Nigel Barrett and Louise Mari

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	<title>Nigel Barrett and Louise Mari</title>
	<link>http://cargocollective.com</link>
	<description>Nigel Barrett and Louise Mari</description>
	<pubDate>Tue, 30 Apr 2013 13:06:41 +0000</pubDate>
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	<language>en</language>
	
		
	<item>
		<title>The Eye Test</title>
				
		<link>http://cargocollective.com/nigelandlouise/The-Eye-Test</link>

		<comments>http://cargocollective.com/nigelandlouise/following/nigelandlouise/The-Eye-Test</comments>

		<pubDate>Tue, 30 Apr 2013 13:06:41 +0000</pubDate>

		<dc:creator>Nigel Barrett and Louise Mari</dc:creator>
		
		<category><![CDATA[cambridge junction]]></category>

		<guid isPermaLink="false">5519146</guid>

		<description>Sampled Festival @cambridgejunction
Saturday 4th May 2013

The audience deliver a text in the form of an eye test 

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with george tomlinson</description>
		
		<excerpt>Sampled Festival @cambridgejunction Saturday 4th May 2013  The audience deliver a text in the form of an eye test     with george tomlinson</excerpt>

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	<item>
		<title>honeyspoons</title>
				
		<link>http://cargocollective.com/nigelandlouise/honeyspoons</link>

		<comments>http://cargocollective.com/nigelandlouise/following/nigelandlouise/honeyspoons</comments>

		<pubDate>Tue, 23 Apr 2013 11:34:42 +0000</pubDate>

		<dc:creator>Nigel Barrett and Louise Mari</dc:creator>
		
		<category><![CDATA[beg borrow steal]]></category>

		<guid isPermaLink="false">5468981</guid>

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BEG BORROW STEAL
Dilston Grove
Saturday 27th April 2013
2-8

A curated programme of live art at CGP London Dilston Grove, featuring a host of artists from dark corners, glittery stages, white-walled galleries and gravelly gutters.

Beginning gradually from the early afternoon, Dilston Grove will be occupied by a handful of works to be surveyed and interfered with by visitors, who are encouraged to look upon this wholly unholy environment from their entirely unique perspectives. Later into the day and evening will be a smorgasbord of shorter performance works building to a crescendo of celebration for the outside, the inside, the upside and the flipside.

ALL ARE WELCOME. 

FREE ENTRY.

Curated by Laura Dee Milnes and featuring:

Natalie Adams
Giles Bunch
James Cawson
Lucy Doherty
Sarah Gavin
Ruby Glaskin
Richard Kightley
Kate Mahony
Adam Robertson
Nigel Barrett &#38; Louise Mari

Also featuring guest speakers throughout the day:
Katy Baird
Tom Estes
Peter Georgallou
Robin Klassnik
Jordan Mckenzie
Niall O'Riain
Adam Papaphilippopoulos
Annabelle Stapleton-Crittenden
And more TBA...


with many thanks to jack hancock </description>
		
		<excerpt>  BEG BORROW STEAL Dilston Grove Saturday 27th April 2013 2-8  A curated programme of live art at CGP London Dilston Grove, featuring a host of artists from dark...</excerpt>

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		<title>A Conversation  </title>
				
		<link>http://cargocollective.com/nigelandlouise/A-Conversation-1</link>

		<comments>http://cargocollective.com/nigelandlouise/following/nigelandlouise/A-Conversation-1</comments>

		<pubDate>Tue, 16 Apr 2013 19:24:33 +0000</pubDate>

		<dc:creator>Nigel Barrett and Louise Mari</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">5423173</guid>

		<description>
Katejlovell
Extremely pleased to have seen #AConversation by @nigelandlouise &#38; @louiseandnigel @TomThumbTheatre - wonderful &#38; intriguing beginnings.

TomThumbTheatre
1st night of "A Conversation" by @nigelandlouise was excellent. Bold, noisy &#38; hilarious.

iraBrand
Excellent stuff from @nigelandlouise at The Gate last night. Exciting. Can't wait to see more at @YardTheatre #GenerationGame.


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The Ethel Cotton Course In Conversation 

          Lesson No. 1

Have you ever stopped to think that your happiness depends upon your ability to carry on an interesting and intelligent conversation ?

          Lesson No. 5
          Humour 

"Monkey on a stick.."

          Lesson No. 7 
          Discussing Books and Plays 

Do not admit the plays you see have no effect on you. No matter what it is, you should feel something definite about every play you see. 
 Differences of opinion should, of course, always be politely expressed.

          Lesson No 11
          Long Conversation

"I'm sorry but I can't seem to remember our conversation.. "


A 50 minute solo performance.

