921866" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/10299786/Fig.-13.-Melikah-University--Turkey.-2015.---Copy_1600_c.jpg" /> Blind Drawing. Charcoal, chalky pastels, big sheets of paper, blindfold, imagination, sensory perception ... play and fun. 1.5 hours of drawing. Trees, storms,... http://cargocollective.com/rosstsmith/Cappadocia-Turkey http://cargocollective.com/rosstsmith/following/rosstsmith/Cappadocia-Turkey Sat, 07 Mar 2015 00:30:39 +0000 Ross T. Smith 9497576 <img src="https://payload.cargocollective.com/1/8/260293/9497576/P1020137_800.JPG" width="800" height="600" width_o="2560" height_o="1920" src_o="https://payload.cargocollective.com/1/8/260293/9497576/P1020137_2560.JPG" data-mid="52131816" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/9497576/P1020137_1600_c.JPG" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/9497576/P1110066_800.JPG" width="800" height="600" width_o="2048" height_o="1536" src_o="https://payload.cargocollective.com/1/8/260293/9497576/P1110066_2048.JPG" data-mid="52131999" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/9497576/P1110066_1600_c.JPG" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/9497576/P1110157_800.JPG" width="800" height="600" width_o="2048" height_o="1536" src_o="https://payload.cargocollective.com/1/8/260293/9497576/P1110157_2048.JPG" data-mid="52132539" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/9497576/P1110157_1600_c.JPG" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/9497576/P1050324---Copy_800.JPG" width="800" height="600" width_o="1280" height_o="960" src_o="https://payload.cargocollective.com/1/8/260293/9497576/P1050324---Copy_1280.JPG" data-mid="52132403" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/9497576/P1050324---Copy_1250.JPG" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/9497576/P1040941_800.JPG" width="800" height="600" width_o="2560" height_o="1920" src_o="https://payload.cargocollective.com/1/8/260293/9497576/P1040941_2560.JPG" data-mid="52132038" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/9497576/P1040941_1600_c.JPG" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/9497576/P1040848_800.JPG" width="800" height="600" width_o="2560" height_o="1920" src_o="https://payload.cargocollective.com/1/8/260293/9497576/P1040848_2560.JPG" data-mid="52132615" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/9497576/P1040848_1600_c.JPG" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/9497576/P1060012_800.JPG" width="800" height="600" width_o="2560" height_o="1920" src_o="https://payload.cargocollective.com/1/8/260293/9497576/P1060012_2560.JPG" data-mid="52132209" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/9497576/P1060012_1600_c.JPG" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/9497576/P1060059_800.JPG" width="800" height="600" width_o="2560" height_o="1920" src_o="https://payload.cargocollective.com/1/8/260293/9497576/P1060059_2560.JPG" data-mid="52132237" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/9497576/P1060059_1600_c.JPG" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/9497576/P1060054_800.JPG" width="800" height="600" width_o="2560" height_o="1920" src_o="https://payload.cargocollective.com/1/8/260293/9497576/P1060054_2560.JPG" data-mid="52132259" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/9497576/P1060054_1600_c.JPG" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/9497576/P1110445_800.JPG" width="800" height="600" width_o="2048" height_o="1536" src_o="https://payload.cargocollective.com/1/8/260293/9497576/P1110445_2048.JPG" data-mid="52132016" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/9497576/P1110445_1600_c.JPG" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/9497576/P1020093_800.JPG" width="800" height="600" width_o="2560" height_o="1920" src_o="https://payload.cargocollective.com/1/8/260293/9497576/P1020093_2560.JPG" data-mid="52131859" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/9497576/P1020093_1600_c.JPG" /><br /> http://cargocollective.com/rosstsmith/L-amour-et-la-mort-sont-la-meme-chose http://cargocollective.com/rosstsmith/following/rosstsmith/L-amour-et-la-mort-sont-la-meme-chose Sat, 23 Aug 2014 06:08:13 +0000 Ross T. Smith 8439665 L’amour et la mort sont la même chose<br /> 1992-96. <br /> Size: 2.4 x 1.2 m. <br /> Hand printed fibre-based, silver gelatin photographs toned with selenium, nailed to plywood.