http://cargocollective.com MPYD.ONE Thu, 07 Jul 2011 12:57:57 +0000 http://cargocollective.com en http://cargocollective.com/mpyd/Missing-Owl http://cargocollective.com/mpyd/following/mpyd/Missing-Owl Thu, 07 Jul 2011 12:57:57 +0000 MPYD.ONE 661082 2010 Missing Owl Missing Owl is a sense of loss. Difficult to explain by words. Seni Özledim . LS <img src="http://payload.cargocollective.com/1/0/3038/661082/MISSINGOWL_01.jpg" width="414" height="275" width_o="414" height_o="275" src_o="http://payload.cargocollective.com/1/0/3038/661082/MISSINGOWL_01_o.jpg" data-mid="3087734" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/661082/MISSINGOWL_02.jpg" width="414" height="586" width_o="414" height_o="586" src_o="http://payload.cargocollective.com/1/0/3038/661082/MISSINGOWL_02_o.jpg" data-mid="3087737" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/661082/MISSINGOWL_03.jpg" width="414" height="581" width_o="414" height_o="581" src_o="http://payload.cargocollective.com/1/0/3038/661082/MISSINGOWL_03_o.jpg" data-mid="3087739" border="0" align="left"/> 2010 Missing Owl Missing Owl is a sense of loss. Difficult to explain by words. Seni Özledim . LS http://cargocollective.com/mpyd/The-Dealer-Changes http://cargocollective.com/mpyd/following/mpyd/The-Dealer-Changes Fri, 01 Apr 2011 18:47:53 +0000 MPYD.ONE 1055516 2011 THE DEALER CHANGES... THE GAME REMAINS THE SAME. Typography Project. <img src="http://payload.cargocollective.com/1/0/3038/1055516/TDC_01.jpg" width="600" height="702" width_o="600" height_o="702" src_o="http://payload.cargocollective.com/1/0/3038/1055516/TDC_01_o.jpg" data-mid="5070834" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/1055516/TDC_02.jpg" width="600" height="702" width_o="600" height_o="702" src_o="http://payload.cargocollective.com/1/0/3038/1055516/TDC_02_o.jpg" data-mid="5070837" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/1055516/TDC_03.jpg" width="600" height="702" width_o="600" height_o="702" src_o="http://payload.cargocollective.com/1/0/3038/1055516/TDC_03_o.jpg" data-mid="5070843" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/1055516/TDC_04.jpg" width="600" height="702" width_o="600" height_o="702" src_o="http://payload.cargocollective.com/1/0/3038/1055516/TDC_04_o.jpg" data-mid="5070847" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/1055516/TDC_05.jpg" width="600" height="702" width_o="600" height_o="702" src_o="http://payload.cargocollective.com/1/0/3038/1055516/TDC_05_o.jpg" data-mid="5070849" border="0" align="left"/> © Copyright 2011 / MPYD.ONE 2011 THE DEALER CHANGES... THE GAME REMAINS THE SAME. Typography Project. © Copyright 2011 / MPYD.ONE http://cargocollective.com/mpyd/MD http://cargocollective.com/mpyd/following/mpyd/MD Fri, 01 Apr 2011 18:42:02 +0000 MPYD.ONE 1055662 2011 Marcel Duchamp The Creative Act <img src="http://payload.cargocollective.com/1/0/3038/1055662/U-TCA.gif" width="600" height="600" width_o="600" height_o="600" src_o="http://payload.cargocollective.com/1/0/3038/1055662/U-TCA_o.gif" data-mid="5076587" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/1055662/Cover_TCA.jpg" width="600" height="597" width_o="600" height_o="597" src_o="http://payload.cargocollective.com/1/0/3038/1055662/Cover_TCA_o.jpg" data-mid="5075407" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/1055662/Inside_TCA1.jpg" width="600" height="597" width_o="600" height_o="597" src_o="http://payload.cargocollective.com/1/0/3038/1055662/Inside_TCA1_o.jpg" data-mid="5075408" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/1055662/Inside_TCA2.jpg" width="600" height="597" width_o="600" height_o="597" src_o="http://payload.cargocollective.com/1/0/3038/1055662/Inside_TCA2_o.jpg" data-mid="5075480" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/1055662/Back_TCA.jpg" width="600" height="597" width_o="600" height_o="597" src_o="http://payload.cargocollective.com/1/0/3038/1055662/Back_TCA_o.jpg" data-mid="5075484" border="0" align="left"/> - THE CREATIVE ACT 

