OLGV.

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<channel>
	<title>OLGV.</title>
	<link>http://cargocollective.com</link>
	<description>OLGV.</description>
	<pubDate>Mon, 10 Sep 2012 17:24:45 +0000</pubDate>
	<generator>http://cargocollective.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Latest/Misc.</title>
				
		<link>http://cargocollective.com/olgv/Latest-Misc</link>

		<comments>http://cargocollective.com/olgv/following/olgv/Latest-Misc</comments>

		<pubDate>Mon, 10 Sep 2012 17:24:45 +0000</pubDate>

		<dc:creator>OLGV.</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">4056960</guid>

		<description>
Happy End of The World, 12.12. 2012.





The early morning, polygonal stretch rituals.




&#60;img src="http://payload87.cargocollective.com/1/0/691/4056960/CP3-2.jpg" width="670" height="952" width_o="2048" height_o="2910" src_o="http://payload87.cargocollective.com/1/0/691/4056960/CP3-2_o.jpg" data-mid="21266216"  border="0" align="left"/&#62;
Exhibiting at the 2012 Venice Architecture Biennale, in the UK pavilion, as part of Fulcrum's "commonplace" take.



&#60;img src="http://payload87.cargocollective.com/1/0/691/4056960/tumblr_m8ug551AF01qii62go1_1280.jpeg" width="670" height="503" width_o="995" height_o="748" src_o="http://payload87.cargocollective.com/1/0/691/4056960/tumblr_m8ug551AF01qii62go1_1280_o.jpeg" data-mid="21265775"  border="0" align="left"/&#62;
&#60;img src="http://payload87.cargocollective.com/1/0/691/4056960/tumblr_m94a32yNgU1qii62go1_1280.jpeg" width="670" height="514" width_o="1270" height_o="976" src_o="http://payload87.cargocollective.com/1/0/691/4056960/tumblr_m94a32yNgU1qii62go1_1280_o.jpeg" data-mid="21265770"  border="0" align="left"/&#62;
&#60;img src="http://payload87.cargocollective.com/1/0/691/4056960/tumblr_m9474rNbxG1qii62go1_1280.jpeg" width="670" height="502" width_o="1280" height_o="960" src_o="http://payload87.cargocollective.com/1/0/691/4056960/tumblr_m9474rNbxG1qii62go1_1280_o.jpeg" data-mid="21265764"  border="0" align="left"/&#62;
Glimpses from “polygonal specimens series”, signed CtrlArchDel.



&#60;img src="http://payload87.cargocollective.com/1/0/691/4056960/tumblr_m9471pYGVn1qii62go1_1280.jpeg" width="670" height="670" width_o="1280" height_o="1280" src_o="http://payload87.cargocollective.com/1/0/691/4056960/tumblr_m9471pYGVn1qii62go1_1280_o.jpeg" data-mid="21265759"  border="0" align="left"/&#62;
Bits and pieces from UndorTomorrowsSky.</description>
		
		<excerpt> Happy End of The World, 12.12. 2012.      The early morning, polygonal stretch rituals.      Exhibiting at the 2012 Venice Architecture Biennale, in the UK...</excerpt>

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	</item>
		
		
	<item>
		<title>back home</title>
				
		<link>http://cargocollective.com/olgv/back-home</link>

		<comments>http://cargocollective.com/olgv/following/olgv/back-home</comments>

		<pubDate>Thu, 09 Jun 2011 09:06:35 +0000</pubDate>

		<dc:creator>OLGV.</dc:creator>
		
		<category><![CDATA[Motion, 3D]]></category>

		<guid isPermaLink="false">1567756</guid>

		<description>back home
Articulating a mobile space with a static one.




&#60;img src="http://payload.cargocollective.com/1/0/691/1567756/fin_backhome_01.png" width="670" height="536" width_o="720" height_o="576" src_o="http://payload.cargocollective.com/1/0/691/1567756/fin_backhome_01_o.png" data-mid="7674636"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/1567756/fin_backhome_02.png" width="670" height="536" width_o="720" height_o="576" src_o="http://payload.cargocollective.com/1/0/691/1567756/fin_backhome_02_o.png" data-mid="7674638"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/1567756/fin_backhome_03.png" width="670" height="536" width_o="720" height_o="576" src_o="http://payload.cargocollective.com/1/0/691/1567756/fin_backhome_03_o.png" data-mid="7674640"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/1567756/fin_backhome_04.png" width="670" height="536" width_o="720" height_o="576" src_o="http://payload.cargocollective.com/1/0/691/1567756/fin_backhome_04_o.png" data-mid="7674643"  border="0" align="left"/&#62;</description>
		
