The MetaformStudio

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<channel>
	<title>The MetaformStudio</title>
	<link>http://cargocollective.com</link>
	<description>The MetaformStudio</description>
	<pubDate>Sat, 03 Mar 2012 02:53:08 +0000</pubDate>
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	<language>en</language>
	
		
	<item>
		<title> The Curation  </title>
				
		<link>http://cargocollective.com/metaformstudio/The-Curation</link>

		<comments>http://cargocollective.com/metaformstudio/following/metaformstudio/The-Curation</comments>

		<pubDate>Sat, 03 Mar 2012 02:53:08 +0000</pubDate>

		<dc:creator>The MetaformStudio</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2927108</guid>

		<description>&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/metaformstudio-1.gif" width="100" height="100" width_o="100" height_o="100" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/metaformstudio-1_o.gif" data-mid="14914944"  border="0" align="left"/&#62;


&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/Remains_install1_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/Remains_install1_o.jpg" data-mid="14914875"  border="0" align="left"/&#62;&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/Remains_install2_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/Remains_install2_o.jpg" data-mid="14914876"  border="0" align="left"/&#62;&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/remains1_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/remains1_o.jpg" data-mid="14914877"  border="0" align="left"/&#62;&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/gallery5_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/gallery5_o.jpg" data-mid="15119703"  border="0" align="left"/&#62;
&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/remains2_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/remains2_o.jpg" data-mid="14914879"  border="0" align="left"/&#62;

Remains in the End Times
Gallery exhibition curated and designed by Jesse Lee Stout
December 2nd, 2011 — January 5th, 2012
The Popular Workshop Gallery, San Francisco , Calif.


The Popular Workshop Gallery and Table of Contents presented, Remains in the End Times, a group exhibition of experimental video, audio, sculpture, and prints curated by Jesse Lee Stout The San Francisco based exhibit was held from December 2nd, 2011 — January 5th, 2012.

Remains in the End Times, held in a city notorious for devastating earthquakes and the pioneering of early psychedelia, presents a paradigm of apocalyptic hallucinations and "tech-gnosis" contrasting modernity with ruination. The show title, partially derived from Slavoj Žižek's 2010 opus Living in the End Times, expands the proposition that there is no pending big bang, no End of Days — on the contrary, society is already immersed in this so-called Doomsday. As a result, a slow transformation has drifted us into a world where smog-ridden skies became the most beautiful sunsets imaginable and the white noise of a television lulls us to sleep at night.  

Utilizing disposable technology, deteriorated media, and derelict landscapes as a conceptual foundation, these artists have transformed ruination into mature experiential works that unearth a new psychedelia. Rather than illustrating drug experiences, as in the case of hypnotic works of the 1960s, these works mesmerize and overwhelm the senses by way of reshaping the entropy and chaos of techno-inundated modern life — both helping us escaping our reality while firmly planting ourselves in it. 

Selected Press: Dazed&#38;Confused, SF Weekly, Juxtapoz, Triangulation

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&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/yoshi4_900.jpg" width="900" height="555" width_o="900" height_o="555" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/yoshi4_o.jpg" data-mid="14915706"  border="0" align="left"/&#62;&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/yoshi2_900.jpg" width="900" height="555" width_o="900" height_o="555" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/yoshi2_o.jpg" data-mid="14915709"  border="0" align="left"/&#62;&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/yoshi3_900.jpg" width="900" height="555" width_o="900" height_o="555" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/yoshi3_o.jpg" data-mid="14915708"  border="0" align="left"/&#62;&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/yoshi7_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/yoshi7_o.jpg" data-mid="15119705"  border="0" align="left"/&#62;&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/yoshi8_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/yoshi8_o.jpg" data-mid="15119702"  border="0" align="left"/&#62;&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/Sodeoka2_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/Sodeoka2_o.jpg" data-mid="14914881"  border="0" align="left"/&#62;&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/yoshi1_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/yoshi1_o.jpg" data-mid="14915178"  border="0" align="left"/&#62;

Yoshi Sodeoka is a multidisciplinary artist and musician based in New York City. Over the past decade, his projects have been exhibited across the world (London’s Tate Britain, New York City’s Deitch Projects, Paris’ Festival Némo, Edinburgh’s MU, São Paulo’s Rojo Nova, Barcelona’s OFFF, Baltimore Museum of Art, London’s OneDotZero, Barcelona’s Sonar Festival, Haifa Museum Israel, San Sebastian’s GlasKultur, The Creative Time Holiday Light Show at New York’s Grand Central Terminal, Berlin’s Transmediale, Poland’s Krakow Film Festival). Sodeoka's work is also held in the permanent collections of Museum of the Moving Image in NYC and at MoMA in San Francisco. He is represented by Galleri Jonas Kleerup in Stockholm Sweden with video distribution by Table of Contents.


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&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/Keller_realign5_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/Keller_realign5_o.jpg" data-mid="14914866"  border="0" align="left"/&#62;&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/Keller_realign6_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/Keller_realign6_o.jpg" data-mid="14914867"  border="0" align="left"/&#62;&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/Keller_realign3_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/Keller_realign3_o.jpg" data-mid="14914862"  border="0" align="left"/&#62;&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/Keller_realign4_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/Keller_realign4_o.jpg" data-mid="14914863"  border="0" align="left"/&#62;&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/Keller_realign7_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/Keller_realign7_o.jpg" data-mid="14914868"  border="0" align="left"/&#62;&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/Keller_realign8_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/Keller_realign8_o.jpg" data-mid="14914871"  border="0" align="left"/&#62;

JK Keller is an artist currently living and working in Baltimore, MD. He received a BFA in Interactive Multimedia from the Minneapolis College of Art + Design and an MFA from the Cranbrook Academy of Art. Working at the intersection of craft, collection, and computation, Keller transcends and transforms everyday digital elements through obsessive, iterative, and generative processes. His online presence is felt widely throughout the internet, with video views in the millions, features on thousands of websites including NYTimes.com, BoingBoing, and the front page of Yahoo!. JK’s work has been exhibited at Walker Art Center, Minneapolis, MN; Vögele Kultur Zentrum, Pfäffikon, Switzerland; I space Gallery, Chicago, IL; and Australian Centre for Photography, Paddington, Australia among other international galleries.