by Marcel Duchamp Let us consider two important factors, the two poles of the creation of art: The artist on the one hand, and on the other the spectator who later becomes the posterity. To all appearances, the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing. If we give the attributes of a medium to the artist, we must then deny him the state of consciousness on the esthetic plane about what he is doing or why he is doing it. All his decisions in the artistic execution of the work rest with pure intuition and cannot be translated into a self-analysis, spoken or written, or even thought out. T.S. Eliot, in his essay on "Tradition and Individual Talent", writes: "The more perfect the artist, the more completely separate in him will be the man who suffers and the mind which creates; the more perfectly will the mind digest and transmute the passions which are its material." Millions of artists create; only a few thousands are discussed or accepted by the spectator and many less again are consecrated by posterity. In the last analysis, the artist may shout from all the rooftops that he is a genius: he will have to wait for the verdict of the spectator in order that his declarations take a social value and that, finally, posterity includes him in the primers of Artist History. I know that this statement will not meet with the approval of many artists who refuse this mediumistic role and insist on the validity of their awareness in the creative act – yet, art history has consistently decided upon the virtues of a work of art through considerations completely divorced from the rationalized explanations of the artist. If the artist, as a human being, full of the best intentions toward himself and the whole world, plays no role at all in the judgment of his own work, how can one describe the phenomenon which prompts the spectator to react critically to the work of art? In other words, how does this reaction come about? This phenomenon is comparable to a transference from the artist to the spectator in the form of an esthetic osmosis taking place through the inert matter, such as pigment, piano or marble. But before we go further, I want to clarify our understanding of the word 'art' - to be sure, without any attempt at a definition. What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way that a bad emotion is still an emotion. Therefore, when I refer to 'art coefficient', it will be understood that I refer not only to great art, but I am trying to describe the subjective mechanism which produces art in the raw state – à l'état brut – bad, good or indifferent. In the creative act, the artist goes from intention to realization through a chain of totally subjective reactions. His struggle toward the realization is a series of efforts, pains, satisfaction, refusals, decisions, which also cannot and must not be fully self-conscious, at least on the esthetic plane. The result of this struggle is a difference between the intention and its realization, a difference which the artist is not aware of. Consequently, in the chain of reactions accompanying the creative act, a link is missing. This gap, representing the inability of the artist to express fully his intention, this difference between what he intended to realize and did realize, is the personal 'art coefficient' contained in the work. In other words, the personal 'art coefficient' is like an arithmetical relation between the unexpressed but intended and the unintentionally expressed. To avoid a misunderstanding, we must remember that this 'art coefficient' is a personal expression of art à l'état brut, that is, still in a raw state, which must be 'refined' as pure sugar from molasses by the spectator; the digit of this coefficient has no bearing whatsoever on his verdict. The creative act takes another aspect when the spectator experiences the phenomenon of transmutation: through the change from inert matter into a work of art, an actual transubtantiation has taken place, and the role of the spectator is to determine the weight of the work on the esthetic scale. All in all, the creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualification and thus adds his contribution to the creative act. This becomes even more obvious when posterity gives a final verdict and sometimes rehabilitates forgotten artists. - © Copyright 2011 / MPYD.ONE 2011 Marcel Duchamp The Creative Act - THE CREATIVE ACT 