		<excerpt>back home Articulating a mobile space with a static one.     </excerpt>

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	<item>
		<title>GravityONE.</title>
				
		<link>http://cargocollective.com/olgv/GravityONE</link>

		<comments>http://cargocollective.com/olgv/following/olgv/GravityONE</comments>

		<pubDate>Thu, 09 Jun 2011 08:45:23 +0000</pubDate>

		<dc:creator>OLGV.</dc:creator>
		
		<category><![CDATA[Architecture, Motion, 3D]]></category>

		<guid isPermaLink="false">1567607</guid>

		<description>GravityONE.
A Choreography for Militarised Airspace

The remote territories of the Australian Never Never are anything but empty. The history of these landscapes is one of nuclear testing, rocket launches and black military technologies. The skies over this red earth are scarred with the contrails of experimental weapons flights and charged with the militarised electromagnetic waves that reach out to US troops in Afghanistan and Iraq. Forgotten, somewhere in this landscape, is an abandoned missile tracking station. From here something else is being launched, a choreographed flock of autonomous gliders, to drift through the air in silent protest. Floating on engineered thermal currents their wingspan antennas broadcast white noise through the electromagnetic landscapes over Australia’s Pine Gap military base, momentarily jamming their telecommunications signals.


&#60;img src="http://payload.cargocollective.com/1/0/691/1567607/FeaturedLogos_11.png" width="325" height="72" width_o="325" height_o="72" src_o="http://payload.cargocollective.com/1/0/691/1567607/FeaturedLogos_11_o.png" data-mid="17866642"  border="0" align="left"/&#62; 
"GravityONE" is Oliviu Lugojan-Ghenciu's architectural diploma, presented in the summer of 2011 at The Architectural Association [AA] School of Architecture, London.

GravityONE: A Choreographed trajectory.
&#60;img src="http://payload.cargocollective.com/1/0/691/1567607/GravityONE_01.jpg" width="670" height="670" width_o="1500" height_o="1500" src_o="http://payload.cargocollective.com/1/0/691/1567607/GravityONE_01_o.jpg" data-mid="7673854"  border="0" align="left"/&#62;

Thermal generators. A prosthetic implant in to the cliff, a technological augmentation, a point where the entire light weight architectural system prop on the ground through the use of an air column.
&#60;img src="http://payload.cargocollective.com/1/0/691/1567607/GravityONE_02.jpg" width="670" height="670" width_o="1500" height_o="1500" src_o="http://payload.cargocollective.com/1/0/691/1567607/GravityONE_02_o.jpg" data-mid="7673862"  border="0" align="left"/&#62;

Gliders approaching military base.
&#60;img src="http://payload.cargocollective.com/1/0/691/1567607/GravityONE_03.jpg" width="670" height="670" width_o="1500" height_o="1500" src_o="http://payload.cargocollective.com/1/0/691/1567607/GravityONE_03_o.jpg" data-mid="7673867"  border="0" align="left"/&#62;

Reoccupying  an aerial territory through jamming military base communications.
&#60;img src="http://payload.cargocollective.com/1/0/691/1567607/GravityONE_04.jpg" width="670" height="670" width_o="1500" height_o="1500" src_o="http://payload.cargocollective.com/1/0/691/1567607/GravityONE_04_o.jpg" data-mid="7673874"  border="0" align="left"/&#62;

Tactical military operations, defining a global architecture.
&#60;img src="http://payload.cargocollective.com/1/0/691/1567607/GravityONE_05.jpg" width="670" height="670" width_o="1500" height_o="1500" src_o="http://payload.cargocollective.com/1/0/691/1567607/GravityONE_05_o.jpg" data-mid="7673877"  border="0" align="left"/&#62;

Glider, off trajectory.
Some of the gliders drift from their trajectory, crashlanding, becoming elements of wondering and mythological wondering for the passing by wonderers of the "Never-Never".
&#60;img src="http://payload.cargocollective.com/1/0/691/1567607/GravityONE_06.jpg" width="670" height="670" width_o="1500" height_o="1500" src_o="http://payload.cargocollective.com/1/0/691/1567607/GravityONE_06_o.jpg" data-mid="7673883"  border="0" align="left"/&#62;