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&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/rosa_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/rosa_o.jpg" data-mid="14915175"  border="0" align="left"/&#62;&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/rosa2_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/rosa2_o.jpg" data-mid="14915702"  border="0" align="left"/&#62;

Rosa Menkman is a Dutch visualist who focuses on visual artifacts created by accidents in digital media. The visuals she makes are the result of glitches, compressions, feedback and other forms of noise. Menkman has shown work at festivals such as Cimatics, Brussels, Belgium; Blip Festival, Europe and US; Video Vorte, Amsterdam, Holland + Brussels, Belgium, ISEA, Dublin, Ireland;, File, Sao Paolo, Brazil; Transmediale, Berlin, Germany; and collaborated on art projects together with Alexander Galloway, little-scale, Govcom.org, Goto80 and the internet art collective Jodi.org. Recently, Menkman has co-organized/curated GLI.TC/H festival in Chicago, IL. 


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&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/Menche_Fulmination_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/Menche_Fulmination_o.jpg" data-mid="14914874"  border="0" align="left"/&#62;

Daniel Menche is a sound and visual artist residing in Portland, OR. Characterized as both extremely loud and patiently subtle, as both sonically intense and emotionally powerful, Daniel Menche’s performances are works which realize their own sonic presence, entities that give form to an emotional rawness with highly textural and dominating sounds. With well over 60 albums, Menche has amassed an ever-growing body of work released through some of the most discerning and respected independent labels in the world. Menche continues his extensive live performances throughout North America, Europe, and Asia. 


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&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/liquid-static_900.jpg" width="900" height="662" width_o="900" height_o="662" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/liquid-static_o.jpg" data-mid="15511275"  border="0" align="left"/&#62;&#60;img src="http://payload31.cargocollective.com/1/0/4387/2927108/deepbreath_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload31.cargocollective.com/1/0/4387/2927108/deepbreath_o.jpg" data-mid="15511272"  border="0" align="left"/&#62;

Cristopher Cichocki lives and works in the desert of Southern California’s Coachella Valley. He received his BFA from California Institute of the Arts. The core of his work spans diverse territories including: Earthworks, Minimalism, Fluxus, Arte Povera, quantum physics, and experimental music. Encompassing painting, photography, video, sculpture, sound, installation, and performance, Cichocki accents multi-sensory relationships of interconnection, constant flux, and sublime entropy.  Recent exhibits include ROJO® NOVA Cinemateca Brasileira, Rio de Janerio, Brazil; Full Pull, Inter Arts Center, Malmö, Sweden; Desert Abyss, Walter N. Marks Center for the Arts, Palm Desert, CA; ROJO® NOVA, Museum of Image and Sound, Sao Paulo, Brazil. 
 

..............................................................................................................................................................................................................................................</description>
		
		<excerpt>     Remains in the End Times Gallery exhibition curated and designed by Jesse Lee Stout December 2nd, 2011 — January 5th, 2012 The Popular Workshop Gallery, San...</excerpt>

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	</item>
		
		
	<item>
		<title>The Shirts</title>
				
		<link>http://cargocollective.com/metaformstudio/The-Shirts</link>

		<comments>http://cargocollective.com/metaformstudio/following/metaformstudio/The-Shirts</comments>

		<pubDate>Sat, 03 Mar 2012 00:16:21 +0000</pubDate>

		<dc:creator>The MetaformStudio</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1091015</guid>

		<description>&#60;img src="http://payload.cargocollective.com/1/0/4387/1091015/metaformstudio-1.gif" width="100" height="100" width_o="100" height_o="100" src_o="http://payload.cargocollective.com/1/0/4387/1091015/metaformstudio-1_o.gif" data-mid="14894983"  border="0" align="left"/&#62;







&#60;img src="http://payload.cargocollective.com/1/0/4387/1091015/redcat.jpg" width="650" height="763" width_o="650" height_o="763" src_o="http://payload.cargocollective.com/1/0/4387/1091015/redcat_o.jpg" data-mid="14914185"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1091015/redcat-art.jpg" width="650" height="722" width_o="650" height_o="722" src_o="http://payload.cargocollective.com/1/0/4387/1091015/redcat-art_o.jpg" data-mid="14911147"  border="0" align="left"/&#62;REDCAT:
Second × Hope
T-Shirt design and illustration celebrating the Roy &#38; Edna Disney / CalArts Theater (REDCAT) in downtown Los Angeles. The Theater is located on the corner of Second St. and Hope St.




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&#60;img src="http://payload.cargocollective.com/1/0/4387/1091015/laced_2.jpg" width="650" height="763" width_o="650" height_o="763" src_o="http://payload.cargocollective.com/1/0/4387/1091015/laced_2_o.jpg" data-mid="14914102"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1091015/laced-up-art.jpg" width="650" height="654" width_o="650" height_o="654" src_o="http://payload.cargocollective.com/1/0/4387/1091015/laced-up-art_o.jpg" data-mid="14911229"  border="0" align="left"/&#62;Footlocker × NIKE:
Laced Up
Creative direction and illustration for a shoe-centric line of tees.




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&#60;img src="http://payload.cargocollective.com/1/0/4387/1091015/inter_7.jpg" width="650" height="763" width_o="650" height_o="763" src_o="http://payload.cargocollective.com/1/0/4387/1091015/inter_7_o.jpg" data-mid="14914104"  border="0" align="left"/&#62;NIKE:
Inter Milan
T-Shirt design and lettering for the Italian soccer team, Internazionale.




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&#60;img src="http://payload.cargocollective.com/1/0/4387/1091015/werder_4.jpg" width="650" height="763" width_o="650" height_o="763" src_o="http://payload.cargocollective.com/1/0/4387/1091015/werder_4_o.jpg" data-mid="14914105"  border="0" align="left"/&#62;NIKE:
Werder Bremen
T-Shirt design and lettering for the German soccer team, Werder Bremen.



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&#60;img src="http://payload.cargocollective.com/1/0/4387/1091015/feelpressure.jpg" width="650" height="763" width_o="650" height_o="763" src_o="http://payload.cargocollective.com/1/0/4387/1091015/feelpressure_o.jpg" data-mid="14914100"  border="0" align="left"/&#62;Footlocker × NIKE:
Feel the Pressure
Creative and art direction for a shoe-centric line of tees.


Illustrated by Jonathan Zwada




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&#60;img src="http://payload.cargocollective.com/1/0/4387/1091015/boca_5.jpg" width="650" height="763" width_o="650" height_o="763" src_o="http://payload.cargocollective.com/1/0/4387/1091015/boca_5_o.jpg" data-mid="14914106"  border="0" align="left"/&#62;NIKE:
Boca Juniors
T-Shirt design and lettering for the Argentine soccer team, Boca Juniors.