<br /> <br /> <br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/8439665/L-amour-et-la-mort.001---Copy_631.jpg" width="631" height="398" width_o="631" height_o="398" src_o="https://payload.cargocollective.com/1/8/260293/8439665/L-amour-et-la-mort.001---Copy_631.jpg" data-mid="51210023" border="0" align="left" data-title="800 (631) — 631 × 398"/><br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/8439665/transmissions-exhibition-66---Copy_400.JPG" width="400" height="600" width_o="400" height_o="600" src_o="https://payload.cargocollective.com/1/8/260293/8439665/transmissions-exhibition-66---Copy_400.JPG" data-mid="51209999" border="0" align="left" data-title="800 (400) — 400 × 600"/><br /> detail<br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/8439665/transmissions-exhibition-67---Copy_600.JPG" width="600" height="400" width_o="600" height_o="400" src_o="https://payload.cargocollective.com/1/8/260293/8439665/transmissions-exhibition-67---Copy_600.JPG" data-mid="51210039" border="0" align="left" data-title="800 (600) — 600 × 400"/><br /> detail<br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/8439665/L-amour-et-la-mort-002.jpg" width="640" height="480" width_o="640" height_o="480" src_o="https://payload.cargocollective.com/1/8/260293/8439665/L-amour-et-la-mort-002_o.jpg" data-mid="45496250" border="0" align="left" data-title="800 (640) — 640 × 480"/><br /> <br /> George Paton Gallery, University of Melbourne. 2014 <br /> <br /> Permanent collection of the National Gallery of Victoria. Melbourne, Australia.<br /> L’amour et la mort sont la même chose 1992-96. Size: 2.4 x 1.2 m. Hand printed fibre-based, silver gelatin photographs toned with selenium, nailed to plywood. ... http://cargocollective.com/rosstsmith/Hemi-Tuwharerangi-Paraha http://cargocollective.com/rosstsmith/following/rosstsmith/Hemi-Tuwharerangi-Paraha Sun, 01 Jun 2014 10:15:39 +0000 Ross T. Smith 8005918 HEMI TUWHARERANGI PARAHA<br /> 1999.10 C-type prints. Size: 1000 x 1000 mm<br /> In permanent collection of Whangarei Art Museum, new Zealand.<br /> <br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/8005918/Hemi-No1a.1_800.jpg" width="800" height="789" width_o="874" height_o="863" src_o="https://payload.cargocollective.com/1/8/260293/8005918/Hemi-No1a.1_o.jpg" data-mid="43083000" border="0" align="left" data-title="800 — 800 × 789"data-hi-res="https://payload.cargocollective.com/1/8/260293/8005918/Hemi-No1a.1_o.jpg" /><br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/8005918/Hemi-No2.1_800.jpg" width="800" height="783" width_o="876" height_o="858" src_o="https://payload.cargocollective.com/1/8/260293/8005918/Hemi-No2.1_o.jpg" data-mid="43083008" border="0" align="left" data-title="800 — 800 × 783"data-hi-res="https://payload.cargocollective.com/1/8/260293/8005918/Hemi-No2.1_o.jpg" /><br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/8005918/Hemi-No3.1_800.jpg" width="800" height="812" width_o="857" height_o="870" src_o="https://payload.cargocollective.com/1/8/260293/8005918/Hemi-No3.1_o.jpg" data-mid="43083010" border="0" align="left" data-title="800 — 800 × 812"data-hi-res="https://payload.cargocollective.com/1/8/260293/8005918/Hemi-No3.1_o.jpg" /><br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/8005918/Hemi-No6.1_800.jpg" width="800" height="777" width_o="874" height_o="849" src_o="https://payload.cargocollective.com/1/8/260293/8005918/Hemi-No6.1_o.jpg" data-mid="43083018" border="0" align="left" data-title="800 — 800 × 777"data-hi-res="https://payload.cargocollective.com/1/8/260293/8005918/Hemi-No6.1_o.jpg" /><br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/8005918/Hemi-No9.1_800.jpg" width="800" height="781" width_o="871" height_o="851" src_o="https://payload.cargocollective.com/1/8/260293/8005918/Hemi-No9.1_o.jpg" data-mid="43083023" border="0" align="left" data-title="800 — 800 × 781"data-hi-res="https://payload.cargocollective.com/1/8/260293/8005918/Hemi-No9.1_o.jpg" /><br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/8005918/HEMI.GALLERY2---Copy_655.jpg" width="655" height="387" width_o="655" height_o="387" src_o="https://payload.cargocollective.com/1/8/260293/8005918/HEMI.GALLERY2---Copy_655.jpg" data-mid="55887493" border="0" align="left" data-title="800 (655) — 655 × 387"/> HEMI TUWHARERANGI PARAHA 1999.10 C-type prints. Size: 1000 x 1000 mm In permanent collection of Whangarei Art Museum, new Zealand. http://cargocollective.com/rosstsmith/Taliesin-West-Arizona http://cargocollective.com/rosstsmith/following/rosstsmith/Taliesin-West-Arizona Sat, 31 May 2014 11:20:32 +0000 Ross T. Smith 6222354 Taliesin West, the Frank Lloyd Wright School of Architecture. Arizona, USA.