Landing and nesting procedures.
The base, the point from where my architecture takeoff and land, an active memorial of the event.
&#60;img src="http://payload.cargocollective.com/1/0/691/1567607/GravityONE_07.jpg" width="670" height="670" width_o="1500" height_o="1500" src_o="http://payload.cargocollective.com/1/0/691/1567607/GravityONE_07_o.jpg" data-mid="7673891"  border="0" align="left"/&#62;

Overall view of the jamming choreogpraphy.
&#60;img src="http://payload.cargocollective.com/1/0/691/1567607/GravityONE_08.jpg" width="670" height="670" width_o="1500" height_o="1500" src_o="http://payload.cargocollective.com/1/0/691/1567607/GravityONE_08_o.jpg" data-mid="7673898"  border="0" align="left"/&#62;

The "building", gliding in the silence of the Australian sunset.
&#60;img src="http://payload.cargocollective.com/1/0/691/1567607/GravityONE_09.jpg" width="670" height="947" width_o="1500" height_o="2121" src_o="http://payload.cargocollective.com/1/0/691/1567607/GravityONE_09_o.jpg" data-mid="7673908"  border="0" align="left"/&#62;





</description>
		
		<excerpt>GravityONE. A Choreography for Militarised Airspace  The remote territories of the Australian Never Never are anything but empty. The history of these landscapes is...</excerpt>

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		<media:thumbnail url="http://payload.cargocollective.com/1/0/691/1567607/prt_1307626005.jpg" />

	</item>
		
		
	<item>
		<title>Death, Body, Sketch</title>
				
		<link>http://cargocollective.com/olgv/Death-Body-Sketch</link>

		<comments>http://cargocollective.com/olgv/following/olgv/Death-Body-Sketch</comments>

		<pubDate>Fri, 15 Apr 2011 08:17:07 +0000</pubDate>

		<dc:creator>OLGV.</dc:creator>
		
		<category><![CDATA[3D, Motion, Form]]></category>

		<guid isPermaLink="false">1313414</guid>

		<description>Death, Body, Sketch

Sketching the last moving moments of a soul occupying the post death space. A digital decomposition of a living matter interrogated through the use of animation and digital body scanning technology.

&#60;img src="http://payload.cargocollective.com/1/0/691/1313414/scan_capture1.png" width="670" height="358" width_o="1680" height_o="900" src_o="http://payload.cargocollective.com/1/0/691/1313414/scan_capture1_o.png" data-mid="6369790"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/1313414/scan_capture2.png" width="670" height="358" width_o="1680" height_o="900" src_o="http://payload.cargocollective.com/1/0/691/1313414/scan_capture2_o.png" data-mid="6369793"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/1313414/scan_capture3.png" width="670" height="358" width_o="1680" height_o="900" src_o="http://payload.cargocollective.com/1/0/691/1313414/scan_capture3_o.png" data-mid="6369794"  border="0" align="left"/&#62;
The body as a drawing tool, sketching form, drawing space.

&#60;img src="http://payload.cargocollective.com/1/0/691/1313414/scan_capture4.png" width="670" height="358" width_o="1680" height_o="900" src_o="http://payload.cargocollective.com/1/0/691/1313414/scan_capture4_o.png" data-mid="6369796"  border="0" align="left"/&#62;

3D view



</description>
		
		<excerpt>Death, Body, Sketch  Sketching the last moving moments of a soul occupying the post death space. A digital decomposition of a living matter interrogated through the...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/0/691/1313414/prt_1302874953.png" />

	</item>
		
		
	<item>
		<title>synthetic crucifixion</title>
				
		<link>http://cargocollective.com/olgv/synthetic-crucifixion</link>

		<comments>http://cargocollective.com/olgv/following/olgv/synthetic-crucifixion</comments>

		<pubDate>Fri, 15 Apr 2011 06:04:49 +0000</pubDate>

		<dc:creator>OLGV.</dc:creator>
		
		<category><![CDATA[3D, Illustration]]></category>

		<guid isPermaLink="false">1313128</guid>

		<description>Synthetic crucifixion
[pre-easter 3d illustrations]

&#60;img src="http://payload.cargocollective.com/1/0/691/1313128/01-darkahnd_12 [FIN].JPG" width="670" height="376" width_o="2000" height_o="1125" src_o="http://payload.cargocollective.com/1/0/691/1313128/01-darkahnd_12 [FIN]_o.JPG" data-mid="6368283"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/1313128/02-darkman_R01 [FIN].JPG" width="670" height="376" width_o="2000" height_o="1125" src_o="http://payload.cargocollective.com/1/0/691/1313128/02-darkman_R01 [FIN]_o.JPG" data-mid="6368285"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/1313128/03-darkfoot_R02 [FIN].JPG" width="670" height="376" width_o="2000" height_o="1125" src_o="http://payload.cargocollective.com/1/0/691/1313128/03-darkfoot_R02 [FIN]_o.JPG" data-mid="6368288"  border="0" align="left"/&#62;
... when easter is not only about red eggs.


