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<channel>
	<title>johanna wattimena</title>
	<link>http://cargocollective.com</link>
	<description>johanna wattimena</description>
	<pubDate>Mon, 28 Jan 2013 21:11:08 +0000</pubDate>
	<generator>http://cargocollective.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Instanity: Thesis Project</title>
				
		<link>http://cargocollective.com/jwattimena/Instanity-Thesis-Project-1</link>

		<comments>http://cargocollective.com/jwattimena/following/jwattimena/Instanity-Thesis-Project-1</comments>

		<pubDate>Mon, 28 Jan 2013 21:11:08 +0000</pubDate>

		<dc:creator>johanna wattimena</dc:creator>
		
		<category><![CDATA[thesis, cornish, video]]></category>

		<guid isPermaLink="false">4867640</guid>

		<description> Instanity: the 21st century social epidemic


About Instanity (and the series):
Mobile technologies are doing more things than ever, faster than ever. They made our work more effective, with better quality. The time saved from using these tools should let us focus on more important things like spending time with the family, learning new things, or exploring the city. Yet we still see people giving more attention to their palm sized gadgets than to their surrounding. This is the basic reason why I chose this subject as my senior project. Either that, or it’s a way to defend my inability to instantly reply to emails, text messages, or to call back.

"Instanity" is Instant Insanity brought solely by the over-dependence to instant technology. For instance, when things started happening slower than the speed of 30kbps, people experiencing Instanity will have a hard time waiting. Another example, people with Instanity will feel awkward when left alone without their cell phone. Designers with Instanity will wish there were a ctrl-x button for life. While social media junkies will take "likes" and "hashtags" into conversational vocabularies.

That said, for the thesis project I decided to explore the many symptoms of Instanitiy, and package it into a series of videos. So, I began the writing process where simple ideas get bigger. I wrote more than 8 mini series, but went with just a couple. During the shoot and post production, I saw how some ideas fell apart on camera. I was pushed to come prepared to the shoot with shot list, reflectors, lights, sound, extra scripts and extra batteries. All the actresses I worked with had tight schedule, so room for creative, on-the-spot angles was small. Still, those shots are usually the ones that worked.

That's only half the story. Every year, Cornish College of The Arts have a big show called the BFA show. You guessed it, it is a show of the graduating Art and Design students' thesis projects. Through out the senior year, our professors and mentor would always remind us about the gallery setting of our final "presentation." Whatever we were working on has to translate well into a gallery setting. If you watch the Behind the Scene video, you will kinda see what my gallery space looked like. It is a giant youtube screen, spread out on two walls. It comes with 42" TV, a  like/dislike pin board (that was restructured as "i do/don't have Instanity" poll), a comment board (with chalk!), fake thumbnails of other videos in the series (which were played on a computer screen next to the TV). 

 &#60;img src="http://payload128.cargocollective.com/1/4/148060/4867640/Screen Shot 2013-01-28 at 7.03.54 PM_860.png" width="860" height="632" width_o="1406" height_o="1034" src_o="http://payload128.cargocollective.com/1/4/148060/4867640/Screen Shot 2013-01-28 at 7.03.54 PM_o.png" data-mid="26019620"  border="0" align="left"/&#62;

 Lady Forgets Her Baby 


 How to Boil Water 


Behind The Scenes and Credits


Produced, Written, Shot, Editted by Johanna Wattimena
Sound by Stephanie Ghozali and Minie Choi
Actress: Nichole Mejia, Jenna Vershen, Devi Nitiutomo, and Diamond Keener.</description>
		
		<excerpt> Instanity: the 21st century social epidemic   About Instanity (and the series): Mobile technologies are doing more things than ever, faster than ever. They made...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

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	</item>
		
		
	<item>
		<title>Posters</title>
				
		<link>http://cargocollective.com/jwattimena/Posters</link>

		<comments>http://cargocollective.com/jwattimena/following/jwattimena/Posters</comments>