24th April 2013
Forest Fringe at the Gate
</description>
		
		<excerpt> Katejlovell Extremely pleased to have seen #AConversation by @nigelandlouise &#38; @louiseandnigel @TomThumbTheatre - wonderful &#38; intriguing beginnings. ...</excerpt>

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	<item>
		<title>STANDER ILFORD</title>
				
		<link>http://cargocollective.com/nigelandlouise/STANDER-ILFORD</link>

		<comments>http://cargocollective.com/nigelandlouise/following/nigelandlouise/STANDER-ILFORD</comments>

		<pubDate>Mon, 14 Jan 2013 17:12:26 +0000</pubDate>

		<dc:creator>Nigel Barrett and Louise Mari</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">4747814</guid>

		<description>an immersive outdoor adventure for children and their families.  
based on the true story of andre stander, a policeman  in south africa in the late seventies, who robbed banks, investigated his own crimes, got caught, broke out of gaol, formed a gang, robbed more banks, bought a yacht, went on the run and was gunned down in miami in the rain


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october 2012
christchurch primary school, ilford, essex


BEFORE AND AFTER :
rehearsals at the biscuit factory
feedback from the children

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THE CHILDREN JOIN IN


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src_o="http://payload122.cargocollective.com/1/3/121226/4747814/IMGP8152_o.JPG" data-mid="25441804"  border="0" align="left"/&#62;(image 80}&#60;img src="http://payload122.cargocollective.com/1/3/121226/4747814/IMGP8163.JPG" width="670" height="431" width_o="2011" height_o="1294" src_o="http://payload122.cargocollective.com/1/3/121226/4747814/IMGP8163_o.JPG" data-mid="25441863"  border="0" align="left"/&#62;&#60;img src="http://payload122.cargocollective.com/1/3/121226/4747814/IMGP8174.JPG" width="670" height="893" width_o="1920" height_o="2560" src_o="http://payload122.cargocollective.com/1/3/121226/4747814/IMGP8174_o.JPG" data-mid="25441881"  border="0" align="left"/&#62;&#60;img src="http://payload122.cargocollective.com/1/3/121226/4747814/photo_68.jpg" width="670" height="893" width_o="2048" height_o="2730" src_o="http://payload122.cargocollective.com/1/3/121226/4747814/photo_68_o.jpg" data-mid="25445036"  border="0" align="left"/&#62;&#60;img 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src_o="http://payload122.cargocollective.com/1/3/121226/4747814/IMGP8210_o.JPG" data-mid="25445450"  border="0" align="left"/&#62;&#60;img src="http://payload122.cargocollective.com/1/3/121226/4747814/IMGP8211.JPG" width="670" height="502" width_o="2048" height_o="1536" src_o="http://payload122.cargocollective.com/1/3/121226/4747814/IMGP8211_o.JPG" data-mid="25442996"  border="0" align="left"/&#62;&#60;img src="http://payload122.cargocollective.com/1/3/121226/4747814/IMGP8223.JPG" width="670" height="502" width_o="2048" height_o="1536" src_o="http://payload122.cargocollective.com/1/3/121226/4747814/IMGP8223_o.JPG" data-mid="25443009"  border="0" align="left"/&#62;&#60;img src="http://payload122.cargocollective.com/1/3/121226/4747814/IMGP8238.JPG" width="670" height="893" width_o="1920" height_o="2560" src_o="http://payload122.cargocollective.com/1/3/121226/4747814/IMGP8238_o.JPG" data-mid="25445460"  border="0" align="left"/&#62;&#60;img 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src_o="http://payload122.cargocollective.com/1/3/121226/4747814/IMGP8292_o.JPG" data-mid="25443919"  border="0" align="left"/&#62;&#60;img src="http://payload122.cargocollective.com/1/3/121226/4747814/IMGP8295.JPG" width="670" height="502" width_o="2048" height_o="1536" src_o="http://payload122.cargocollective.com/1/3/121226/4747814/IMGP8295_o.JPG" data-mid="25443928"  border="0" align="left"/&#62;&#60;img src="http://payload122.cargocollective.com/1/3/121226/4747814/IMGP8298.JPG" width="670" height="586" width_o="2013" height_o="1763" src_o="http://payload122.cargocollective.com/1/3/121226/4747814/IMGP8298_o.JPG" data-mid="25443940"  border="0" align="left"/&#62;&#60;img src="http://payload122.cargocollective.com/1/3/121226/4747814/IMGP8329.JPG" width="670" height="502" width_o="2048" height_o="1536" src_o="http://payload122.cargocollective.com/1/3/121226/4747814/IMGP8329_o.JPG" data-mid="25443991"  border="0" align="left"/&#62;&#60;img src="http://payload122.cargocollective.com/1/3/121226/4747814/IMG_1732.JPG" width="670" height="502" width_o="1600" height_o="1200" src_o="http://payload122.cargocollective.com/1/3/121226/4747814/IMG_1732_o.JPG" data-mid="25438031"  border="0" align="left"/&#62;&#60;img src="http://payload122.cargocollective.com/1/3/121226/4747814/IMG_1734.JPG" width="670" height="502" width_o="1600" height_o="1200" src_o="http://payload122.cargocollective.com/1/3/121226/4747814/IMG_1734_o.JPG" data-mid="25438037"  border="0" align="left"/&#62;&#60;img src="http://payload122.cargocollective.com/1/3/121226/4747814/IMG_1736.JPG" width="670" height="502" width_o="1600" height_o="1200" src_o="http://payload122.cargocollective.com/1/3/121226/4747814/IMG_1736_o.JPG" data-mid="25445114"  border="0" align="left"/&#62;&#60;img src="http://payload122.cargocollective.com/1/3/121226/4747814/IMG_1737.JPG" width="670" height="502" width_o="1600" height_o="1200" src_o="http://payload122.cargocollective.com/1/3/121226/4747814/IMG_1737_o.JPG" data-mid="25445150"  border="0" align="left"/&#62;