</description>
		
		<excerpt>Synthetic crucifixion [pre-easter 3d illustrations]   ... when easter is not only about red eggs.   </excerpt>

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		<media:thumbnail url="http://payload.cargocollective.com/1/0/691/1313128/prt_1302865048.JPG" />

	</item>
		
		
	<item>
		<title>RFID 3D</title>
				
		<link>http://cargocollective.com/olgv/RFID-3D</link>

		<comments>http://cargocollective.com/olgv/following/olgv/RFID-3D</comments>

		<pubDate>Sat, 30 Oct 2010 16:53:16 +0000</pubDate>

		<dc:creator>OLGV.</dc:creator>
		
		<category><![CDATA[3D, Form]]></category>

		<guid isPermaLink="false">743753</guid>

		<description>RFID3D
three dimensional interpretation

&#60;img src="http://payload.cargocollective.com/1/0/691/743753/01_RFID3D_white_x01.jpg" width="670" height="418" width_o="1920" height_o="1200" src_o="http://payload.cargocollective.com/1/0/691/743753/01_RFID3D_white_x01_o.jpg" data-mid="6368415"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743753/02_RFID3D_white_x02.jpg" width="670" height="418" width_o="1920" height_o="1200" src_o="http://payload.cargocollective.com/1/0/691/743753/02_RFID3D_white_x02_o.jpg" data-mid="6368417"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743753/03_RFID3D_elements2.jpg" width="670" height="418" width_o="1920" height_o="1200" src_o="http://payload.cargocollective.com/1/0/691/743753/03_RFID3D_elements2_o.jpg" data-mid="6368418"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743753/04_RFID3D_black_elements1.jpg" width="670" height="418" width_o="1920" height_o="1200" src_o="http://payload.cargocollective.com/1/0/691/743753/04_RFID3D_black_elements1_o.jpg" data-mid="6368421"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743753/05_RFID3D_black_elements2.jpg" width="670" height="418" width_o="1920" height_o="1200" src_o="http://payload.cargocollective.com/1/0/691/743753/05_RFID3D_black_elements2_o.jpg" data-mid="6368422"  border="0" align="left"/&#62;

"The RFID icon is based on the shape of the 'readable volume' within an RFID radio field. Created by Timo Arnall &#38; Jack Schulze." 

My interest fall upon the previous 3D volume of this invisible electromagnetic field. 
I wished to take the icon back to it's 3d origins [which can be seen in this video made by Timo Arnall &#38; Jack Schulze] and made a couple of renderings / illustrations of the icon in  it's 3d stage in order to get a better formal and spatial understanding.


</description>
		
		<excerpt>RFID3D three dimensional interpretation    "The RFID icon is based on the shape of the 'readable volume' within an RFID radio field. Created by Timo Arnall &#38; Jack...</excerpt>

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		<media:thumbnail url="http://payload.cargocollective.com/1/0/691/743753/prt_1288475455.jpg" />

	</item>
		
		
	<item>
		<title>Heaven 2.0</title>
				
		<link>http://cargocollective.com/olgv/Heaven-2-0</link>

		<comments>http://cargocollective.com/olgv/following/olgv/Heaven-2-0</comments>

		<pubDate>Sat, 30 Oct 2010 16:46:22 +0000</pubDate>

		<dc:creator>OLGV.</dc:creator>
		
		<category><![CDATA[Architecture]]></category>

		<guid isPermaLink="false">743694</guid>

		<description>Heaven 2.0

From Biosphere 2 and Hollywood's film sets, to an utopic landscape which shortcut the highway and adapt to the geography, comes Heaven 2.0

Heaven 2.0 doesn't come from a religious perspective, religion being a really personal thing which whose interpretation varies from one to another. The aim of Heaven 2.0 is the "perfect, most enjoyable, but also undefined and unknown" heaven. An intriguing aspect of Los Angeles of having a shallow heaven.
This utopia is what LA. try to promote and there is something in this fakeness that people enjoy, maybe its the lack of depth or the plurality, or even just the weather. Heaven 2.0 shouldn't be taken literally but rather as an ironic position, an irony related to the "ideal living condition" or a "utopic life" represented in Hollywood's cinematography through movies as Brazil or The Truman Show.