by Marcel Duchamp Let us consider two important factors, the two poles of the creation of art:... http://cargocollective.com/mpyd/KINGSTON http://cargocollective.com/mpyd/following/mpyd/KINGSTON Fri, 01 Apr 2011 18:41:58 +0000 MPYD.ONE 975717 2011 KINGSTON - GANGSTA´S PARADISE Typography Project - Type and Cities. Neue - Show Us Your Type Kingston, Jamaica. - <img src="http://payload.cargocollective.com/1/0/3038/975717/KINGSTON_introTYPE.jpg" width="550" height="398" width_o="550" height_o="398" src_o="http://payload.cargocollective.com/1/0/3038/975717/KINGSTON_introTYPE_o.jpg" data-mid="4685964" border="0" align="left"/> Any city can be viewed in two different ways: the ideal and the real. Seeing a city as paradise of sun and culture or a crime-laden metropolis is only a matter of perspective. Kingston is actually a bit of both: yes it’s a paradise, but it’s a Gangster’s Paradise.   On one side we have the Kingston most tourists meet: the ideal tropical paradise, with a rich culture, warm people and sandy beaches. Even though all of this is true, it’s only a half-truth. There’s also the other side of the wall, the one most tourists will never see. Extreme poverty, sub-standard living conditions, drug trafficking, violence and death: these are the things most of the people living in Kingston have to face on a daily basis.   When prompted with the task of representing such a city, we chose to represent what seemed to us to be the real Kingston. First of all, it’s impossible to separate the cannabis plant from Jamaican culture. Over the years it has become a symbol of Jamaica, mainly due to the widespread appeal of Rastafarian culture, despite being grown and used all around the world. It is a powerful symbol, one which evokes both good and bad feelings.   It can be referred to as a substance of peace, meditation, transcendence. It is also an illegal substance, and the simple act of growing and selling it has many dangers. The money it brings creates criminal empires, built on violence, blood and corruption. These empires thrive on impoverished areas, much like the favelas, where children grow up surrounded by crime, only to become the next generation of criminals. Like they say... “How many children had to DIE so you could smoke a joint?” <img src="http://payload.cargocollective.com/1/0/3038/975717/KINGSTON_TYPE.jpg" width="550" height="778" width_o="550" height_o="778" src_o="http://payload.cargocollective.com/1/0/3038/975717/KINGSTON_TYPE_o.jpg" data-mid="4685965" border="0" align="left"/> Kingston as a Gangster’s Paradise. A beautiful and wonderful place, where the gangsters who control drugs and guns are in charge and aren’t afraid of showing it. We used the cannabis plant to spell Kingston, to show that the symbol of the tropical paradise of peace and meditation can also have a dark side. The penetrating light exposes the plant and the city for what it, showing they are much more than they appear to be at first: both are sold as a peaceful and perfect thing, but under the light we see there’s so much more to them than that... www.showusyourtype.com - Complete Artwork Soon... <img src="http://payload.cargocollective.com/1/0/3038/975717/KINGSTON_INTRO.jpg" width="550" height="398" width_o="550" height_o="398" src_o="http://payload.cargocollective.com/1/0/3038/975717/KINGSTON_INTRO_o.jpg" data-mid="4686035" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/975717/KINGSTON_GUN.jpg" width="550" height="825" width_o="550" height_o="825" src_o="http://payload.cargocollective.com/1/0/3038/975717/KINGSTON_GUN_o.jpg" data-mid="4686041" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/975717/KINGSTON_TEXT.jpg" width="550" height="398" width_o="550" height_o="398" src_o="http://payload.cargocollective.com/1/0/3038/975717/KINGSTON_TEXT_o.jpg" data-mid="4686046" border="0" align="left"/> © Copyright 2011 / TOKYO'CLOCK STUDIO 2011 KINGSTON - GANGSTA´S PARADISE Typography Project - Type and Cities. Neue - Show Us Your Type Kingston, Jamaica. - Any city can be viewed in two different... http://cargocollective.com/mpyd/Heineken