with tessa sillars-powell, amelia gildea, ottilie parfitt, alyn gwyndaf , annabelle stapleton-crittenden, ellie burgess-stamp, holly hardy, isolde godfrey

SUPPORTED BY ARTS COUNCIL ENGLAND</description>
		
		<excerpt>an immersive outdoor adventure for children and their families.   based on the true story of andre stander, a policeman  in south africa in the late seventies, who...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload122.cargocollective.com/1/3/121226/4747814/prt_1357920000.JPG" />

	</item>
		
		
	<item>
		<title>the architects shunt</title>
				
		<link>http://cargocollective.com/nigelandlouise/the-architects-shunt</link>

		<comments>http://cargocollective.com/nigelandlouise/following/nigelandlouise/the-architects-shunt</comments>

		<pubDate>Fri, 11 Jan 2013 08:31:19 +0000</pubDate>

		<dc:creator>Nigel Barrett and Louise Mari</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">4747244</guid>

		<description>V22  
the biscuit factory, bermondsey

november 2012- feb 2nd 2013

&#60;img src="http://payload122.cargocollective.com/1/3/121226/4747244/e2adCl0kQZ4oHSkD0zgeVUKTIsjFNnNWzfN-MU1i0FA-fAH_D87xC1wdvdR6fwFP6MabcXf-FyojwCVfGgtb_wk.jpeg" width="670" height="670" width_o="768" height_o="768" src_o="http://payload122.cargocollective.com/1/3/121226/4747244/e2adCl0kQZ4oHSkD0zgeVUKTIsjFNnNWzfN-MU1i0FA-fAH_D87xC1wdvdR6fwFP6MabcXf-FyojwCVfGgtb_wk_o.jpeg" data-mid="25328210"  border="0" align="left"/&#62;

Time Out   Andrzej Lukowski
'It's not a horrible evening'

Maddie Costa  States of Deliquescence 
'I left The Architects with nausea in my throat, a rock in my stomach and my brain in a fever of horror'

Jake Orr  A Younger Theatre  
'Disappointing in execution. The same was true of Shunt’s last show, Money.' 

Stuart Pringle  Exeunt   
'It’s this fierce political indignation that sets the collective apart from many of its cousins in the upper echelons of UK theatrical experimentation.. The architects is an inspiring success'

Beccy Smith  Total Theatre    
'a breathtaking aerial turn I‘ve never seen done elsewhere'

Time Out   Andrzej Lukowski
'a bit of pedestrian rope work from a pair of acrobats.'

Daisy Bowie Sell  The Telegraph    
'It is a brilliantly constructed labyrinth. It’s a completely disconcerting and disorientating experience, and when you eventually reach your destination there’s a distinct sense of relief.'

Fourth and Main  Kate Kelsall
'a lacklustre plywood maze is more frustrating than bewildering'

Miriam Gillinson  Sketches On Theatre
'It's a superbly disorientating opening, which makes you seriously question your senses and your sanity.
It's a bit like being chucked down Alice's rabbit hole, whilst coming down from an almighty trip.'

Patrick Brennan  Whats On Stage
'The audience is initially left to wander through a plywood maze, a frugal labyrinth offering a few glimpses at closed circuit television and booming sound effects. So far, so underwhelmed.' 

Charlotte Pegram  The Middle Peg
'it can hardly be called experimental..'

Catherine Usher  The Stage 
'..traditionalists beware - you will be wildly out of your comfort zone.'

Kate Kelsall  Fourth and Main 
'..it's weird for weirdo's sake and totally pointless'

Reviews by Marc
'I had a ball. I was hooting and crying with laughter at many points throughout the show, and other times beaming in stupid joy. The humour is beautifully quirky'

Daisy Bowie-Sell The Telegraph   
'This is all mildly amusing'

The London Aisle Charlotte Skeock
'..suspense, surprise and an unsettling level of sensory involvement ..
90 minutes that could never be classed as boring.'

webcowgirl      
'But seriously: who came up with this crap? I was bored ten minutes after our “cruise” started'

Beccy Smith  Total Theatre
'..brilliant comic characters'

Charlotte Pegram  The Middle Peg
'The characters are shallow and trivial..'