Heaven 2.0 is a housing apparatus, a contemporary adaptation of the "American Beach House". A housing apparatus with a connective circulation machine on it's back, extending the regulate american urban network in to the Pacific Ocean and the ocean in to the city through a vertical urbanism.

Heaven 2.0 is a set up, a plastic surgery of the site, in the point where the feeble Route 66 ends and San Vincent Blvd. begins. Heaven 2.0 connects this two points and loop the "american dream" ended ones with the Route 66, back in to the city, towards Hollywood. Looping the "american dream" from simulacra in to hyperreality.

&#60;img src="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-01_1.jpg" width="670" height="670" width_o="905" height_o="905" src_o="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-01_1_o.jpg" data-mid="3508748"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-01.jpg" width="670" height="670" width_o="905" height_o="905" src_o="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-01_o.jpg" data-mid="3508705"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-02.jpg" width="670" height="673" width_o="905" height_o="910" src_o="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-02_o.jpg" data-mid="3508706"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-02b.png" width="670" height="335" width_o="905" height_o="453" src_o="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-02b_o.png" data-mid="3508708"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-03.jpg" width="670" height="673" width_o="905" height_o="910" src_o="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-03_o.jpg" data-mid="3508709"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-04.jpg" width="670" height="335" width_o="905" height_o="453" src_o="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-04_o.jpg" data-mid="3508711"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-05.jpg" width="670" height="673" width_o="905" height_o="910" src_o="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-05_o.jpg" data-mid="3508714"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-06.jpg" width="670" height="1005" width_o="905" height_o="1358" src_o="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-06_o.jpg" data-mid="3508718"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-07.jpg" width="670" height="335" width_o="905" height_o="453" src_o="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-07_o.jpg" data-mid="3508722"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-08.jpg" width="670" height="672" width_o="905" height_o="909" src_o="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-08_o.jpg" data-mid="3508726"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-10.jpg" width="670" height="670" width_o="905" height_o="905" src_o="http://payload.cargocollective.com/1/0/691/743694/Heaven2.0-10_o.jpg" data-mid="3508729"  border="0" align="left"/&#62;

&#60;img src="http://payload.cargocollective.com/1/0/691/743694/Heaven2 model_008.jpg" width="670" height="1005" width_o="905" height_o="1358" src_o="http://payload.cargocollective.com/1/0/691/743694/Heaven2 model_008_o.jpg" data-mid="3508954"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743694/Heaven2 model_007.jpg" width="670" height="446" width_o="905" height_o="603" src_o="http://payload.cargocollective.com/1/0/691/743694/Heaven2 model_007_o.jpg" data-mid="3508953"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743694/Heaven2 model_006.jpg" width="670" height="446" width_o="905" height_o="603" src_o="http://payload.cargocollective.com/1/0/691/743694/Heaven2 model_006_o.jpg" data-mid="3508952"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743694/Heaven2 model_005.jpg" width="670" height="670" width_o="905" height_o="905" src_o="http://payload.cargocollective.com/1/0/691/743694/Heaven2 model_005_o.jpg" data-mid="3508950"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743694/Heaven2 model_004.jpg" width="670" height="376" width_o="905" height_o="509" src_o="http://payload.cargocollective.com/1/0/691/743694/Heaven2 model_004_o.jpg" data-mid="3508949"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743694/Heaven2 model_003.jpg" width="670" height="446" width_o="905" height_o="603" src_o="http://payload.cargocollective.com/1/0/691/743694/Heaven2 model_003_o.jpg" data-mid="3508948"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743694/Heaven2 model_002.jpg" width="670" height="446" width_o="905" height_o="603" src_o="http://payload.cargocollective.com/1/0/691/743694/Heaven2 model_002_o.jpg" data-mid="3508947"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743694/Heaven2 model_001.jpg" width="670" height="377" width_o="905" height_o="510" src_o="http://payload.cargocollective.com/1/0/691/743694/Heaven2 model_001_o.jpg" data-mid="3508946"  border="0" align="left"/&#62;


Heaven 2.0, was a fourth year project developed as part of the Architectural Association School of Architecture Diploma program, Diploma Unit 12.
Tutors: Holger Kehne, Jeffrey Turko
Special thanks to: Charles Tashima