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&#60;img src="http://payload.cargocollective.com/1/0/4387/1091015/hotair.jpg" width="650" height="763" width_o="650" height_o="763" src_o="http://payload.cargocollective.com/1/0/4387/1091015/hotair_o.jpg" data-mid="14914107"  border="0" align="left"/&#62;Footlocker × NIKE:
Hot Air
Creative and art direction for a shoe-centric line of tees.


Illustrated by Vanila BCN




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&#60;img src="http://payload.cargocollective.com/1/0/4387/1091015/shirts-swear.jpg" width="650" height="763" width_o="650" height_o="763" src_o="http://payload.cargocollective.com/1/0/4387/1091015/shirts-swear_o.jpg" data-mid="14914109"  border="0" align="left"/&#62;Lies
T-Shirt design for a boutique tee line whose 2008 spring season focused on lies.






.............................................................................................................................................................................................................................................................................</description>
		
		<excerpt>        REDCAT: Second × Hope T-Shirt design and illustration celebrating the Roy &#38; Edna Disney / CalArts Theater (REDCAT) in downtown Los Angeles. The Theater is...</excerpt>

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		<media:thumbnail url="http://payload.cargocollective.com/1/0/4387/1091015/prt_1364180103.gif" />

	</item>
		
		
	<item>
		<title>The Logos</title>
				
		<link>http://cargocollective.com/metaformstudio/The-Logos</link>

		<comments>http://cargocollective.com/metaformstudio/following/metaformstudio/The-Logos</comments>

		<pubDate>Fri, 02 Mar 2012 23:52:59 +0000</pubDate>

		<dc:creator>The MetaformStudio</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1091769</guid>

		<description>&#60;img src="http://payload.cargocollective.com/1/0/4387/1091769/metaformstudio.gif" width="100" height="100" width_o="100" height_o="100" src_o="http://payload.cargocollective.com/1/0/4387/1091769/metaformstudio_o.gif" data-mid="14881119"  border="0" align="left"/&#62;









&#60;img src="http://payload.cargocollective.com/1/0/4387/1091769/vannen.gif" width="557" height="198" width_o="557" height_o="198" src_o="http://payload.cargocollective.com/1/0/4387/1091769/vannen_o.gif" data-mid="15172421"  border="0" align="left"/&#62;

Vannen
Logo for watch company, Vannen.













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&#60;img src="http://payload.cargocollective.com/1/0/4387/1091769/cantora.gif" width="557" height="160" width_o="557" height_o="160" src_o="http://payload.cargocollective.com/1/0/4387/1091769/cantora_o.gif" data-mid="15172418"  border="0" align="left"/&#62;
Cantora Records
Logo for music label, Cantora Records.











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&#60;img src="http://payload.cargocollective.com/1/0/4387/1091769/pub2.gif" width="557" height="240" width_o="557" height_o="240" src_o="http://payload.cargocollective.com/1/0/4387/1091769/pub2_o.gif" data-mid="15172419"  border="0" align="left"/&#62;PUB Magazine
Logo design for PUB magazine, Issue 3

















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&#60;img src="http://payload.cargocollective.com/1/0/4387/1091769/Thankyou2.jpg" width="600" height="421" width_o="600" height_o="421" src_o="http://payload.cargocollective.com/1/0/4387/1091769/Thankyou2_o.jpg" data-mid="14880969"  border="0" align="left"/&#62;


Thanks
Lettering design for screen printed, folding cards
10" x 5" folded
</description>
		
		<excerpt>            Vannen Logo for watch company, Vannen.             ...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/0/4387/1091769/prt_1364181318.gif" />

	</item>
		
		
	<item>
		<title> The MetaformStudio </title>
				
		<link>http://cargocollective.com/metaformstudio/The-MetaformStudio</link>

		<comments>http://cargocollective.com/metaformstudio/following/metaformstudio/The-MetaformStudio</comments>

		<pubDate>Wed, 06 Apr 2011 05:28:07 +0000</pubDate>

		<dc:creator>The MetaformStudio</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">462266</guid>

		<description>&#60;img src="http://payload.cargocollective.com/1/0/4387/462266/mf-100.gif" width="100" height="100" width_o="100" height_o="100" src_o="http://payload.cargocollective.com/1/0/4387/462266/mf-100_o.gif" data-mid="2558412"  border="0" align="left"/&#62;







MetaformStudio is the design of Jesse Lee Stout. 
Currently employed at Willo Perron &#38; Associates


Communication
info@metaformstudio.net


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Education
Master's of Fine Arts
Program in Graphic Design
California Institute of the Arts (CalArts). 

Bachelor's of Fine Arts 
Program in Film/Video
California Institute of the Arts (CalArts). 

1 Year Study
Program in Experimental Film/Video
Universität der Künste Berlin (UdK).


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Awards
2011 Adobe Design Award Nomination in the Print Communications Category.

2010 Beutner Family Award Recipient for Excellence in the Arts.


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Visual Audio Label Table of Contents.


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all works © 2008—2013
Use only with written permission.</description>
		
		<excerpt>        MetaformStudio is the design of Jesse Lee Stout.  Currently employed at Willo Perron &#38; Associates   Communication info@metaformstudio.net  ...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/0/4387/462266/prt_1330755732.png" />

	</item>
		
		
	<item>
		<title> The Videos </title>
				
		<link>http://cargocollective.com/metaformstudio/The-Videos</link>

		<comments>http://cargocollective.com/metaformstudio/following/metaformstudio/The-Videos</comments>

		<pubDate>Sat, 26 Feb 2011 19:50:30 +0000</pubDate>

		<dc:creator>The MetaformStudio</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1090888</guid>

		<description>&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/mf-100.gif" width="100" height="100" width_o="100" height_o="100" src_o="http://payload.cargocollective.com/1/0/4387/1090888/mf-100_o.gif" data-mid="5323306"  border="0" align="left"/&#62;










Drake: 2011 Saturday Night Live 
Video content created for Drake's  performance at on Saturday Night Live.

Creative Director: Willo Perron
Video Art Direction / Co-Design: Jesse Lee Stout
Animation and Co-Design: Mike Machin / Machine Studio

..................................................................................................................................................................................................................................



Jay-Z: 2012 SXSW AMEX Sync Show 
Video content created for Jay-Z's  performance at SXSW 2012

Creative Director: Willo Perron
Video Art Direction: Jesse Lee Stout
Animation: Jesse Lee Stout and various


..................................................................................................................................................................................................................................



Tinie Tempah: 2012 X-Factor USA 
Video content created for Tinie Tempah's performance of "Pass Out" on X-Factor USA

Creative Director: Willo Perron
Video Art Direction: Jesse Lee Stout
Animation: Chris Saunders &#38; Oliver Scott

..................................................................................................................................................................................................................................