Howard Loxton  British Theatre Guide 
'..a rambling lecture about architectural ethics'

Diana Damian Exeunt
'..a brilliant speech about the power of architecture'

from the comfort of your seat
'The design was lacking, they had a massive space and only used half of it'

The London Aisle Charlotte Skeock
'The cavernous performance space is a design revelation'

Gary Naylor  Broadway World Reviews 
'..the spectacle is occasionally extraordinary - the spaces have to be seen to be believed '

Jake Orr  A Younger Theatre
'…dull and repetitive, we as the audience feel underused.'

Liloïe Cazorla  The Upcoming 
'the actors take pleasure in surprising the audience, walking among the audience, making everyone feel part of the story, each member of the audience becomes an actor of the play, of the sequence of events.'

Lyn Gardner  The Guardian
'The show never feels fully realised, and we feel underused'

Catherine Love  Lovetheatre
'Meatier than it appears at first glance, there’s plenty to dissect in The Architects: Not for the first time, a ship comes to represent a nation, and our role within that sinking nation is all too clear. Seen as part of this rigidly structured and depressingly resonant power dynamic, the imposed powerlessness of spectators is integral to the theatrical metaphor.
We are consenting adults, we have chosen to be here and it is our choice to get meekly tugged along by this spiralling disaster. And not just to passively endure it, but to actively enjoy the hilarity of the destruction that steadily engulfs us.

from the comfort of your seat
'The immersion was as far as I could tell, four actors telling us that we were on a boat…   We were then shown four naked people drinking, then asked to leave.'

Matt Trueman  Financial Times
..'the three-piece house band brings a party atmosphere that makes this a corking night out.'
 
The London Aisle Charlotte Skeock
..'why the live band ?'

 Negar Yaafi
'There is a full male nudity.'

Howard Loxton  British Theatre Guide 
'…..a distantly observed episode which featured what looked like a large, naked man

Lyn Gardner  The Guardian
..'the company still hold everything inside their heads, and have been unable to translate the jostling intellectual ideas into a satisfying physical and theatrical experience.'

Matt Trueman  Financial Times
'a state of the nation play…'.

David Anderson  Plays To See 
" It's true that the piece achieves its success largely by means of the unexpected.. But to say that they have constructed a labyrinthine complex doesn't spoil things, and is by the bye necessary to illuminating something of how they create a space in which the roles of performer and spectator become interpenetrative and confused....Invigorating, Inviting us to think again about space and our relation to it, we are left perturbed that our chaotic universe might resemble the unsettling order of Borges's Library of Babel, 'whose exact centre is any one of its hexagons and whose circumference is inaccessible'.

Charlotte Pegram  The Middle Peg Review
..' the drama that takes place within this space is so poorly thought out and in moments, quite frankly, tawdry. The idea behind the performance, I think, is to place the audience in the realm of the mythical, and to give them a sense of a life pre-determined by the irrational wrath of the gods. Beyond that I can’t see any purpose to this production:  the whole thing screams out form over substance. When you leave a theatre with the phrase “pure twaddle” on your lips then you know that, whatever the production value of this show, the theatrical value is zero.

Beccy Smith  Total Theatre
' It’s the architecture of this myth that really takes this production to another level: the shared references it supports allow us to appreciate with much greater clarity the company’s craft in translating an ancient myth into a piece of work packed with questions of resonance – about hedonism, about society and about art. 

Fiona Mountford  The Evening Standard
..'something is going on. Quite what that something is I — and, I suspect, most other audience members — couldn’t begin to tell you. What I do know is that it has something to do with the legend of the Minotaur and something to do with architecture. Beyond this, it’s really anyone’s guess.

Diana Damian  Exeunt
'a dense, and often satirical existential portrait.  I’d say that its use of mythology is what makes the production so solid, so full of muscle. It digs you in, and you have to dig your way out: the satisfaction isn’t immediate and this makes for a show full of interesting echoes. It incorporates an impressive set of discourses within its fragmented structure. The Architects is steeped in politics though this is never made explicit; it’s all the more powerful as a complex allegory'

Isabel Formica Jakob 160g magazine
'I was rather astonished by people complaining about the show’s “lack of narrative.”   In fact, it is a plurality of narratives that characterizes this marvellous play – for lack of a better word, for it is certainly much more than a play…it is the show itself that is built on a labyrinthine structure: It is the spectator who has to choose a thread, a way of navigating through the performance: perhaps a straightforward path, perhaps a convoluted one'