		<pubDate>Wed, 21 Dec 2011 03:20:07 +0000</pubDate>

		<dc:creator>johanna wattimena</dc:creator>
		
		<category><![CDATA[posters]]></category>

		<guid isPermaLink="false">2488987</guid>

		<description>Below:
Two poster designs for string quartet, Odeon Quartet,
 for a concert at Cornish's very own Poncho Hall. 
Size: 11x17 inch
&#60;img src="http://payload9.cargocollective.com/1/4/148060/2488987/OdeonQuartetLands_860.jpg" width="860" height="664" width_o="2048" height_o="1582" src_o="http://payload9.cargocollective.com/1/4/148060/2488987/OdeonQuartetLands_o.jpg" data-mid="12550934"  border="0" align="left"/&#62;
&#60;img src="http://payload9.cargocollective.com/1/4/148060/2488987/OdeonQuartetVert_860.jpg" width="860" height="1328" width_o="2048" height_o="3164" src_o="http://payload9.cargocollective.com/1/4/148060/2488987/OdeonQuartetVert_o.jpg" data-mid="12550937"  border="0" align="left"/&#62;

Below:
Poster for Seattle Central Community College's Indonesian-Student Club. Size: 8.5x11
&#60;img src="http://payload9.cargocollective.com/1/4/148060/2488987/Seattle Central Absen_860.jpg" width="860" height="1112" width_o="2048" height_o="2650" src_o="http://payload9.cargocollective.com/1/4/148060/2488987/Seattle Central Absen_o.jpg" data-mid="12550969"  border="0" align="left"/&#62;

Below:
Fake ad for a fake tech-stress medicine. Part of my Instanity thesis project.
&#60;img src="http://payload9.cargocollective.com/1/4/148060/2488987/wattimena_johanna_860.jpg" width="860" height="1204" width_o="1500" height_o="2100" src_o="http://payload9.cargocollective.com/1/4/148060/2488987/wattimena_johanna_o.jpg" data-mid="26017801"  border="0" align="left"/&#62;</description>
		
		<excerpt>Below: Two poster designs for string quartet, Odeon Quartet,  for a concert at Cornish's very own Poncho Hall.  Size: 11x17 inch    Below: Poster for Seattle...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

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	</item>
		
		
	<item>
		<title>Resume</title>
				
		<link>http://cargocollective.com/jwattimena/Resume</link>

		<comments>http://cargocollective.com/jwattimena/following/jwattimena/Resume</comments>

		<pubDate>Thu, 17 Nov 2011 17:25:40 +0000</pubDate>

		<dc:creator>johanna wattimena</dc:creator>
		
		<category><![CDATA[Resume, Download]]></category>

		<guid isPermaLink="false">2312145</guid>

		<description>JOHANNA WATTIMENA
wattimenadesign(at)gmail.com
Click here to download .pdf



I am a motion designer focusing on video editing and type animation. I use the Adobe Creative Suite at advanced level. I am able to manage and work on video and animation projects from conception to production. With keen eyes and the ability to replicate different aesthetic qualities, i am a strong styleboarder. When working collaboratively, i am a positive source of energy.

Softwares:
Adobe After Effects:  advanced
Adobe Premiere:  advanced
Photoshop:  advanced
Illustrator:  advanced
InDesign:  advanced
Final Cut Pro: intermediate
Maya: advanced beginner

Achievements:
2008 Merit Scholarship Recipient
2009 Merit Scholarship Recipient
2010 Merit Scholarship Recipient
2010 City Arts Promotion for SIFF winner
2011 Entry in the Cornish 123 Design Show
2011-12 Kreielsheimer Foundation Scholarship
2012 Prized Winner of Painted Rug Design for Amazon's South Lake Union Campus

Experience:
Freelanced at Flying Food Company 2011
Interned at Karass Creative Spring 2012
Junior Creative at Karass Creative June 2012-Current

Education:
Graduated BFA of Motion Design from Cornish College of The Arts 2012



Click here to download resume</description>
		
		<excerpt>JOHANNA WATTIMENA wattimenadesign(at)gmail.com Click here to download .pdf    I am a motion designer focusing on video editing and type animation. I use the Adobe...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