Rihanna: 2010 American Music Awards

Video environment content created for Rihanna's performance at the 2010 American Music Awards.  

Creative Director: Willo Perron
Video Art Direction / Design / Editing: Jesse Lee Stout
Additional Editing: Jonathan Covert
Additional Drawings: Bijan Berahimi

..................................................................................................................................................................................................................................




Rihanna: 2010 Saturday Night Live

Video environment content created for Rihanna's performance at Saturday Night Live, Halloween 2010. 

Creative Director: Willo Perron
Video Art Direction / Design / Editing: Jesse Lee Stout
Additional Editing: Jonathan Covert


..................................................................................................................................................................................................................................





Rihanna: 2011 NBA All-Star Game Half-Time Show

Video content created for Rihanna's performance NBA All-Star Game Half-Time Show in 2011.  

This footage was re-edited live by an on-site crew.

Creative Director: Willo Perron
Video Art Direction / Design / Editing: Jesse Lee Stout
Additional Drawings: Bijan Berahimi


..................................................................................................................................................................................................................................



&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-1.jpg" width="600" height="293" width_o="600" height_o="293" src_o="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-1_o.jpg" data-mid="5320686"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-18.jpg" width="600" height="293" width_o="600" height_o="293" src_o="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-18_o.jpg" data-mid="5320711"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-9.jpg" width="600" height="293" width_o="600" height_o="293" src_o="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-9_o.jpg" data-mid="5320700"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-4.jpg" width="600" height="293" width_o="600" height_o="293" src_o="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-4_o.jpg" data-mid="5320691"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-2.jpg" width="600" height="293" width_o="600" height_o="293" src_o="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-2_o.jpg" data-mid="5320687"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-16.jpg" width="600" height="293" width_o="600" height_o="293" src_o="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-16_o.jpg" data-mid="5320709"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-17.jpg" width="600" height="293" width_o="600" height_o="293" src_o="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-17_o.jpg" data-mid="5320710"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-6.jpg" width="600" height="293" width_o="600" height_o="293" src_o="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-6_o.jpg" data-mid="5320694"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-7.jpg" width="600" height="293" width_o="600" height_o="293" src_o="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-7_o.jpg" data-mid="5320697"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-15.jpg" width="600" height="293" width_o="600" height_o="293" src_o="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-15_o.jpg" data-mid="5320708"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-8.jpg" width="600" height="293" width_o="600" height_o="293" src_o="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-8_o.jpg" data-mid="5320699"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-19.jpg" width="600" height="293" width_o="600" height_o="293" src_o="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-19_o.jpg" data-mid="5320714"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-10.jpg" width="600" height="293" width_o="600" height_o="293" src_o="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-10_o.jpg" data-mid="5320702"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-11.jpg" width="600" height="293" width_o="600" height_o="293" src_o="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-11_o.jpg" data-mid="5320703"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-20.jpg" width="600" height="293" width_o="600" height_o="293" src_o="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-20_o.jpg" data-mid="5320715"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-12.jpg" width="600" height="293" width_o="600" height_o="293" src_o="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-12_o.jpg" data-mid="5320704"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-13.jpg" width="600" height="293" width_o="600" height_o="293" src_o="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-13_o.jpg" data-mid="5320705"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-14.jpg" width="600" height="293" width_o="600" height_o="293" src_o="http://payload.cargocollective.com/1/0/4387/1090888/drake-screengrab-14_o.jpg" data-mid="5320707"  border="0" align="left"/&#62;Drake: 2011 UK Tour
Background video created for Drake's 2011 UK tour. 

Creative Director: Willo Perron
Video Design / Editing: Jesse Lee Stout
Additional Editing: Jonathan Covert &#38; Richard Hyatt
60 mins.


..................................................................................................................................................................................................................................


&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/acidking-13.jpg" width="600" height="298" width_o="600" height_o="298" src_o="http://payload.cargocollective.com/1/0/4387/1090888/acidking-13_o.jpg" data-mid="5308045"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/acidking-12.jpg" width="600" height="298" width_o="600" height_o="298" src_o="http://payload.cargocollective.com/1/0/4387/1090888/acidking-12_o.jpg" data-mid="5308044"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/acidking-11.jpg" width="600" height="298" width_o="600" height_o="298" src_o="http://payload.cargocollective.com/1/0/4387/1090888/acidking-11_o.jpg" data-mid="5308043"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/acidking-1.jpg" width="600" height="298" width_o="600" height_o="298" src_o="http://payload.cargocollective.com/1/0/4387/1090888/acidking-1_o.jpg" data-mid="5308033"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/acidking-4.jpg" width="600" height="298" width_o="600" height_o="298" src_o="http://payload.cargocollective.com/1/0/4387/1090888/acidking-4_o.jpg" data-mid="5308036"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/acidking-2.jpg" width="600" height="298" width_o="600" height_o="298" src_o="http://payload.cargocollective.com/1/0/4387/1090888/acidking-2_o.jpg" data-mid="5308034"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/acidking-22.jpg" width="600" height="298" width_o="600" height_o="298" src_o="http://payload.cargocollective.com/1/0/4387/1090888/acidking-22_o.jpg" data-mid="5308053"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/acidking-9.jpg" width="600" height="298" width_o="600" height_o="298" src_o="http://payload.cargocollective.com/1/0/4387/1090888/acidking-9_o.jpg" data-mid="5308041"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/acidking-10.jpg" width="600" height="298" width_o="600" height_o="298" src_o="http://payload.cargocollective.com/1/0/4387/1090888/acidking-10_o.jpg" data-mid="5308042"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/acidking-16.jpg" width="600" height="298" width_o="600" height_o="298" src_o="http://payload.cargocollective.com/1/0/4387/1090888/acidking-16_o.jpg" data-mid="5308047"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/acidking-17.jpg" width="600" height="298" width_o="600" height_o="298" src_o="http://payload.cargocollective.com/1/0/4387/1090888/acidking-17_o.jpg" data-mid="5308048"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/acidking-7.jpg" width="600" height="298" width_o="600" height_o="298" src_o="http://payload.cargocollective.com/1/0/4387/1090888/acidking-7_o.jpg" data-mid="5308039"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/acidking-6.jpg" width="600" height="298" width_o="600" height_o="298" src_o="http://payload.cargocollective.com/1/0/4387/1090888/acidking-6_o.jpg" data-mid="5308038"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/acidking-18.jpg" width="600" height="298" width_o="600" height_o="298" src_o="http://payload.cargocollective.com/1/0/4387/1090888/acidking-18_o.jpg" data-mid="5308049"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/acidking-19.jpg" width="600" height="298" width_o="600" height_o="298" src_o="http://payload.cargocollective.com/1/0/4387/1090888/acidking-19_o.jpg" data-mid="5308050"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/acidking-5.jpg" width="600" height="298" width_o="600" height_o="298" src_o="http://payload.cargocollective.com/1/0/4387/1090888/acidking-5_o.jpg" data-mid="5308037"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/acidking-20.jpg" width="600" height="298" width_o="600" height_o="298" src_o="http://payload.cargocollective.com/1/0/4387/1090888/acidking-20_o.jpg" data-mid="5308051"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/1090888/acidking-21.jpg" width="600" height="298" width_o="600" height_o="298" src_o="http://payload.cargocollective.com/1/0/4387/1090888/acidking-21_o.jpg" data-mid="5308052"  border="0" align="left"/&#62;
Acid King: 2011 Roadburn Festival, NL
Video footage for a projected stage backdrop for the band, Acid King, on their 2011 European tour. 