Stewart Pringle  Exeunt
'..a thrillingly meaty proposition that demands imagination and deserves commitment.  It’s thought-provoking, intelligent and has a fiery rage in its belly.

partially obscured view
'This is theatre specially designed for people who want to tell their friends they liked it, to appear clever'

Kate Kelsall  Fourth and Main 
..'for twenty quid i wanted to actually get involved with shark gutting, jousting and dolphin ejaculation experiences reportedly happening on the other decks'

Sally Barnden One Stop Arts
'The Architects is a left-field appropriation of the minotaur myth, and it retains its own loopy coherence  The setting is spectacular and disorienting, and the play is often funny, sometimes thrilling and overall, intriguing. A thoroughly unusual experience, and one which even unconvinced audience members will remember for a very long time.

from the comfort of your seats   
'I am still unsure as to what happened.
I came away angry and disappointed that Shunt seem to have let themselves and the name down…'

Lyn Gardner The Guardian
..'it doesn't just feel as if it is the gods who are laughing at us, but the company, too'


&#60;img src="http://payload122.cargocollective.com/1/3/121226/4747244/O02UwWzxhtdLNE-pALTsc12lRuivbyyCbhU9RY6_VcA.jpeg" width="670" height="670" width_o="768" height_o="768" src_o="http://payload122.cargocollective.com/1/3/121226/4747244/O02UwWzxhtdLNE-pALTsc12lRuivbyyCbhU9RY6_VcA_o.jpeg" data-mid="25328215"  border="0" align="left"/&#62;&#60;img src="http://payload122.cargocollective.com/1/3/121226/4747244/d2lamiLYyhUSFmmc7CDdcVR74K3TrI0_Ya0bJ7z__O8.jpeg" width="670" height="366" width_o="1024" height_o="560" src_o="http://payload122.cargocollective.com/1/3/121226/4747244/d2lamiLYyhUSFmmc7CDdcVR74K3TrI0_Ya0bJ7z__O8_o.jpeg" data-mid="25328222"  border="0" align="left"/&#62;&#60;img src="http://payload122.cargocollective.com/1/3/121226/4747244/WL60Fv37Ppc1Ks3C-8kxnn32PjhEBvCgXuu5yZoAo1M-uGhTL5SeUzsjYawWtt2jZQ93JTL1abh0nz6S3en1Fcw.jpeg" width="670" height="425" width_o="1024" height_o="650" src_o="http://payload122.cargocollective.com/1/3/121226/4747244/WL60Fv37Ppc1Ks3C-8kxnn32PjhEBvCgXuu5yZoAo1M-uGhTL5SeUzsjYawWtt2jZQ93JTL1abh0nz6S3en1Fcw_o.jpeg" data-mid="25328230"  border="0" align="left"/&#62;&#60;img src="http://payload122.cargocollective.com/1/3/121226/4747244/oZGX4pPri9_DYQ9jTAr7Bw905n14NbCh-vftVZRyU98.jpeg" width="670" height="458" width_o="1024" height_o="701" src_o="http://payload122.cargocollective.com/1/3/121226/4747244/oZGX4pPri9_DYQ9jTAr7Bw905n14NbCh-vftVZRyU98_o.jpeg" data-mid="25328233"  border="0" align="left"/&#62;



 The Architects by Shunt from Susanne Dietz on Vimeo.</description>
		
		<excerpt>V22   the biscuit factory, bermondsey  november 2012- feb 2nd 2013    Time Out   Andrzej Lukowski 'It's not a horrible evening'  Maddie Costa  States of...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload122.cargocollective.com/1/3/121226/4747244/prt_1357914288.jpg" />

	</item>
		
		
	<item>
		<title>STANDER GLASGOW</title>
				
		<link>http://cargocollective.com/nigelandlouise/STANDER-GLASGOW</link>

		<comments>http://cargocollective.com/nigelandlouise/following/nigelandlouise/STANDER-GLASGOW</comments>

		<pubDate>Sun, 23 Sep 2012 07:05:35 +0000</pubDate>

		<dc:creator>Nigel Barrett and Louise Mari</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">4129407</guid>

		<description>an immersive outdoor adventure for children and their families.  
based on the true story of andre stander, a policeman  in south africa in the late seventies, who robbed banks, investigated his own crimes, got caught, broke out of gaol, formed a gang, robbed more banks, bought a yacht, went on the run and was gunned down in miami in the rain


august 2012
a research and development project
at swinton school and cranhill beacon, glasgow
devised with stephen clyde, stevie are, geraldine heaney, gavin wright and andrea salazar



 </description>
		
		<excerpt>an immersive outdoor adventure for children and their families.   based on the true story of andre stander, a policeman  in south africa in the late seventies, who...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload91.cargocollective.com/1/3/121226/4129407/prt_1348648631.jpg" />