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	</item>
		
		
	<item>
		<title>Non-Motion</title>
				
		<link>http://cargocollective.com/jwattimena/Non-Motion</link>

		<comments>http://cargocollective.com/jwattimena/following/jwattimena/Non-Motion</comments>

		<pubDate>Tue, 15 Nov 2011 16:34:05 +0000</pubDate>

		<dc:creator>johanna wattimena</dc:creator>
		
		<category><![CDATA[Poster, Product Packaging, Business Design]]></category>

		<guid isPermaLink="false">2311879</guid>

		<description>PRODUCT PACKAGING

Beringer Winery, Monster Chocolates, and Ina Garten Herbs and Spice Collection
&#60;img src="http://payload.cargocollective.com/1/4/148060/2311879/IMG_50162_2_860.jpg" width="860" height="1288" width_o="1880" height_o="2816" src_o="http://payload.cargocollective.com/1/4/148060/2311879/IMG_50162_2_o.jpg" data-mid="26018175"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5027.jpg" width="670" height="1003" width_o="1880" height_o="2816" src_o="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5027_o.jpg" data-mid="11606996"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5035_2.jpg" width="670" height="447" width_o="2048" height_o="1367" src_o="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5035_2_o.jpg" data-mid="11606998"  border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5053.jpg" width="670" height="447" width_o="2048" height_o="1367" src_o="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5053_o.jpg" data-mid="11607001"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5059.jpg" width="670" height="447" width_o="2048" height_o="1367" src_o="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5059_o.jpg" data-mid="11607003"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5064.jpg" width="670" height="1003" width_o="1880" height_o="2816" src_o="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5064_o.jpg" data-mid="11607008"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5088.jpg" width="670" height="1003" width_o="1880" height_o="2816" src_o="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5088_o.jpg" data-mid="11607010"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5093.jpg" width="670" height="1003" width_o="1880" height_o="2816" src_o="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5093_o.jpg" data-mid="11607013"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5097.jpg" width="670" height="1003" width_o="1880" height_o="2816" src_o="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5097_o.jpg" data-mid="11607014"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5112.jpg" width="670" height="1003" width_o="1822" height_o="2730" src_o="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5112_o.jpg" data-mid="11607015"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5119.jpg" width="670" height="1003" width_o="1880" height_o="2816" src_o="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5119_o.jpg" data-mid="11607016"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5130.jpg" width="670" height="1003" width_o="1880" height_o="2816" src_o="http://payload.cargocollective.com/1/4/148060/2311879/IMG_5130_o.jpg" data-mid="11607017"  border="0" align="left"/&#62;



PRINT

Posters and Business Card
&#60;img src="http://payload.cargocollective.com/1/4/148060/2311879/Seattle Central Absen.jpg" width="670" height="867" width_o="2048" height_o="2650" src_o="http://payload.cargocollective.com/1/4/148060/2311879/Seattle Central Absen_o.jpg" data-mid="11607037"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2311879/AnnouncementSONG WRITTING.jpg" width="670" height="502" width_o="2048" height_o="1536" src_o="http://payload.cargocollective.com/1/4/148060/2311879/AnnouncementSONG WRITTING_o.jpg" data-mid="11606992"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2311879/IMG_8088.JPG" width="670" height="1003" width_o="1880" height_o="2816" src_o="http://payload.cargocollective.com/1/4/148060/2311879/IMG_8088_o.JPG" data-mid="11607019"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2311879/IMG_8090.JPG" width="670" height="447" width_o="2048" height_o="1367" src_o="http://payload.cargocollective.com/1/4/148060/2311879/IMG_8090_o.JPG" data-mid="11607024"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2311879/IMG_8096.JPG" width="670" height="447" width_o="2048" height_o="1367" src_o="http://payload.cargocollective.com/1/4/148060/2311879/IMG_8096_o.JPG" data-mid="11607029"  border="0" align="left"/&#62;</description>
		
		<excerpt>PRODUCT PACKAGING  Beringer Winery, Monster Chocolates, and Ina Garten Herbs and Spice Collection     PRINT  Posters and Business Card </excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