Video Art Direction / Design / Editing: Jesse Lee Stout

Acid King, 2011
Appropriated and original video
90 min</description>
		
		<excerpt>           Drake: 2011 Saturday Night Live  Video content created for Drake's  performance at on Saturday Night Live.  Creative Director: Willo Perron Video Art...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/0/4387/1090888/prt_1330763963.jpg" />

	</item>
		
		
	<item>
		<title>The Covers</title>
				
		<link>http://cargocollective.com/metaformstudio/The-Covers</link>

		<comments>http://cargocollective.com/metaformstudio/following/metaformstudio/The-Covers</comments>

		<pubDate>Mon, 14 Jun 2010 21:37:43 +0000</pubDate>

		<dc:creator>The MetaformStudio</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">462262</guid>

		<description>&#60;img src="http://payload.cargocollective.com/1/0/4387/462262/mf-100.gif" width="100" height="100" width_o="100" height_o="100" src_o="http://payload.cargocollective.com/1/0/4387/462262/mf-100_o.gif" data-mid="5323310"  border="0" align="left"/&#62;








&#60;img src="http://payload.cargocollective.com/1/0/4387/462262/meatparade1.jpg" width="600" height="430" width_o="600" height_o="430" src_o="http://payload.cargocollective.com/1/0/4387/462262/meatparade1_o.jpg" data-mid="5308124"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462262/meatparade2.jpg" width="600" height="430" width_o="600" height_o="430" src_o="http://payload.cargocollective.com/1/0/4387/462262/meatparade2_o.jpg" data-mid="5308126"  border="0" align="left"/&#62;Meat Parade 'Happy Meal to the 4th Dimension'
Designed and photographed in collaboration with Neil Doshi.

Sunwarped Records, 2010
Full color sleeve
12” x 12"


.............................................................................................................................................................................................................................................................................




&#60;img src="http://payload.cargocollective.com/1/0/4387/462262/li-1.jpg" width="600" height="521" width_o="600" height_o="521" src_o="http://payload.cargocollective.com/1/0/4387/462262/li-1_o.jpg" data-mid="2086581"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462262/li-2.jpg" width="600" height="481" width_o="600" height_o="481" src_o="http://payload.cargocollective.com/1/0/4387/462262/li-2_o.jpg" data-mid="2086583"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462262/li-3.jpg" width="600" height="417" width_o="600" height_o="417" src_o="http://payload.cargocollective.com/1/0/4387/462262/li-3_o.jpg" data-mid="2086585"  border="0" align="left"/&#62;Love Infinity 'Happy Hour'
CD with wrap-around sleeve drawing on the idea that Happy Hour could be perceived as an astrological moment of sublime alignment in the cosmos. 

Love Infinity, 2009
Full color sleeve
5” × 13”


.............................................................................................................................................................................................................................................................................


&#60;img src="http://payload.cargocollective.com/1/0/4387/462262/terminal11.jpg" width="600" height="430" width_o="600" height_o="430" src_o="http://payload.cargocollective.com/1/0/4387/462262/terminal11_o.jpg" data-mid="5308152"  border="0" align="left"/&#62;Terminal 11 'Kaleidoscope Eyes'

Record cover for IDM artist.

Cock Rock Disco, 2008
Full color sleeve
12” x 12"</description>
		
		<excerpt>         Meat Parade 'Happy Meal to the 4th Dimension' Designed and photographed in collaboration with Neil Doshi.  Sunwarped Records, 2010 Full color sleeve 12”...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/0/4387/462262/prt_1330755197.jpg" />

	</item>
		
		
	<item>
		<title> The Posters </title>
				
		<link>http://cargocollective.com/metaformstudio/The-Posters</link>

		<comments>http://cargocollective.com/metaformstudio/following/metaformstudio/The-Posters</comments>

		<pubDate>Sun, 13 Jun 2010 23:33:48 +0000</pubDate>

		<dc:creator>The MetaformStudio</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">462240</guid>

		<description>&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/mf-100.gif" width="100" height="100" width_o="100" height_o="100" src_o="http://payload.cargocollective.com/1/0/4387/462240/mf-100_o.gif" data-mid="5323295"  border="0" align="left"/&#62;





&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/Stout-goggin1of3_44_900.jpg" width="900" height="518" width_o="900" height_o="518" src_o="http://payload.cargocollective.com/1/0/4387/462240/Stout-goggin1of3_44_o.jpg" data-mid="14892577"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/Stout-goggin2of3_900.jpg" width="900" height="518" width_o="900" height_o="518" src_o="http://payload.cargocollective.com/1/0/4387/462240/Stout-goggin2of3_o.jpg" data-mid="14892583"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/Stout-goggin3of3_42_900.jpg" width="900" height="518" width_o="900" height_o="518" src_o="http://payload.cargocollective.com/1/0/4387/462240/Stout-goggin3of3_42_o.jpg" data-mid="14892585"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/Stout-goggin-photo1.jpg" width="670" height="459" width_o="2048" height_o="1404" src_o="http://payload.cargocollective.com/1/0/4387/462240/Stout-goggin-photo1_o.jpg" data-mid="10300310"  border="0" align="left"/&#62;



James Goggin Lecture
*Nominated for a 2011 Adobe Design Achievements Award (ADAA) in Print Communications.

A series of modular wall announcements for a lecture at CalArts by James Goggin (Practise), Design Director at the Chicago MCA. Each announcement consisted of 28 - 8.5" x 8.5" adhesive tiles.  The system consists of 41 individually designed tiles that once printed, were randomly mixed together and re-printed — allowing thousands of possible combinations. Once applied to the walls, the students of the institute were encouraged to remove and reapply the titles in undetermined configurations. The arrangements shown are inspired by mid-20th century cryptographic typesetting.

