http://cargocollective.com Miya Kondo Fri, 18 Jan 2013 06:38:56 +0000 http://cargocollective.com en http://cargocollective.com/miyakondo/News http://cargocollective.com/miyakondo/following/miyakondo/News Fri, 18 Jan 2013 06:38:56 +0000 Miya Kondo 4795011 News Frame Light now available through Schönbuch... <img src="http://payload124.cargocollective.com/1/4/150468/4795011/Frame light.jpg" width="630" height="447" width_o="630" height_o="447" src_o="http://payload124.cargocollective.com/1/4/150468/4795011/Frame light_o.jpg" data-mid="25603793" border="0" align="left"/> <img src="http://payload124.cargocollective.com/1/4/150468/4795011/phpThumb_generated_thumbnailjpg.jpeg" width="630" height="447" width_o="630" height_o="447" src_o="http://payload124.cargocollective.com/1/4/150468/4795011/phpThumb_generated_thumbnailjpg_o.jpeg" data-mid="25603580" border="0" align="left"/> News Frame Light now available through Schönbuch... http://cargocollective.com/miyakondo/Composition-Light-for-SM http://cargocollective.com/miyakondo/following/miyakondo/Composition-Light-for-SM Sat, 13 Oct 2012 20:52:57 +0000 Miya Kondo 3140753 Composition Light for Stella McCartney Bespoke Composition Light collection made for twelve Stella McCartney boutiques worldwide. Comprised of six custom sizes in colours from the F/W 2012 collection, they will be on display until late November in the following stores: London Mayfair, London Brompton, Paris, Barcelona, Rome, Milan, New York, Miami, Dallas, Las Vegas, Los Angeles, and Tokyo. . More information available here. The lights will be produced and distributed by Schönbuch beginning January 2013. <img src="http://payload42.cargocollective.com/1/4/150468/3140753/Bruton MK s.jpg" width="600" height="440" width_o="600" height_o="440" src_o="http://payload42.cargocollective.com/1/4/150468/3140753/Bruton MK s_o.jpg" data-mid="22412400" border="0" align="left"/><img src="http://payload42.cargocollective.com/1/4/150468/3140753/MK vegas s.jpg" width="600" height="654" width_o="600" height_o="654" src_o="http://payload42.cargocollective.com/1/4/150468/3140753/MK vegas s_o.jpg" data-mid="22412436" border="0" align="left"/><img src="http://payload42.cargocollective.com/1/4/150468/3140753/mk milan 3 s.jpg" width="600" height="800" width_o="600" height_o="800" src_o="http://payload42.cargocollective.com/1/4/150468/3140753/mk milan 3 s_o.jpg" data-mid="22412175" border="0" align="left"/><img src="http://payload42.cargocollective.com/1/4/150468/3140753/MK Dallas s.jpg" width="597" height="463" width_o="597" height_o="463" src_o="http://payload42.cargocollective.com/1/4/150468/3140753/MK Dallas s_o.jpg" data-mid="22412297" border="0" align="left"/><img src="http://payload42.cargocollective.com/1/4/150468/3140753/photo 17 s.jpg" width="600" height="800" width_o="600" height_o="800" src_o="http://payload42.cargocollective.com/1/4/150468/3140753/photo 17 s_o.jpg" data-mid="22412399" border="0" align="left"/> Composition Light for Stella McCartney Bespoke Composition Light collection made for twelve Stella McCartney boutiques worldwide. Comprised of six custom sizes in... http://cargocollective.com/miyakondo/Time http://cargocollective.com/miyakondo/following/miyakondo/Time Thu, 26 Apr 2012 22:00:02 +0000 Miya Kondo 3289519 Time: A clock which requires time be sought out rather than be a constant reminder of its passing. Only when approached front-on does the clock allow for the transparency to read time. Viewed from any other angle it disguises itself as a discreet wall object. Time is a marriage of classic analogue time-keeping and modern nano technology. A project made in collaboration with Sabine Marcelis as Studio Like This: <img src="http://payload49.cargocollective.com/1/4/150468/3289519/TIMEcontexts.jpg" width="600" height="800" width_o="600" height_o="800" src_o="http://payload49.cargocollective.com/1/4/150468/3289519/TIMEcontexts_o.jpg" data-mid="16869834" border="0" align="left"/><img src="http://payload49.cargocollective.com/1/4/150468/3289519/time diptych.jpg" width="600" height="400" width_o="600" height_o="400" src_o="http://payload49.cargocollective.com/1/4/150468/3289519/time diptych_o.jpg" data-mid="16869964" border="0" align="left"/> Time: A clock which requires time be sought out rather than be a constant reminder of its passing. Only when approached front-on does the clock allow for the... http://cargocollective.com/miyakondo/Composition-Light http://cargocollective.com/miyakondo/following/miyakondo/Composition-Light Tue, 18 Oct 2011 16:14:56 +0000 Miya Kondo 2014425 Composition Light How can light interpret space and dimension? Can light itself be an object? Light acts as an interpreter for how we experience space -our emotional experience of space, time and place. We can be captivated by the influence of light on the shape of objects, on the atmosphere around us and the feeling of our surroundings. Composition Light describes the relationship between individual and object and individual and space through the use of light, creating different perspectives, frames and shapes of light, offering light itself as a mutable spatial object. <img src="http://payload.cargocollective.com/1/4/150468/2014425/IMG_8917_sm.jpg" width="600" height="746" width_o="600" height_o="746" src_o="http://payload.cargocollective.com/1/4/150468/2014425/IMG_8917_sm_o.jpg" data-mid="11786488" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2014425/IMG_8984_sm.jpg" width="600" height="800" width_o="600" height_o="800" src_o="http://payload.cargocollective.com/1/4/150468/2014425/IMG_8984_sm_o.jpg" data-mid="11786541" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2014425/IMG_8997_sm.jpg" width="600" height="801" width_o="600" height_o="801" src_o="http://payload.cargocollective.com/1/4/150468/2014425/IMG_8997_sm_o.jpg" data-mid="11786544" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2014425/IMG_9003_sm.jpg" width="600" height="521" width_o="600" height_o="521" src_o="http://payload.cargocollective.com/1/4/150468/2014425/IMG_9003_sm_o.jpg" data-mid="11786545" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2014425/IMG_8953_sm.