</description>
		
		<excerpt>Heaven 2.0  From Biosphere 2 and Hollywood's film sets, to an utopic landscape which shortcut the highway and adapt to the geography, comes Heaven 2.0  Heaven 2.0...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/0/691/743694/prt_1288473050.jpg" />

	</item>
		
		
	<item>
		<title>KORC</title>
				
		<link>http://cargocollective.com/olgv/KORC</link>

		<comments>http://cargocollective.com/olgv/following/olgv/KORC</comments>

		<pubDate>Sat, 30 Oct 2010 15:45:33 +0000</pubDate>

		<dc:creator>OLGV.</dc:creator>
		
		<category><![CDATA[Architecture, Motion]]></category>

		<guid isPermaLink="false">743633</guid>

		<description>KORC 
[Kinetic Oceanographic Research Center] 
A floating, climacteric responsive research station around Galapagos Archipelago.

&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORC01_RENDER_01.png" width="670" height="398" width_o="905" height_o="538" src_o="http://payload.cargocollective.com/1/0/691/743633/KORC01_RENDER_01_o.png" data-mid="3508310"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORC02_RENDER_02.png" width="670" height="430" width_o="905" height_o="582" src_o="http://payload.cargocollective.com/1/0/691/743633/KORC02_RENDER_02_o.png" data-mid="3508313"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORC02_sec_plan.png" width="670" height="430" width_o="905" height_o="582" src_o="http://payload.cargocollective.com/1/0/691/743633/KORC02_sec_plan_o.png" data-mid="3508314"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORC03_sec_residesntial.png" width="670" height="430" width_o="905" height_o="582" src_o="http://payload.cargocollective.com/1/0/691/743633/KORC03_sec_residesntial_o.png" data-mid="3508315"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORC04_sec_visitors.png" width="670" height="430" width_o="905" height_o="582" src_o="http://payload.cargocollective.com/1/0/691/743633/KORC04_sec_visitors_o.png" data-mid="3508318"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORC05_sec_transvisitors.png" width="670" height="430" width_o="905" height_o="582" src_o="http://payload.cargocollective.com/1/0/691/743633/KORC05_sec_transvisitors_o.png" data-mid="3508319"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORC06_sec_landing.png" width="670" height="430" width_o="905" height_o="582" src_o="http://payload.cargocollective.com/1/0/691/743633/KORC06_sec_landing_o.png" data-mid="3508320"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORC08_sec_plan [ROUTES].png" width="670" height="430" width_o="905" height_o="581" src_o="http://payload.cargocollective.com/1/0/691/743633/KORC08_sec_plan [ROUTES]_o.png" data-mid="3508322"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORC09_lasercut [paper print]-01.png" width="670" height="473" width_o="905" height_o="640" src_o="http://payload.cargocollective.com/1/0/691/743633/KORC09_lasercut [paper print]-01_o.png" data-mid="3508323"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORC10_lasercut [paper print]-02.png" width="670" height="473" width_o="905" height_o="640" src_o="http://payload.cargocollective.com/1/0/691/743633/KORC10_lasercut [paper print]-02_o.png" data-mid="3508325"  border="0" align="left"/&#62;

"Floating on ocean currents is a migrating research station that swims around Galapagos Islands following endemic sea creatures, driven by the same water currents, water temperatures and air pressures which trigger the elNino phenomenon. The machine has a cyclic life, closed in the cold season when it nests inside the archipelago and blossoming open in the warm season when it is occupied by the scientists and tourists. The static model of the research base is re imagined in this new type of animal that is embedded in the behaviors, cycles and systems of its surrounding environment."

Liam Young



&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_015.jpg" width="670" height="448" width_o="905" height_o="606" src_o="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_015_o.jpg" data-mid="3508364"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_013.jpg" width="670" height="376" width_o="905" height_o="509" src_o="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_013_o.jpg" data-mid="3508361"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_014.jpg" width="670" height="448" width_o="905" height_o="606" src_o="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_014_o.jpg" data-mid="3508362"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_016.jpg" width="670" height="670" width_o="800" height_o="800" src_o="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_016_o.jpg" data-mid="3508365"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_017.jpeg" width="670" height="670" width_o="800" height_o="800" src_o="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_017_o.jpeg" data-mid="3508370"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_001.jpg" width="670" height="670" width_o="905" height_o="905" src_o="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_001_o.jpg" data-mid="3508348"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_003.jpg" width="670" height="670" width_o="905" height_o="905" src_o="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_003_o.jpg" data-mid="3508349"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_004.jpg" width="670" height="670" width_o="905" height_o="905" src_o="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_004_o.jpg" data-mid="3508352"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_012.jpg" width="670" height="448" width_o="905" height_o="606" src_o="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_012_o.jpg" data-mid="3508360"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_010.jpg" width="670" height="448" width_o="905" height_o="606" src_o="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_010_o.jpg" data-mid="3508358"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_011.jpg" width="670" height="448" width_o="905" height_o="606" src_o="http://payload.cargocollective.com/1/0/691/743633/KORCmodel02_011_o.jpg" data-mid="3508359"  border="0" align="left"/&#62;