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	</item>
		
		
	<item>
		<title>Videos</title>
				
		<link>http://cargocollective.com/jwattimena/Videos</link>

		<comments>http://cargocollective.com/jwattimena/following/jwattimena/Videos</comments>

		<pubDate>Tue, 08 Nov 2011 15:24:48 +0000</pubDate>

		<dc:creator>johanna wattimena</dc:creator>
		
		<category><![CDATA[Video, Interview, IFGF]]></category>

		<guid isPermaLink="false">2175639</guid>

		<description>Exploring Puget Sound aboard the Adventuress
 Exploring Puget Sound aboard the Adventuress from Karass Creative on Vimeo.
About the Adventuress:
Sound Experience envisions a future in which we all act as stewards of the Puget Sound and its treasured waters. By sharing adventures aboard the historic schooner Adventuress, Sound Experience seeks to educate, inspire, and empower an inclusive community — together, we can make a difference for the future of our magnificent marine environment.

Shot by Randall Statler and Nichole
Editted by Johanna Wattimena


FAITH: September '12 Sermon Series Teaser


About Faith:
We took the story of Peter walking on water, and animated it with rag dolls.

Produced by Devi Nitiutomo
Directed and Edited by Johanna Wattimena
Props and Dolls by Devi Nitiutomo
Effects by Ivan Reinaldi
Jesus Doll held by Dania Tanzil

Thanks to everyone who were willing to get wet with us!


I AM: November '12 Sermon Series Teaser


About I AM:
"I AM" is a no-budget, 1 week long, guerrilla production for IFGF Seattle Church. It is about the many qualities of God, being juxtaposed to our humanly incapabilities.

This was our first endeavor to create a fully scripted video. Before, due to the minimal equipments we own, we never consider creating anything that would need dialogues. If anything, voice-over will be our choice. Still, curiosity and impatience grows over time (especially if you've been making more than 5 videos with no voice). So we went ahead to shoot with sound recordings from a lecture-recorder, and lighted by a found, old-school over-head projector. The result is for you to decide.. (But for me, never again will I record without a legit microphone)

Written by William Sutanto, 
Directed and Editted by Johanna Wattimena, 
Text animation by Lauwrentius Margetan, 
Produced by Devi Nitiutomo, 
Actress June Ho, 
Crew Julia Tu and Dania Tanzil.

UNMASKED: Preaching Series Video


Written by Devi Nitiutomo
Directed and Shot by Johanna Wattimena
Editted by Lauwrentius Margetan
The Masked Man is Sebastian Setio

LANGUAGES OF LOVE: Preaching Series Video 


About the Languages of Love:
"We only have a week to do this, guys! I'm so sorry, Devi's (our awesome producer/project manager who left Seattle for a job in New York) hat doesn't fit on my small head..!" I said on a meet-up invite I sent to the team. For half a year, I've worked with Devi from concept to production. She handled all the logistics, so I could swim in the deep creative ocean. When she left, I had to fill her spot and wear two different shoes at the same time (one that doesn't quite fit). 

On this project, I collaborated closely with Margetan to get five snippets of each languages of love. The brain storming took a little more than an hour, but we pound the concept hard. We want to stray from the "lovey-dovey" air of february, and push towards comedy. And that's what we did.

As per the last video, we chose not to use dialogues (no matter how tempting it is, the thought of bad sound quality sends the idea to the grave). So, the end result is 5 videos, shown every sunday, highlighting one of the five languages of love that will be preached the next sunday.

John: Ray Wawolangi
Jim: David Liem
Narrator: Timotius Petrus

Story by Lauwrentius Margetan
Written, Directed, Editted by Johanna Wattimena
Camera: Sebastian Setio
Crew: Julia Tu

TRIP TO BAINBRIDGE ISLAND : Video journal


About the Video Journal:
Here's a no-rig, no mic situation. I was out with friends one summery saturday, and we decided to catch the ferry to the neighboring island: Bainbridge. With a borrowed camera in hand, I strolled the street backwards while filming my friends chatting, laughing and enjoying our time together.