	</item>
		
		
	<item>
		<title>Festival of Adventures</title>
				
		<link>http://cargocollective.com/nigelandlouise/Festival-of-Adventures</link>

		<comments>http://cargocollective.com/nigelandlouise/following/nigelandlouise/Festival-of-Adventures</comments>

		<pubDate>Sun, 01 Jul 2012 18:13:00 +0000</pubDate>

		<dc:creator>Nigel Barrett and Louise Mari</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">3681638</guid>

		<description>a festival of live art  and installation for children 7-10 (and their families)


&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_001.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_001_o.jpg" data-mid="19108069"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/photo 2.JPG" width="640" height="480" width_o="640" height_o="480" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/photo 2_o.JPG" data-mid="19108072"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_147.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_147_o.jpg" data-mid="19108101"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_398.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_398_o.jpg" data-mid="19108158"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_706.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_706_o.jpg" data-mid="19108200"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_402.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_402_o.jpg" data-mid="19108233"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_170.jpg" width="670" height="1005" width_o="2048" height_o="3072" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_170_o.jpg" data-mid="19108263"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_711.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_711_o.jpg" data-mid="19108285"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-122.jpg" width="670" height="443" width_o="1000" height_o="662" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-122_o.jpg" data-mid="19108291"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_713.jpg" width="670" height="1005" width_o="2048" height_o="3072" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_713_o.jpg" data-mid="19108945"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_008.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_008_o.jpg" data-mid="19108322"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_733.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_733_o.jpg" data-mid="19108346"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_010.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_010_o.jpg" data-mid="19108366"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-058.jpg" width="670" height="443" width_o="1000" height_o="662" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-058_o.jpg" data-mid="19108370"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_045.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_045_o.jpg" data-mid="19109620"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-132.jpg" width="670" height="443" width_o="1000" height_o="662" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-132_o.jpg" data-mid="19109622"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_083.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_083_o.jpg" data-mid="19108411"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_096.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_096_o.jpg" data-mid="19108446"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_346.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_346_o.jpg" data-mid="19108484"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_115.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_115_o.jpg" data-mid="19108602"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_357.jpg" width="670" height="1005" width_o="2048" height_o="3072" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_357_o.jpg" data-mid="19108620"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_369.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_369_o.jpg" data-mid="19109065"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_368.jpg" width="670" height="1005" width_o="2048" height_o="3072" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_368_o.jpg" data-mid="19109106"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_694.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_694_o.jpg" data-mid="19109157"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_768.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_768_o.jpg" data-mid="19109194"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_224.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_224_o.jpg" data-mid="19109215"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_763.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_763_o.jpg" data-mid="19109233"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_222.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_222_o.jpg" data-mid="19109252"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-087.jpg" width="670" height="443" width_o="1000" height_o="662" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-087_o.jpg" data-mid="19109257"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-090.jpg" width="670" height="443" width_o="1000" height_o="662" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-090_o.jpg" data-mid="19109272"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_234.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_234_o.jpg" data-mid="19109306"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_771.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_771_o.jpg" data-mid="19109336"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_492.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_492_o.jpg" data-mid="19109392"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-145.jpg" width="670" height="443" width_o="1000" height_o="662" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-145_o.jpg" data-mid="19109398"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-144.jpg" width="670" height="443" width_o="1000" height_o="662" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-144_o.jpg" data-mid="19109403"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-141.jpg" width="670" height="443" width_o="1000" height_o="662" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-141_o.jpg" data-mid="19109408"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_800.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_800_o.jpg" data-mid="19109421"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-192.jpg" width="670" height="446" width_o="1000" height_o="667" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-192_o.jpg" data-mid="19109425"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_790.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_790_o.jpg" data-mid="19109469"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_307.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FESTIVAL_OF_ADVENTURES_26_02_12_307_o.jpg" data-mid="19109521"  border="0" align="left"/&#62;&#60;img src="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-159.jpg" width="670" height="443" width_o="1000" height_o="662" src_o="http://payload69.cargocollective.com/1/3/121226/3681638/FoA-159_o.jpg" data-mid="19109529"  border="0" align="left"/&#62;

photos by Ludo de Cognets and Paul Williams



 </description>
		
		<excerpt>a festival of live art  and installation for children 7-10 (and their families)     photos by Ludo de Cognets and Paul Williams     </excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload69.cargocollective.com/1/3/121226/3681638/prt_1341184686.jpg" />

	</item>
		
		
	<item>
		<title>Mudman</title>
				
		<link>http://cargocollective.com/nigelandlouise/Mudman</link>

		<comments>http://cargocollective.com/nigelandlouise/following/nigelandlouise/Mudman</comments>

		<pubDate>Sat, 11 Jun 2011 15:32:21 +0000</pubDate>

		<dc:creator>Nigel Barrett and Louise Mari</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1577887</guid>

		<description>Andrew Hayden  ‘Postcards from the Gods’
‘At eleven the lights went out, the PA system started playing very loud, horrible music - well, noise really - and a man appeared silhouetted in the doorway, naked and covered from head to toe in mud. Spotlit, he then proceeded to have buckets of viscera pour on him from the ceiling. Then, as he wandered across the bar, further viscera, then sand, rained down on him and any bystanders unlucky enough to be standing too close (seriously, if you’re in the Shunt Vaults Bar at about eleven, do check the ceiling above you before deciding on your vantage point). The whole thing took maybe three or four minutes, and was quite amazing to witness - exactly the sort of thing that every experimental avantgarde bar should have.’