KORC, was a third year project developed as part of the Architectural Association School of Architecture undergraduate program, Intermediate Unit 7.
Tutors: Liam Young &#38; Kate Davies</description>
		
		<excerpt>KORC  [Kinetic Oceanographic Research Center]  A floating, climacteric responsive research station around Galapagos Archipelago.    "Floating on ocean currents is a...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/0/691/743633/prt_1288471020.png" />

	</item>
		
		
	<item>
		<title>CMYK Architecture</title>
				
		<link>http://cargocollective.com/olgv/CMYK-Architecture</link>

		<comments>http://cargocollective.com/olgv/following/olgv/CMYK-Architecture</comments>

		<pubDate>Sat, 30 Oct 2010 14:17:47 +0000</pubDate>

		<dc:creator>OLGV.</dc:creator>
		
		<category><![CDATA[Form, Graphic design, Architecture]]></category>

		<guid isPermaLink="false">743461</guid>

		<description>CMYK Architecture

&#60;img src="http://payload.cargocollective.com/1/0/691/743461/CMYKArch00.jpg" width="600" height="470" width_o="600" height_o="470" src_o="http://payload.cargocollective.com/1/0/691/743461/CMYKArch00_o.jpg" data-mid="3507726"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743461/CMYKArch01.jpg" width="600" height="401" width_o="600" height_o="401" src_o="http://payload.cargocollective.com/1/0/691/743461/CMYKArch01_o.jpg" data-mid="3507728"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743461/CMYKArch03.jpg" width="600" height="401" width_o="600" height_o="401" src_o="http://payload.cargocollective.com/1/0/691/743461/CMYKArch03_o.jpg" data-mid="3507730"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743461/CMYKArch05.jpg" width="600" height="401" width_o="600" height_o="401" src_o="http://payload.cargocollective.com/1/0/691/743461/CMYKArch05_o.jpg" data-mid="3507732"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743461/CMYKArch07.jpg" width="600" height="401" width_o="600" height_o="401" src_o="http://payload.cargocollective.com/1/0/691/743461/CMYKArch07_o.jpg" data-mid="3507733"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743461/CMYKArch08.jpg" width="600" height="401" width_o="600" height_o="401" src_o="http://payload.cargocollective.com/1/0/691/743461/CMYKArch08_o.jpg" data-mid="3507734"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743461/CMYKArch09.jpg" width="600" height="401" width_o="600" height_o="401" src_o="http://payload.cargocollective.com/1/0/691/743461/CMYKArch09_o.jpg" data-mid="3507736"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743461/CMYKArch13.jpg" width="600" height="900" width_o="600" height_o="900" src_o="http://payload.cargocollective.com/1/0/691/743461/CMYKArch13_o.jpg" data-mid="3507738"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743461/CMYKArch21.jpg" width="600" height="401" width_o="600" height_o="401" src_o="http://payload.cargocollective.com/1/0/691/743461/CMYKArch21_o.jpg" data-mid="3507739"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743461/CMYKArch27.jpg" width="600" height="897" width_o="600" height_o="897" src_o="http://payload.cargocollective.com/1/0/691/743461/CMYKArch27_o.jpg" data-mid="3507741"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743461/CMYKArch31.jpg" width="600" height="401" width_o="600" height_o="401" src_o="http://payload.cargocollective.com/1/0/691/743461/CMYKArch31_o.jpg" data-mid="3507744"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743461/CMYKArch33.jpg" width="600" height="401" width_o="600" height_o="401" src_o="http://payload.cargocollective.com/1/0/691/743461/CMYKArch33_o.jpg" data-mid="3507745"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/691/743461/CMYK Arch cover [extra].jpg" width="600" height="513" width_o="600" height_o="513" src_o="http://payload.cargocollective.com/1/0/691/743461/CMYK Arch cover [extra]_o.jpg" data-mid="3534400"  border="0" align="left"/&#62;

CMYK Architecture it's not only a bridge between graphic design and architectural design nor the architecture that we believe in, it's just an observation, a tendency of defining one of the current architectural trends.