<br /> <br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/6222354/P1030873_800.JPG" width="800" height="600" width_o="2048" height_o="1536" src_o="https://payload.cargocollective.com/1/8/260293/6222354/P1030873_o.JPG" data-mid="33674173" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/6222354/P1030873_o.JPG" /> <br /> Juhani Pallasmaa and Ross T. Smith - Taliesin West. Nov 2012.<br /> <br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/6222354/P1030720---Copy_800.JPG" width="800" height="600" width_o="1024" height_o="768" src_o="https://payload.cargocollective.com/1/8/260293/6222354/P1030720---Copy_o.JPG" data-mid="45496875" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/6222354/P1030720---Copy_o.JPG" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/6222354/P1030741---Copy_800.JPG" width="800" height="600" width_o="1024" height_o="768" src_o="https://payload.cargocollective.com/1/8/260293/6222354/P1030741---Copy_o.JPG" data-mid="45496911" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/6222354/P1030741---Copy_o.JPG" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/6222354/P1030679---Copy_3_800.JPG" width="800" height="600" width_o="2048" height_o="1536" src_o="https://payload.cargocollective.com/1/8/260293/6222354/P1030679---Copy_3_o.JPG" data-mid="45496811" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/6222354/P1030679---Copy_3_800_2x.JPG" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/6222354/P1030897---Copy_800.JPG" width="800" height="600" width_o="2048" height_o="1536" src_o="https://payload.cargocollective.com/1/8/260293/6222354/P1030897---Copy_o.JPG" data-mid="45496926" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/6222354/P1030897---Copy_800_2x.JPG" /><br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/6222354/P1040059---Copy_800.JPG" width="800" height="599" width_o="907" height_o="680" src_o="https://payload.cargocollective.com/1/8/260293/6222354/P1040059---Copy_o.JPG" data-mid="45496934" border="0" align="left" data-title="800 — 800 × 599"data-hi-res="https://payload.cargocollective.com/1/8/260293/6222354/P1040059---Copy_o.JPG" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/6222354/P1040067---Copy_800.JPG" width="800" height="600" width_o="1024" height_o="768" src_o="https://payload.cargocollective.com/1/8/260293/6222354/P1040067---Copy_o.JPG" data-mid="45496936" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/6222354/P1040067---Copy_o.JPG" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/6222354/P1040027---Copy_800.JPG" width="800" height="600" width_o="1024" height_o="768" src_o="https://payload.cargocollective.com/1/8/260293/6222354/P1040027---Copy_o.JPG" data-mid="45496931" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/6222354/P1040027---Copy_o.JPG" /><br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/6222354/P1030672---Copy_800.JPG" width="800" height="600" width_o="1024" height_o="768" src_o="https://payload.cargocollective.com/1/8/260293/6222354/P1030672---Copy_o.JPG" data-mid="45496832" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/6222354/P1030672---Copy_o.JPG" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/6222354/P1030733---Copy_800.JPG" width="800" height="600" width_o="1024" height_o="768" src_o="https://payload.cargocollective.com/1/8/260293/6222354/P1030733---Copy_o.JPG" data-mid="45496964" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/6222354/P1030733---Copy_o.JPG" /><br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/6222354/P1040366---Copy_800.JPG" width="800" height="600" width_o="1024" height_o="768" src_o="https://payload.cargocollective.com/1/8/260293/6222354/P1040366---Copy_o.JPG" data-mid="45497023" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/6222354/P1040366---Copy_o.JPG" /><br /> <img src="https://payload.cargocollective.com/1/8/260293/6222354/P1030563---Copy_800.JPG" width="800" height="599" width_o="995" height_o="746" src_o="https://payload.cargocollective.com/1/8/260293/6222354/P1030563---Copy_o.JPG" data-mid="45496772" border="0" align="left" data-title="800 — 800 × 599"data-hi-res="https://payload.cargocollective.com/1/8/260293/6222354/P1030563---Copy_o.JPG" /><br /> <br /> <img src="https://payload.cargocollective.com/1/8/260293/6222354/P1030947---Copy_800.JPG" width="800" height="600" width_o="957" height_o="718" src_o="https://payload.cargocollective.com/1/8/260293/6222354/P1030947---Copy_o.JPG" data-mid="45497103" border="0" align="left" data-title="800 — 800 × 600"data-hi-res="https://payload.cargocollective.com/1/8/260293/6222354/P1030947---Copy_o.JPG" /><br /> Taliesin West, the Frank Lloyd Wright School of Architecture. Arizona, USA. Juhani Pallasmaa and Ross T. Smith - Taliesin West. Nov 2012.