CITY ART'S Spot for SIFF
 City Arts promotional for SIFF 2010 from johanna wattimena on Vimeo.
About The City Arts Spot:
This was part of a competition by City Arts to make an ad for the magazine. The three winners of the competition will have their work shown in the beginning of every movies in the Seattle International Film Festivals. I had the privilege to saw mine in the big screen in the SIFF Opening Night Gala (yes, we won!). My team mate, Connor, and I decided to feature the real artists of Seattle: an art student sketching the Puget Sound, street musicians of Pike Place Market and Pioneer Square, and the talented break dancer from Lynwood (who were kind enough to dance in the rain, while Connor shot from the top of his truck and I hold the umbrella while he danced). 

PROJECT GENEROUS

(1/2)



(2/2)

About Project Generous:
There are times when a word has been such a cliche that there is no need to put much thinking into it. One of those words are "generosity." Most often, we connect the word  with giving money to the poor. But there is much more to the word than just giving alms. This is a video series was made to see what people think about Generosity, and to encourage them to go deeper into its implication to their personal life. So, there I was, with a camera in my hand, a Seinheizer sound recorder, and a list of questions, going to random places, interviewing Seattleites. The project ended with my satisfied heart, knowing that a kind, generous heart, can touch people and can bring the best out of people.</description>
		
		<excerpt>Exploring Puget Sound aboard the Adventuress  Exploring Puget Sound aboard the Adventuress from Karass Creative on Vimeo. About the Adventuress: Sound Experience...</excerpt>

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		<media:thumbnail url="http://payload.cargocollective.com/1/4/148060/2175639/prt_1359430296.png" />

	</item>
		
		
	<item>
		<title>App UI Design</title>
				
		<link>http://cargocollective.com/jwattimena/App-UI-Design</link>

		<comments>http://cargocollective.com/jwattimena/following/jwattimena/App-UI-Design</comments>

		<pubDate>Tue, 08 Nov 2011 15:24:45 +0000</pubDate>

		<dc:creator>johanna wattimena</dc:creator>
		
		<category><![CDATA[App, Animation, Motion]]></category>

		<guid isPermaLink="false">2203766</guid>

		<description>News, as factual as we'd like to see it, is more polarized than we realize. One broadcasting company's view will differ from another due to, say, the interest of their investors, the benefits of their business connections, and more importantly, the company's very own set of political and social values. For example, the news you'll get from ABC News about a conflict in Israel will sound slightly different if you hear it from Haaretz. For one, the American news source will ask if President Obama will do anything about it, or if The United Nations has done anything to prevent a war to break out. While, from an Israeli news source, readers will read more about the death, the government's tactics, or even hear interviews by dozens of locals.

World On, my prototype iPad App, allows news readers, to pick and choose which news source they'd like to read from, based on  the timeliness of the news, the location of the news, or the importance of the news. 




screen shots
&#60;img src="http://payload.cargocollective.com/1/4/148060/2203766/03_OpeningPage3.jpg" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload.cargocollective.com/1/4/148060/2203766/03_OpeningPage3_o.jpg" data-mid="11667615"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2203766/04_SelectCountry1.png" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload.cargocollective.com/1/4/148060/2203766/04_SelectCountry1_o.png" data-mid="11667616"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2203766/05_ReadNews2.png" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload.cargocollective.com/1/4/148060/2203766/05_ReadNews2_o.png" data-mid="11667619"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2203766/05_ReadNews4.png" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload.cargocollective.com/1/4/148060/2203766/05_ReadNews4_o.png" data-mid="11667620"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2203766/06_TagNews.png" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload.cargocollective.com/1/4/148060/2203766/06_TagNews_o.png" data-mid="11667621"  border="0" align="left"/&#62;