http://cargocollective.com/mpyd/following/mpyd/Heineken Fri, 01 Apr 2011 18:41:57 +0000 MPYD.ONE 1251656 2011 46 HEINEKEN JAZZALDIA III Poster Contest Heineken Jazzaldia. Donostia, San Sebastián. www.heinekenjazzaldia.com - <img src="http://payload.cargocollective.com/1/0/3038/1251656/46HEINEKENJAZZALDIA_03.jpg" width="500" height="334" width_o="500" height_o="334" src_o="http://payload.cargocollective.com/1/0/3038/1251656/46HEINEKENJAZZALDIA_03_o.jpg" data-mid="6051675" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/1251656/46HEINEKENJAZZALDIA_04.jpg" width="500" height="334" width_o="500" height_o="334" src_o="http://payload.cargocollective.com/1/0/3038/1251656/46HEINEKENJAZZALDIA_04_o.jpg" data-mid="6051679" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/1251656/46HEINEKENJAZZALDIA_05.jpg" width="500" height="334" width_o="500" height_o="334" src_o="http://payload.cargocollective.com/1/0/3038/1251656/46HEINEKENJAZZALDIA_05_o.jpg" data-mid="6051683" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/1251656/46HEINEKENJAZZALDIA_06.jpg" width="500" height="721" width_o="500" height_o="721" src_o="http://payload.cargocollective.com/1/0/3038/1251656/46HEINEKENJAZZALDIA_06_o.jpg" data-mid="6051685" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/1251656/46HEINEKENJAZZALDIA_01.jpg" width="500" height="721" width_o="500" height_o="721" src_o="http://payload.cargocollective.com/1/0/3038/1251656/46HEINEKENJAZZALDIA_01_o.jpg" data-mid="6051688" border="0" align="left"/> - © Copyright 2011 / TOKYO'CLOCK STUDIO 2011 46 HEINEKEN JAZZALDIA III Poster Contest Heineken Jazzaldia. Donostia, San Sebastián. www.heinekenjazzaldia.com - - © Copyright 2011 / TOKYO'CLOCK... http://cargocollective.com/mpyd/Types-of-Boobs http://cargocollective.com/mpyd/following/mpyd/Types-of-Boobs Mon, 01 Nov 2010 20:33:09 +0000 MPYD.ONE 748462 2010 TYPES OF BOOBS <img src="http://payload.cargocollective.com/1/0/3038/748462/TOB01.jpg" width="462" height="425" width_o="462" height_o="425" src_o="http://payload.cargocollective.com/1/0/3038/748462/TOB01_o.jpg" data-mid="3534776" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/748462/TOB02.jpg" width="462" height="600" width_o="462" height_o="600" src_o="http://payload.cargocollective.com/1/0/3038/748462/TOB02_o.jpg" data-mid="3534779" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/748462/TOB03.jpg" width="462" height="600" width_o="462" height_o="600" src_o="http://payload.cargocollective.com/1/0/3038/748462/TOB03_o.jpg" data-mid="3534781" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/748462/TOB04.jpg" width="462" height="600" width_o="462" height_o="600" src_o="http://payload.cargocollective.com/1/0/3038/748462/TOB04_o.jpg" data-mid="3534792" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/748462/TOB05.jpg" width="462" height="600" width_o="462" height_o="600" src_o="http://payload.cargocollective.com/1/0/3038/748462/TOB05_o.jpg" data-mid="3534795" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/748462/TOB06.jpg" width="462" height="600" width_o="462" height_o="600" src_o="http://payload.cargocollective.com/1/0/3038/748462/TOB06_o.jpg" data-mid="3534806" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/748462/TOB07.jpg" width="462" height="600" width_o="462" height_o="600" src_o="http://payload.cargocollective.com/1/0/3038/748462/TOB07_o.jpg" data-mid="3534807" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/748462/TOB08.jpg" width="462" height="600" width_o="462" height_o="600" src_o="http://payload.cargocollective.com/1/0/3038/748462/TOB08_o.jpg" data-mid="3534810" border="0" align="left"/> © Copyright 2010 / MPYD.ONE. 2010 TYPES OF BOOBS © Copyright 2010 / MPYD.ONE. http://cargocollective.com/mpyd/ONE-NIGHT http://cargocollective.com/mpyd/following/mpyd/ONE-NIGHT Mon, 26 Jul 2010 21:14:19 +0000 MPYD.ONE 533953 2010 ONE NIGHT - BIG CITY LIFE Books of Memories. Six Volumes. Small collection of unique records. Big City Life! Subway SHIT...! The twenty - four frames represent the feeling twenty - four hours in underground tunnels. - <img