CMYK Architecture, it's the architecture of pragmatism, the formless architecture, or the way to represent functions in a three dimensional manner using the basic geometries. CMYK Architecture it's the way of illustrating a diagram, both conceptual and functional, using the standard geometric primitives and mainly the boolean function in all it's statements (union, difference and intersection) plus the colors component as an approach to graphic design and graphic manners of treating the surfaces.

The colors are not randomly chosen, each form generate it's own color. The cube/black it's the hall, composed from CMY overlaid, if you extract a cylinder from the cube with 50% then you exclude 50% of the yellow color, this generating a yellow less color in accordance with the form.

CMYK Architecture, was developed under "CtrlArchDel STUDIO" as an experiment that reveal the formal potential and freedom that can be reached through a pragmatic functionalist attitude.

CMYK Architecture became the experiment through which CtrlArchDel STUDIO develops a formal language through a graphic procedure.


</description>
		
		<excerpt>CMYK Architecture    CMYK Architecture it's not only a bridge between graphic design and architectural design nor the architecture that we believe in, it's just an...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/0/691/743461/prt_1288658690.jpg" />

	</item>
		
		
	<item>
		<title>HTR.Specimens</title>
				
		<link>http://cargocollective.com/olgv/HTR-Specimens</link>

		<comments>http://cargocollective.com/olgv/following/olgv/HTR-Specimens</comments>

		<pubDate>Sat, 23 Oct 2010 11:08:14 +0000</pubDate>

		<dc:creator>OLGV.</dc:creator>
		
		<category><![CDATA[3D, Form, Motion]]></category>

		<guid isPermaLink="false">724766</guid>

		<description>HTR.S
[HIGH TECHNO ROMANTIC SPECIMENS]

I looked back to our future as archeologist of contemporaneity, and from here I start developing a series of non electric and non environmental-friendly hybrids, celebrating their permanent future of our todays.
I disassembled our machines and recomposed them, re contextualise them in a series of technological parts unite by the same formal expression, the same aesthetic. I speculate through design, on the border between formal expression and functionality, developing a formal caricature of our past future, yelling on behalf of a sensual and romantic formal language.



Light49 - HTR.Specimen_01
This small prick is the smaller twin of "Rpm", he is the air version, the one who always fly around like an hysteric mosquito… just more silent and unforeseeable.


Ejecter - HTR.Specimen_02
Born from a passionate and forbidden relation, this kid become mature before time. He is robust and well grown, he can take the life on it's own. Never laughing, this guy learned to cruise through life without looking back, steping on the past like no one did before. 


CeramicExhaust - HTR.Specimen_03
The invisible member of the family, the shy one, the sensible and sensitive, always dreaming, day dreaming, barely touching of something else, the one which nature understand his vibe, the spiritual one who was grown up by the physics. 


Refiller - HTR.Specimen_04
The youngest of the family, always incite you to play, to pull the forbidden desired red button, to push his head squeaking up and down, to jump around, to kick his ass.


Rpm - HTR.Specimen_05
Not even his parents could ever stop him, the hyper child, the hyper character, hyper, meta, restless young prick.


HeavyHanger - HTR.Specimen_06
Born from a disgusting adventure due to the ugliness of utility, the day by day routine being his mother and the heavy weight loads his fathers.


AlphaHover - HTR.Specimen_07
The black sheep of the family which due to affiliation with functionality was almost expelled from the parental love.



The academic aim of the project was to fine tunne the boundary between functionality and aesthetic, playing with the point where aesthetic loose it's value of generating emotions due to functional involvements.
The creation process was really interesting, not designing the "specimens" one by one, but starting with "1", taking a part of it which became "2", adding another part to complete it and realise that I have a "3rd" one already. Creating the "4th" one and taking a part of it to complete the "1st" one... and so on until the 7th.


HTR.S
[HIGH TECHNO ROMANTIC SPECIMENS]
Project developed as part of the Architectural Association School of Architecture Diploma program.



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		<excerpt>HTR.S [HIGH TECHNO ROMANTIC SPECIMENS]  I looked back to our future as archeologist of contemporaneity, and from here I start developing a series of non electric...</excerpt>

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