Elliot Newsome
Mudman was one of the highlights of my life.
I have told so many people about it.
I remember sitting there with friends enjoying some drinks.  Then the lights went out and all of a sudden it was pitch black.  No one knew what was happening and then the spotlight came on Mudman.  At this point we didn’t know what was would happen – but when the water started falling and he started walking around it was spectacular.  We started running around after him to follow him and get a better viewing position.  People were screaming with excitement.  I was probably one of them.  World class entertainment.  No doubt.


&#60;img src="http://payload.cargocollective.com/1/3/121226/1577887/Shuntworthy_048.JPG" width="670" height="1000" width_o="2048" height_o="3059" src_o="http://payload.cargocollective.com/1/3/121226/1577887/Shuntworthy_048_o.JPG" data-mid="7800050"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/121226/1577887/_MG_2928.JPG" width="670" height="446" width_o="2048" height_o="1365" src_o="http://payload.cargocollective.com/1/3/121226/1577887/_MG_2928_o.JPG" data-mid="7800120"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/121226/1577887/DSC_3288.JPG" width="670" height="1007" width_o="2000" height_o="3008" src_o="http://payload.cargocollective.com/1/3/121226/1577887/DSC_3288_o.JPG" data-mid="7800175"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/121226/1577887/Shuntworthy_031.JPG" width="670" height="1000" width_o="2048" height_o="3059" src_o="http://payload.cargocollective.com/1/3/121226/1577887/Shuntworthy_031_o.JPG" data-mid="7800340"  border="0" align="left"/&#62;


IN COLLABORATION WITH GEORGE TOMLINSON
</description>
		
		<excerpt>Andrew Hayden  ‘Postcards from the Gods’ ‘At eleven the lights went out, the PA system started playing very loud, horrible music - well, noise really - and a...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/3/121226/1577887/prt_1307824554.jpg" />

	</item>
		
		
	<item>
		<title>Watercolour at the Latitude Festival</title>
				
		<link>http://cargocollective.com/nigelandlouise/Watercolour-at-the-Latitude-Festival</link>

		<comments>http://cargocollective.com/nigelandlouise/following/nigelandlouise/Watercolour-at-the-Latitude-Festival</comments>

		<pubDate>Sat, 11 Jun 2011 15:11:24 +0000</pubDate>

		<dc:creator>Nigel Barrett and Louise Mari</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1578108</guid>

		<description> </description>
		
		<excerpt> </excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/3/121226/1578108/prt_1308568515.jpeg" />

	</item>
		
		
	<item>
		<title>The Body</title>
				
		<link>http://cargocollective.com/nigelandlouise/The-Body</link>

		<comments>http://cargocollective.com/nigelandlouise/following/nigelandlouise/The-Body</comments>

		<pubDate>Sat, 11 Jun 2011 15:00:40 +0000</pubDate>

		<dc:creator>Nigel Barrett and Louise Mari</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1577935</guid>

		<description>ica london jan 2012
&#60;img src="http://payload.cargocollective.com/1/3/121226/1577935/photo.jpg" width="600" height="800" width_o="600" height_o="800" src_o="http://payload.cargocollective.com/1/3/121226/1577935/photo_o.jpg" data-mid="7959597"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/121226/1577935/smallsNigel.jpg" width="670" height="921" width_o="1300" height_o="1788" src_o="http://payload.cargocollective.com/1/3/121226/1577935/smallsNigel_o.jpg" data-mid="7959634"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/121226/1577935/the body all holding babies.jpg" width="670" height="284" width_o="2048" height_o="870" src_o="http://payload.cargocollective.com/1/3/121226/1577935/the body all holding babies_o.jpg" data-mid="13975816"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/121226/1577935/THE_BODY_21_01_12_025.jpg" width="670" height="1005" width_o="2048" height_o="3072" src_o="http://payload.cargocollective.com/1/3/121226/1577935/THE_BODY_21_01_12_025_o.jpg" data-mid="19110551"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/121226/1577935/THE_BODY_21_01_12_113.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload.cargocollective.com/1/3/121226/1577935/THE_BODY_21_01_12_113_o.jpg" data-mid="19110582"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/121226/1577935/THE_BODY_21_01_12_160.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload.cargocollective.com/1/3/121226/1577935/THE_BODY_21_01_12_160_o.jpg" data-mid="19110645"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/121226/1577935/THE_BODY_21_01_12_309.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload.cargocollective.com/1/3/121226/1577935/THE_BODY_21_01_12_309_o.jpg" data-mid="19110797"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/121226/1577935/THE_BODY_21_01_12_380.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload.cargocollective.com/1/3/121226/1577935/THE_BODY_21_01_12_380_o.jpg" data-mid="19110826"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/121226/1577935/THE_BODY_22_01_12_38.jpg" width="670" height="446" width_o="2048" height_o="1364" src_o="http://payload.cargocollective.com/1/3/121226/1577935/THE_BODY_22_01_12_38_o.jpg" data-mid="19110851"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/3/121226/1577935/THE_BODY_21_01_12_415.jpg" width="670" height="1005" width_o="2048" height_o="3072" src_o="http://payload.cargocollective.com/1/3/121226/1577935/THE_BODY_21_01_12_415_o.jpg" data-mid="19110879"  border="0" align="left"/&#62;