src="http://payload.cargocollective.com/1/0/3038/533953/1NIGHT-BCITYLIFE.jpg" width="500" height="707" width_o="500" height_o="707" src_o="http://payload.cargocollective.com/1/0/3038/533953/1NIGHT-BCITYLIFE_o.jpg" data-mid="2445116" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/533953/1NIGHT-BCITYLIFE2.jpg" width="500" height="707" width_o="500" height_o="707" src_o="http://payload.cargocollective.com/1/0/3038/533953/1NIGHT-BCITYLIFE2_o.jpg" data-mid="2445163" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/533953/1NIGHT-BCITYLIFE3.jpg" width="500" height="707" width_o="500" height_o="707" src_o="http://payload.cargocollective.com/1/0/3038/533953/1NIGHT-BCITYLIFE3_o.jpg" data-mid="2445165" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/533953/1NIGHT-BCITYLIFE4.jpg" width="500" height="707" width_o="500" height_o="707" src_o="http://payload.cargocollective.com/1/0/3038/533953/1NIGHT-BCITYLIFE4_o.jpg" data-mid="2493499" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/533953/1NIGHT-BCITYLIFE5.jpg" width="500" height="707" width_o="500" height_o="707" src_o="http://payload.cargocollective.com/1/0/3038/533953/1NIGHT-BCITYLIFE5_o.jpg" data-mid="2493509" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/533953/1NIGHT-BCITYLIFE6.jpg" width="500" height="707" width_o="500" height_o="707" src_o="http://payload.cargocollective.com/1/0/3038/533953/1NIGHT-BCITYLIFE6_o.jpg" data-mid="2493511" border="0" align="left"/> - © Copyright 2010 / TOKYO´CLOCK STUDIO 2010 ONE NIGHT - BIG CITY LIFE Books of Memories. Six Volumes. Small collection of unique records. Big City Life! Subway SHIT...! The twenty - four frames... http://cargocollective.com/mpyd/Troia-International http://cargocollective.com/mpyd/following/mpyd/Troia-International Thu, 24 Jun 2010 22:12:08 +0000 MPYD.ONE 480579 2010 TRÓIA INTERNATIONAL GOLF CUP International Cup of Golf at Tróia. In partnership with IPS, Instituto Politécnico de Setúbal. D.E.A. & D.E.D. by Tokyo´Clock Studio. Tróia, Portugal. Dossier de Identidade Corporativa Open publication - Free publishing - More troia Dossier de Imprensa Open publication - Free publishing - More internationa <img src="http://payload.cargocollective.com/1/0/3038/480579/TroiaInternationalGolfCup_PT.jpg" width="500" height="700" width_o="500" height_o="700" src_o="http://payload.cargocollective.com/1/0/3038/480579/TroiaInternationalGolfCup_PT_o.jpg" data-mid="2171347" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/480579/TroiaInternationalGolfCup_EN.jpg" width="500" height="700" width_o="500" height_o="700" src_o="http://payload.cargocollective.com/1/0/3038/480579/TroiaInternationalGolfCup_EN_o.jpg" data-mid="2171349" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/480579/Credenciais.jpg" width="500" height="307" width_o="500" height_o="307" src_o="http://payload.cargocollective.com/1/0/3038/480579/Credenciais_o.jpg" data-mid="2171417" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/480579/TroiaInternationalGolfCup_WEB.jpg" width="500" height="306" width_o="500" height_o="306" src_o="http://payload.cargocollective.com/1/0/3038/480579/TroiaInternationalGolfCup_WEB_o.jpg" data-mid="2171421" border="0" align="left"/> © Copyright 2010 / TOKYO´CLOCK STUDIO 2010 TRÓIA INTERNATIONAL GOLF CUP International Cup of Golf at Tróia. In partnership with IPS, Instituto Politécnico de Setúbal. D.E.A. & D.E.D. by Tokyo´Clock... http://cargocollective.com/mpyd/VICE-2010 http://cargocollective.com/mpyd/following/mpyd/VICE-2010 Thu, 31 Dec 2009 10:47:59 +0000 MPYD.ONE 205143 2009 VICE 2010 Booklet Vice Spain. Vice Iberia S.L Barcelona, Spain. www.viceland.com www.vbs.com www.vicestyle.com <img src="http://payload.cargocollective.com/1/0/3038/205143/happy_new1.jpg" width="500" height="347" width_o="500" height_o="347" src_o="http://payload.cargocollective.com/1/0/3038/205143/happy_new1_o.jpg" data-mid="877383" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/205143/happy_new2_1.jpg" width="500" height="708" width_o="500" height_o="708" src_o="http://payload.cargocollective.com/1/0/3038/205143/happy_new2_1_o.jpg" data-mid="878995" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/205143/happy_new3_1.jpg" width="500" height="708" width_o="500" height_o="708" src_o="http://payload.cargocollective.com/1/0/3038/205143/happy_new3_1_o.jpg" data-mid="878996" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/205143/happy_new4.jpg" width="500" height="707" width_o="500" height_o="707" src_o="http://payload.cargocollective.com/1/0/3038/205143/happy_new4_o.jpg" data-mid="878999" border="0" align="left"/> © Copyright 