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150468/2014425/IMG_8953_sm_o.jpg" data-mid="11786539" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2014425/IMG_9035_sm.jpg" width="600" height="800" width_o="600" height_o="800" src_o="http://payload.cargocollective.com/1/4/150468/2014425/IMG_9035_sm_o.jpg" data-mid="11786546" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2014425/IMG_8962_sm.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150468/2014425/IMG_8962_sm_o.jpg" data-mid="11786540" border="0" align="left"/> Composition Light How can light interpret space and dimension? Can light itself be an object? Light acts as an interpreter for how we experience space -our... http://cargocollective.com/miyakondo/Form-Material-Color http://cargocollective.com/miyakondo/following/miyakondo/Form-Material-Color Sat, 17 Sep 2011 09:48:55 +0000 Miya Kondo 2016614 Form/Material/Colour Form studies, changing material and shape. Morphing three objects -a cleaver, popsiclemaker and a windsock- in scale and material into a combination product suggesting an open function. Initial models made of paper and textile resulted in a final form made of handblown glass, yellow poplar and sand-casted bronze. <img src="http://payload.cargocollective.com/1/4/150468/2016614/atelier11.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150468/2016614/atelier11_o.jpg" data-mid="10023884" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2016614/atelier2.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150468/2016614/atelier2_o.jpg" data-mid="10023864" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2016614/atelier3.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150468/2016614/atelier3_o.jpg" data-mid="10023866" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2016614/atelier6.jpg" width="600" height="700" width_o="600" height_o="700" src_o="http://payload.cargocollective.com/1/4/150468/2016614/atelier6_o.jpg" data-mid="10148735" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2016614/atelier4.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150468/2016614/atelier4_o.jpg" data-mid="10023867" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2016614/atelier5.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150468/2016614/atelier5_o.jpg" data-mid="10023868" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2016614/atelier8.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150468/2016614/atelier8_o.jpg" data-mid="10023871" border="0" align="left"/> Form/Material/Colour Form studies, changing material and shape. Morphing three objects -a cleaver, popsiclemaker and a windsock- in scale and material into a... http://cargocollective.com/miyakondo/Front-Back http://cargocollective.com/miyakondo/following/miyakondo/Front-Back Fri, 16 Sep 2011 15:45:54 +0000 Miya Kondo 2014373 Front Back Layers of intimacy exist within the home. Going from the most public of private spaces, the living room, to the most private, the bedside drawer, we unfurl these layers to reveal the increasingly intimate and vulnerable self. Front/Back visually conveys the space in between -public and private, outside and inside- so that these borders, walls and doors, once removed expose the layers that make up our public and private selves. <img src="http://payload.cargocollective.com/1/4/150468/2014373/frontback0.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150468/2014373/frontback0_o.jpg" data-mid="10012263" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2014373/front back1.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150468/2014373/front back1_o.jpg" data-mid="10012268" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2014373/frontback2.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150468/2014373/frontback2_o.jpg" data-mid="10012272" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2014373/frontback3.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150468/2014373/frontback3_o.jpg" data-mid="10012275" border="0" align="left"/> Front Back Layers of intimacy exist within the home. Going from the most public of private spaces, the living room, to the most private, the bedside drawer, we... http://cargocollective.com/miyakondo/Objects-of-Empathy http://cargocollective.com/miyakondo/following/miyakondo/Objects-of-Empathy Fri, 16 Sep 2011 09:19:36 +0000 Miya Kondo 2012445 Objects of Empathy “Functioning is not merely the function of things, but also their mystery.” -Jean Baudrillard Objects of Empathy propose conceptual and aesthetic forms for everyday rituals with gesture, posture, handling and materiality. Ambiguous forms invite engagement and interaction creating a personal relationship to the object, and thus defining the functionality of the object. These objects with no clearly defined function and with seemingly ambiguous meaning invite personal and subjective interpretation and reflection thereby giving them their symbolic value. <img src="http://payload.cargocollective.com/1/4/150468/2012445/IMG_8551_edit_xs.jpg" width="600" height="452" width_o="600" height_o="452" src_o="http://payload.cargocollective.com/1/4/150468/2012445/IMG_8551_edit_xs_o.jpg" data-mid="10006354" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2012445/IMG_8537_edit_xs.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150468/2012445/IMG_8537_edit_xs_o.jpg" data-mid="10006360" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2012445/IMG_8373_edit_xs.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150468/2012445/IMG_8373_edit_xs_o.jpg" data-mid="10006364" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2012445/IMG_8435-2_edit_xs.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150468/2012445/IMG_8435-2_edit_xs_o.jpg" data-mid="10006366" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2012445/IMG_8406_edit_1xs.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150468/2012445/IMG_8406_edit_1xs_o.jpg" data-mid="10006368" border="0" align="left"/><img src="http://payload.cargocollective.com/1/4/150468/2012445/IMG_8355xs.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/4/150468/2012445/IMG_8355xs_o.jpg" data-mid="10006370" border="0" align="left"/> Objects of Empathy “Functioning is not merely the function of things, but also their mystery.” -Jean Baudrillard Objects of Empathy propose conceptual and...