 Untitled from louise mari on Vimeo.

review in exeunt magazine by diana damian

Nigel Barrett and Louise Mari’s work in progress The Body contains an intriguing theatricality and a growing sense of unease underlined by a fragmented, episodic structure. It is intimate, funny and moving, but it also considers its form carefully, testing the boundaries of each scene in a quest for liveness and intimacy. The Body rests in a space that travels from eerie fictionality to emotional abstractions: it places the audience in a set of live encounters, each with a different politics of engagement yet all structured around different anatomies of the body.

The central concern of the piece is with modes of representation; it bravely dissects and fragments our relationship to the body as a visual and physical construct, but one mediated both by personal experience and external factors.  The intimacy of the performance space is toyed with, as the duo use its three-dimensionality to project and also create images, forcing us to see fractures of the body in an endless series of constructs: via memories, popular culture, scientific and emotional landscapes, fictional and abstract representations.

Barrett and Mari’s work is image-led, but it works with a distinctive aesthetic- they explore the meeting point between material and immaterial, but also dig deeper into the possibilities of the live moment. This performance uses a particular visual motif as emotional transaction: the doll, which from the onset gains a qualifier of unease. It’s such a static, lifeless object with the peculiar task of being a placeholder for a real person, or , in Nigel and Louise’s world, child. As such it’s a puppet waiting for its narrative, yet with a set of often disturbing (but humorous) features that give it a particular character from the onset- abstract, rather than physical, aural, rather than vocal.  Here the doll is at times object, character, case study and protagonist, but it’s also a mode for the audience to access the discourse on the body in the contexts which Nigel and Louise lay out.

The piece travels through a series of emotional landscapes; some of the scenes are reminiscent of Jan Svankmajer’s own experiments in materiality, placing dolls in juxtaposition with reality, but also playing on the show’s conceit at the same time. At others, we’re invited to consider our own relationship to identity and materiality, and at others we’re presented with explorations of different body parts, from the eyes and hands through to skin and bones.

Barrett and Mari’s work deliberately travels across disciplinary boundaries, and in this case, the accumulation of all the live encounters makes for a pensive, nuanced and insightful show that makes us reconsider how we perceive our body and our identity, but also links these emotions and thoughts into a relational landscape, juxtaposing them with memories both real and fictional. Just like the dolls, we are also objects and subjects in a performance. What Barrett and Mari manage to create is a landscape filled with atmosphere and perspective; they approach their subject matter with care and intelligence but also allow themselves to explore the nature of an event, to jump to conclusions and play with expectations.

At times, meaning feels imposed on certain scenes whose formal play doesn’t hold substance, and in that way, the audience is at times removed from the fragmented narrative. The sense of unease and the eeriness of the dolls is not always explored to its fullest; at times, you want them to make more of the creepiness of the dolls. Yet in every scene of The Body lies a theatrical potential, and it is particularly its fragmentariness, its use of props as characters and protagonists, but also our uneven relationship to the two performers that makes The Body a valuable exploration of perception in the context of our contemporary culture.



our latest work in progress of ''the body' was performed at london's institute of contemporary arts from jan 18th-22nd 2012

creative team :
nigel barrett
louise mari
lee jones
lewis gibson
katharine williams
lizzie clachan
helledd watkins
andrea salazar
dom martin
brendan walker
matteus odrobny
tim and jim
alice spalding
holly hardy


photos by ludo de cognets

THIS PROJECT WAS FUNDED BY ARTS COUNCIL ENGLAND</description>
		
		<excerpt>ica london jan 2012     Untitled from louise mari on Vimeo.  review in exeunt magazine by diana damian  Nigel Barrett and Louise Mari’s work in progress The Body...</excerpt>

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