2009 / MPYD.ONE. 2009 VICE 2010 Booklet Vice Spain. Vice Iberia S.L Barcelona, Spain. www.viceland.com www.vbs.com www.vicestyle.com © Copyright 2009 / MPYD.ONE. http://cargocollective.com/mpyd/STEREOGRAPH http://cargocollective.com/mpyd/following/mpyd/STEREOGRAPH Wed, 28 Oct 2009 17:08:44 +0000 MPYD.ONE 121491 2009 STEREOGRAPH REACT Boogazine Analogital. Postgraduate Project in Editorial Design. Escola Elisava, Pompeu Fabra University. Barcelona, Spain. StereoGraph is conceived as a magazine about graphic design and visual communication with a thematic approach to information rather than a merely cumulative treatment; in other words, the intention is for each issue to be devoted to a specific theme, which will be developed in a range of materials and formats: graphic projects, articles, essays and so on. This model of book-magazine has worked very well in the field of architecture, both as a tool with which we can research and experiment, and in terms of the commercial success it has achieved. <img src="http://payload.cargocollective.com/1/0/3038/121491/LogoSG_2.jpg" width="250" height="251" width_o="250" height_o="251" src_o="http://payload.cargocollective.com/1/0/3038/121491/LogoSG_2_o.jpg" data-mid="521529" border="0" align="left"/> Boogazine Analogital STEREOGRAPH Web <img src="http://payload.cargocollective.com/1/0/3038/121491/WEB_V02_01.jpg" width="600" height="451" width_o="600" height_o="451" src_o="http://payload.cargocollective.com/1/0/3038/121491/WEB_V02_01_o.jpg" data-mid="521545" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/121491/WEB_V02_02.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/0/3038/121491/WEB_V02_02_o.jpg" data-mid="521548" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/121491/WEB_V02_03.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/0/3038/121491/WEB_V02_03_o.jpg" data-mid="521558" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/121491/WEB_V02_04_2.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/0/3038/121491/WEB_V02_04_2_o.jpg" data-mid="521559" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/121491/WEB_V02_05_1.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/0/3038/121491/WEB_V02_05_1_o.jpg" data-mid="521560" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/121491/WEB_V02_06_2.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/0/3038/121491/WEB_V02_06_2_o.jpg" data-mid="521563" border="0" align="left"/> Communication Campaign <img src="http://payload.cargocollective.com/1/0/3038/121491/CartazesA3_01_2.jpg" width="500" height="708" width_o="500" height_o="708" src_o="http://payload.cargocollective.com/1/0/3038/121491/CartazesA3_01_2_o.jpg" data-mid="544363" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/121491/CartazesA3_02_1.jpg" width="500" height="708" width_o="500" height_o="708" src_o="http://payload.cargocollective.com/1/0/3038/121491/CartazesA3_02_1_o.jpg" data-mid="544370" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/121491/CartazesA3_03_1.jpg" width="500" height="708" width_o="500" height_o="708" src_o="http://payload.cargocollective.com/1/0/3038/121491/CartazesA3_03_1_o.jpg" data-mid="544382" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/121491/CartazesA3_04_1.jpg" width="500" height="708" width_o="500" height_o="708" src_o="http://payload.cargocollective.com/1/0/3038/121491/CartazesA3_04_1_o.jpg" data-mid="544465" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/3038/121491/Flyer_1.jpg" width="500" height="708" width_o="500" height_o="708" src_o="http://payload.cargocollective.com/1/0/3038/121491/Flyer_1_o.jpg" data-mid="544477" border="0" align="left"/> © Copyright 2009 / MPYD.ONE. 2009 STEREOGRAPH REACT Boogazine Analogital. Postgraduate Project in Editorial Design. Escola Elisava, Pompeu Fabra University. Barcelona, Spain. StereoGraph is...