CalArts, 2011
Risograph, Color Laser, Xerox on adhesive contact sheets
59.5" x 34"


..............................................................................................................................................................................................................................................



&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/paranoid2_12.jpg" width="625" height="925" width_o="625" height_o="925" src_o="http://payload.cargocollective.com/1/0/4387/462240/paranoid2_12_o.jpg" data-mid="14893116"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/paranoid2.jpg" width="600" height="400" width_o="600" height_o="400" src_o="http://payload.cargocollective.com/1/0/4387/462240/paranoid2_o.jpg" data-mid="2087647"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/paranoid3.jpg" width="600" height="400" width_o="600" height_o="400" src_o="http://payload.cargocollective.com/1/0/4387/462240/paranoid3_o.jpg" data-mid="2087649"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/paranoid4.jpg" width="600" height="400" width_o="600" height_o="400" src_o="http://payload.cargocollective.com/1/0/4387/462240/paranoid4_o.jpg" data-mid="2087650"  border="0" align="left"/&#62; Paranoid Machines
Poster and display type design for a lecture examining gnostic mythologies of technology and paranoia as illustrated through the film Tron. The poster utilizes subtle clear gloss touches to connote paranoia throughout the work. 

* The typeface "Batterie" (used on the text: Jason Brown), was designed by Lee Schulz

Machine Project, LA/Brooklyn, 2009
3 color screen print
25” × 35”


..............................................................................................................................................................................................................................................


&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/dance.jpg" width="625" height="875" width_o="625" height_o="875" src_o="http://payload.cargocollective.com/1/0/4387/462240/dance_o.jpg" data-mid="14893063"  border="0" align="left"/&#62;4th Annual
Commuter Dance Festival
Stop. Go. Turn. Wrong Way.  The Commuter Dance Festival invites established dance troupes from Los Angels up to CalArts—it can be a bit of a commute.  For the design, I took inspiration from the bird's eye view of city traffic, using twisting typography, rules, and icons to allude to movement, traffic, and the systematic chaos of driving in Los Angeles.  The colors: shades of red and green refer to traffic lights that control the movement of the streets. 

CalArts, 2010
3 color screen print
24” × 35”


..............................................................................................................................................................................................................................................



&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/sun.jpg" width="650" height="978" width_o="650" height_o="978" src_o="http://payload.cargocollective.com/1/0/4387/462240/sun_o.jpg" data-mid="14893311"  border="0" align="left"/&#62;Sun
Sun is an abstract play based on a poem regarding the murder of Malcolm X.  All of the characters in the performance were either planets or scientists.  I created a large splotch in the center of the screen by shooting water via a pressure "gun" through the emulsion.  This "wound," eventually printed in day-glow orange, was then used to allude to the sun, thus the play revolves around the death of Malcolm X.   Crosshairs were added that speak both to the aiming device on gun and the grid of the monitors that display the moon terrain. 

CalArts, 2010
3 color screen print
24” × 35”


..............................................................................................................................................................................................................................................



&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/kersels.jpg" width="650" height="980" width_o="650" height_o="980" src_o="http://payload.cargocollective.com/1/0/4387/462240/kersels_o.jpg" data-mid="14893132"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/kersels-2.jpg" width="450" height="678" width_o="450" height_o="678" src_o="http://payload.cargocollective.com/1/0/4387/462240/kersels-2_o.jpg" data-mid="5590569"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/kersels-1.jpg" width="450" height="625" width_o="450" height_o="625" src_o="http://payload.cargocollective.com/1/0/4387/462240/kersels-1_o.jpg" data-mid="5590567"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/kersels-detail1.jpg" width="450" height="300" width_o="450" height_o="300" src_o="http://payload.cargocollective.com/1/0/4387/462240/kersels-detail1_o.jpg" data-mid="5590576"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/kersels-detail2.jpg" width="450" height="300" width_o="450" height_o="300" src_o="http://payload.cargocollective.com/1/0/4387/462240/kersels-detail2_o.jpg" data-mid="5590577"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/kersels-detail3.jpg" width="450" height="300" width_o="450" height_o="300" src_o="http://payload.cargocollective.com/1/0/4387/462240/kersels-detail3_o.jpg" data-mid="5590578"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/kersels-detail4.jpg" width="450" height="300" width_o="450" height_o="300" src_o="http://payload.cargocollective.com/1/0/4387/462240/kersels-detail4_o.jpg" data-mid="5590579"  border="0" align="left"/&#62;Martin Kersels
Artist Lecture
Standing at about 6' 4" and probably over 300lbs (hence a 'Big Boy'), artist Martin Kersels is known for his tragically comedic, almost slap-stick performative works.  Many of his works consist of objects (including himself or friends) being tossed and tumbled throughout the air that leaves an audience clenching their teeth while laughing.  

The design was displayed as a triptych.  By using a simple printing technique as rotating the poster paper during printing, I was able to achieve an effect showing a loosely animated sequence of the posters' contents spinning and in free-fall chaos, uncertain where the graphics would fall on the page.

CalArts, 2011
2 color screen print
21” × 30”


..............................................................................................................................................................................................................................................


&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/c-P-final.jpg" width="650" height="888" width_o="650" height_o="888" src_o="http://payload.cargocollective.com/1/0/4387/462240/c-P-final_o.jpg" data-mid="14893310"  border="0" align="left"/&#62;Crime &#38; Punishment
Poster design for a group exhibition featuring new graphic design work. The work explores formal connotations of authority and responds to architect Adolf Loos' 1908 essay, "Ornament and Crime."

CalArts, 2009
2 color screen print
23” × 30”


..............................................................................................................................................................................................................................................



&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/christian_900.jpg" width="900" height="552" width_o="900" height_o="552" src_o="http://payload.cargocollective.com/1/0/4387/462240/christian_o.jpg" data-mid="14894146"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/cargocollective-1.jpeg" width="670" height="446" width_o="670" height_o="446" src_o="http://payload.cargocollective.com/1/0/4387/462240/cargocollective-1_o.jpeg" data-mid="10300149"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/cargocollective-2.jpeg" width="350" height="525" width_o="350" height_o="525" src_o="http://payload.cargocollective.com/1/0/4387/462240/cargocollective-2_o.jpeg" data-mid="10300151"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/cargocollective-3.jpeg" width="350" height="525" width_o="350" height_o="525" src_o="http://payload.cargocollective.com/1/0/4387/462240/cargocollective-3_o.jpeg" data-mid="10300152"  border="0" align="left"/&#62;Christian Schwartz Lecture
Billboard sized announcement for a lecture by type designer, Christian Schwartz.  Designed in collaboration with Danae Moore.  

CalArts, 2010
Over 300 sheets of paper + Xerox

Extras special thanks goes out to the following for helping install this beast:  Chris Burnett, Jenée Jernigan, Matt King, Pierre Nguyen, and Christina Rodriguez.


..............................................................................................................................................................................................................................................




&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/palindrome.gif" width="650" height="1047" width_o="650" height_o="1047" src_o="http://payload.cargocollective.com/1/0/4387/462240/palindrome_o.gif" data-mid="14894164"  border="0" align="left"/&#62;Satan
Oscillate My
Metallic Sontas
Halloween palindrome flyer . 

CalArts, 2010
1 color
5" × 7”


..............................................................................................................................................................................................................................................




&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/SagePaisner.jpg" width="650" height="924" width_o="650" height_o="924" src_o="http://payload.cargocollective.com/1/0/4387/462240/SagePaisner_o.jpg" data-mid="14894002"  border="0" align="left"/&#62;This Does Not 
Belong to You
Poster design and lettering for art exhibition and lecture.

CalArts, 2010
3 color screen print
17” × 25”


..............................................................................................................................................................................................................................................




&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/webster.jpg" width="650" height="871" width_o="650" height_o="871" src_o="http://payload.cargocollective.com/1/0/4387/462240/webster_o.jpg" data-mid="14893533"  border="0" align="left"/&#62;Michael Webster
Poster design for sound artist lecture.

CalArts, 2010
1 color blue line + sticker
17” × 25”


..............................................................................................................................................................................................................................................



&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/showtime-final.jpg" width="650" height="975" width_o="650" height_o="975" src_o="http://payload.cargocollective.com/1/0/4387/462240/showtime-final_o.jpg" data-mid="14894001"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/showtime2.jpg" width="450" height="300" width_o="450" height_o="300" src_o="http://payload.cargocollective.com/1/0/4387/462240/showtime2_o.jpg" data-mid="2087677"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/showtime3.jpg" width="450" height="300" width_o="450" height_o="300" src_o="http://payload.cargocollective.com/1/0/4387/462240/showtime3_o.jpg" data-mid="2087680"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/showtime4.jpg" width="450" height="300" width_o="450" height_o="300" src_o="http://payload.cargocollective.com/1/0/4387/462240/showtime4_o.jpg" data-mid="2087681"  border="0" align="left"/&#62;Showtime at the Apocalypse

Grad. Project, 2009
Full color poster
18” × 26”


..............................................................................................................................................................................................................................................



&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/zack_900.jpg" width="900" height="731" width_o="900" height_o="731" src_o="http://payload.cargocollective.com/1/0/4387/462240/zack_o.jpg" data-mid="14894376"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/zach-klyen3.jpg" width="670" height="352" width_o="1008" height_o="530" src_o="http://payload.cargocollective.com/1/0/4387/462240/zach-klyen3_o.jpg" data-mid="2098028"  border="0" align="left"/&#62;Who's Who
Poster design for an art exhibition featuring twins who deconstruct childhood videos of themselves.

CalArts, 2010
2 color screen print, applied in multiples
12” × 23”


..............................................................................................................................................................................................................................................



&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/futureflyer-back.jpg" width="650" height="1005" width_o="650" height_o="1005" src_o="http://payload.cargocollective.com/1/0/4387/462240/futureflyer-back_o.jpg" data-mid="14894240"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/462240/futureflyer-front.jpg" width="650" height="1005" width_o="650" height_o="1005" src_o="http://payload.cargocollective.com/1/0/4387/462240/futureflyer-front_o.jpg" data-mid="14894236"  border="0" align="left"/&#62;Future Flyer
As formal exercise, I created a flyer for a lecture I might hold in 2050.  The work draws influence from an article on the discovery of a strain of immortal jellyfish, Genesis, and rebirth– themes that might be of interest to my work 40 years from now.


Grad. Project, 2009 
1 color poster 
11” × 17"




</description>
		
		<excerpt>          James Goggin Lecture *Nominated for a 2011 Adobe Design Achievements Award (ADAA) in Print Communications.  A series of modular wall announcements for a...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/0/4387/462240/prt_1364180582.gif" />

	</item>
		
		
	<item>
		<title> The Publications </title>
				
		<link>http://cargocollective.com/metaformstudio/The-Publications</link>

		<comments>http://cargocollective.com/metaformstudio/following/metaformstudio/The-Publications</comments>

		<pubDate>Mon, 16 Nov 2009 15:20:39 +0000</pubDate>

		<dc:creator>The MetaformStudio</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">149965</guid>

		<description>&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/mf-100.gif" width="100" height="100" width_o="100" height_o="100" src_o="http://payload.cargocollective.com/1/0/4387/149965/mf-100_o.gif" data-mid="5323318"  border="0" align="left"/&#62;









&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-1_18.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-1_18_o.jpg" data-mid="5307716"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-2.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-2_o.jpg" data-mid="5307680"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-3.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-3_o.jpg" data-mid="5307681"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-21.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-21_o.jpg" data-mid="5323203"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-5.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-5_o.jpg" data-mid="5307682"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-6.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-6_o.jpg" data-mid="5307683"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-7.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-7_o.jpg" data-mid="5307685"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-8.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-8_o.jpg" data-mid="5307686"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-9.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-9_o.jpg" data-mid="5307687"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-10.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-10_o.jpg" data-mid="5307688"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-11.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-11_o.jpg" data-mid="5307689"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-12.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-12_o.jpg" data-mid="5307690"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-13.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-13_o.jpg" data-mid="5307691"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-14.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-14_o.jpg" data-mid="5307693"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-15.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-15_o.jpg" data-mid="5307694"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-16.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-16_o.jpg" data-mid="5307695"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-17.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-17_o.jpg" data-mid="5307696"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-18.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-18_o.jpg" data-mid="5307698"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-19.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-19_o.jpg" data-mid="5307699"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/newspeak-20.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/newspeak-20_o.jpg" data-mid="5307700"  border="0" align="left"/&#62;NEWSPEAK: 
British Art Now
Exhibition catalog for Newspeak, a show of new British art held at the State Hermitage Museum in St Petersburg, Russia. The show is jointly presented by the Hermitage and the Saatchi Gallery, which will host an expanded version of the show in two parts during 2010.
   The catalog's design is influenced by the Orwellian title in addition to the story of Alexander Litvinenko, an ex-KGB officer turned British journalist and fatally poisoned for exposing corruption in modern day Russia.  The radioactive poison, Polonium, destroyed Litvinenko over the course of a month.  Therefore, a deliberate attempt was made to connote radioactivity, graphic-visual-typographic corruption, and decay throughout the book.

Approx. 130 pgs.
Full color + florescent green + day-glow inks
Designed in collaboration with Marcus Leis Allion at Barnbrook Design.
AD: Marcus Leis Allion // CD: Jonathan Barnbrook


.............................................................................................................................................................................................................................................................................


&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/1.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/1_o.jpg" data-mid="15120622"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/2_5.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/2_5_o.jpg" data-mid="15120619"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/3.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/3_o.jpg" data-mid="15120620"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/4.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/4_o.jpg" data-mid="15120621"  border="0" align="left"/&#62;Print Magazine: 
American Graphic 
Designers Family Tree
2 spreads I designed in collaboration with the Sudeshna Pantham in the March 2011 issue of PRINT magazine with guest art directors Counterspace. Our design was also repurposed throughout the issue, including the cover. 

The spreads show a "family tree" of American graphic designers, studios, and institutes. 




.............................................................................................................................................................................................................................................................................



&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/mix1.jpg" width="600" height="428" width_o="600" height_o="428" src_o="http://payload.cargocollective.com/1/0/4387/149965/mix1_o.jpg" data-mid="5325015"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/mix2.jpg" width="600" height="428" width_o="600" height_o="428" src_o="http://payload.cargocollective.com/1/0/4387/149965/mix2_o.jpg" data-mid="5325016"  border="0" align="left"/&#62;
MIX Magazine
Michael Worthington of Counterspace Design brought me on to curate and design a spread in this UK design magazine.  The article, written by Worthington, describes a resurgence in "fractured" or exploded lettering design among current graphic design students.

Full color
8.5” × 11.5”


.............................................................................................................................................................................................................................................................................



&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/PUB-13.jpg" width="600" height="500" width_o="600" height_o="500" src_o="http://payload.cargocollective.com/1/0/4387/149965/PUB-13_o.jpg" data-mid="5324623"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/PUB-1.jpg" width="600" height="500" width_o="600" height_o="500" src_o="http://payload.cargocollective.com/1/0/4387/149965/PUB-1_o.jpg" data-mid="5324611"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/PUB-6.jpg" width="600" height="500" width_o="600" height_o="500" src_o="http://payload.cargocollective.com/1/0/4387/149965/PUB-6_o.jpg" data-mid="5324615"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/PUB-2b.jpg" width="600" height="500" width_o="600" height_o="500" src_o="http://payload.cargocollective.com/1/0/4387/149965/PUB-2b_o.jpg" data-mid="5402521"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/PUB-3.jpg" width="600" height="500" width_o="600" height_o="500" src_o="http://payload.cargocollective.com/1/0/4387/149965/PUB-3_o.jpg" data-mid="5324612"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/PUB-4.jpg" width="600" height="500" width_o="600" height_o="500" src_o="http://payload.cargocollective.com/1/0/4387/149965/PUB-4_o.jpg" data-mid="5324613"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/PUB-5.jpg" width="600" height="500" width_o="600" height_o="500" src_o="http://payload.cargocollective.com/1/0/4387/149965/PUB-5_o.jpg" data-mid="5324614"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/PUB-7.jpg" width="600" height="500" width_o="600" height_o="500" src_o="http://payload.cargocollective.com/1/0/4387/149965/PUB-7_o.jpg" data-mid="5324616"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/PUB-8.jpg" width="600" height="500" width_o="600" height_o="500" src_o="http://payload.cargocollective.com/1/0/4387/149965/PUB-8_o.jpg" data-mid="5324617"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/PUB-9.jpg" width="600" height="500" width_o="600" height_o="500" src_o="http://payload.cargocollective.com/1/0/4387/149965/PUB-9_o.jpg" data-mid="5324618"  border="0" align="left"/&#62;.&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/PUB-10.jpg" width="600" height="500" width_o="600" height_o="500" src_o="http://payload.cargocollective.com/1/0/4387/149965/PUB-10_o.jpg" data-mid="5324619"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/PUB-11.jpg" width="600" height="500" width_o="600" height_o="500" src_o="http://payload.cargocollective.com/1/0/4387/149965/PUB-11_o.jpg" data-mid="5324621"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/PUB-12.jpg" width="600" height="500" width_o="600" height_o="500" src_o="http://payload.cargocollective.com/1/0/4387/149965/PUB-12_o.jpg" data-mid="5324622"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/PUB-14.jpg" width="600" height="500" width_o="600" height_o="500" src_o="http://payload.cargocollective.com/1/0/4387/149965/PUB-14_o.jpg" data-mid="5324624"  border="0" align="left"/&#62;PUB Magazine #3
PUB is a yearly publication covering contemporary graphic design. Shown here are a handful of spreads that I had direct involvement with the layout design.  I also designed the cover logo.

Art direction and design in collaboration with: Peter Kaplan, Lucy Cook, Christopher Morabito, 
and Jennifer Rider.

Full color + Black &#38; PMS 811U 
6” × 9” // 80 pages


.............................................................................................................................................................................................................................................................................



&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/zine10.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/zine10_o.jpg" data-mid="2086923"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/zine1.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/zine1_o.jpg" data-mid="2086924"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/zine2.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/zine2_o.jpg" data-mid="2086926"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/zine3.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/zine3_o.jpg" data-mid="2086927"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/zine4.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/zine4_o.jpg" data-mid="2086929"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/zine5.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/zine5_o.jpg" data-mid="2086935"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/zine6.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/zine6_o.jpg" data-mid="2086938"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/zine7.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/zine7_o.jpg" data-mid="2086941"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/zine8.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/zine8_o.jpg" data-mid="2086942"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/4387/149965/zine9.jpg" width="600" height="412" width_o="600" height_o="412" src_o="http://payload.cargocollective.com/1/0/4387/149965/zine9_o.jpg" data-mid="2086945"  border="0" align="left"/&#62;@ U 911 LMFAO
Zine containing celebrity “Tweets” taken verbatim from their official Twitter accounts combined with found imagery.  The publication addresses the permanence and often frivolousness of online publishing.  

Through juxtaposition and visual metaphors, a running 
commentary is conducted and delivered with a bit of sarcasm.

2 color book with die-cut pages
5” × 7.5” // 56 pages</description>
		
		<excerpt>          NEWSPEAK:  British Art Now Exhibition catalog for Newspeak, a show of new British art held at the State Hermitage Museum in St Petersburg, Russia. The...</excerpt>

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