process
&#60;img src="http://payload.cargocollective.com/1/4/148060/2203766/Screen shot 2011-11-17 at 11.59.53 AM.png" width="670" height="490" width_o="946" height_o="692" src_o="http://payload.cargocollective.com/1/4/148060/2203766/Screen shot 2011-11-17 at 11.59.53 AM_o.png" data-mid="11667713"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2203766/Screen shot 2011-11-17 at 12.00.02 PM.png" width="664" height="673" width_o="664" height_o="673" src_o="http://payload.cargocollective.com/1/4/148060/2203766/Screen shot 2011-11-17 at 12.00.02 PM_o.png" data-mid="11667714"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2203766/Screen shot 2011-11-17 at 11.58.47 AM.png" width="670" height="491" width_o="970" height_o="711" src_o="http://payload.cargocollective.com/1/4/148060/2203766/Screen shot 2011-11-17 at 11.58.47 AM_o.png" data-mid="11667711"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/148060/2203766/Screen shot 2011-11-17 at 11.59.17 AM.png" width="670" height="475" width_o="932" height_o="661" src_o="http://payload.cargocollective.com/1/4/148060/2203766/Screen shot 2011-11-17 at 11.59.17 AM_o.png" data-mid="11667712"  border="0" align="left"/&#62;</description>
		
		<excerpt>News, as factual as we'd like to see it, is more polarized than we realize. One broadcasting company's view will differ from another due to, say, the interest of...</excerpt>

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		<media:thumbnail url="http://payload.cargocollective.com/1/4/148060/2203766/prt_1321396617.png" />

	</item>
		
		
	<item>
		<title>Animations</title>
				
		<link>http://cargocollective.com/jwattimena/Animations</link>

		<comments>http://cargocollective.com/jwattimena/following/jwattimena/Animations</comments>

		<pubDate>Tue, 08 Nov 2011 15:24:43 +0000</pubDate>

		<dc:creator>johanna wattimena</dc:creator>
		
		<category><![CDATA[Animation, AE, Cornish]]></category>

		<guid isPermaLink="false">2175671</guid>

		<description>OWLFONSE: the preview
 Owlfonse preview from Karass Creative on Vimeo.
This project is part of my work as a freelance in Karass Creative. I was given the task of creating one personal project, and I chose to undertake this big animation project.

Written by Rob Dalton
Voice by Margaret
Recordings by Randall Statler
Design and Animation by Johanna Wattimena


SINS PIG OUT


About Sins Pig Out:
A class assignment in Type Animation with Andi Rusu at Cornish College of The Arts. The assignment was to illustrate the 7 Deadly Sins. I chose to use the Monty Phython look: satirical, colored 18th Century illustrations, and goofy, dramatic classical music. Pigs became an over-arching personification of the sins. This assignment turned out to be one of the most time consuming projects in school; considering the time consuming thinking process (I played with different ideas for more than 2 week, and finally decided on a style and a story line), all the assets to design, clean up and animate. 


LITTLE RED


About Little Red:
Another class assignment in Cornish pushed me to learn the intricate nature of Stop-Motion animation. We were asked to chose a fairy tale to work with, and so I chose to recreate the tale of The Little Red Riding Hood. I designed and made the Little Red doll with wired paper mache, and clothed her with a red cape made out of news paper.


BIBLE SALES


About Bible Sales:
In class we were given a sound bite from the movie "O Brother Where Art Thou." I transcribed the sound file, charted its peaks and lows, found out what the words meant and what actually happened in the scene (that I have yet to watch). It is important for me to convey the style of the movie: Old timey, 1930s deep south, funny adventures. Therefore, I used the movie's chosen Typeface (Brothers), and continue that distressed, worn paper look into the animation.


TASTE AND SEE


About Taste and See:
This is one of the many videos I made for my church: IFGF Seattle. The month's preaching was about tasting and seeing God's great work in our lives. I asked fellow church members to write or draw their life's blessings, and include them into the video. When making videos for any organizations, I find it most appealing to see the real people of that community. They are the face of that organization, and those faces tell better stories than the most compelling words I can come up with.


Sight Surprise: First AE Animation Ever


About Sight Surprise:
I feel like this project, no matter how cheesy and simply made it was, needs to be show in this site. It is my first After Effects animation in school, and it was the beginning of my long journey with this all-can-do software. All the animation assets are hand-drawn, colored with pastels, scanned and cleaned up in photoshop before I brought it to After Effects. What made this project a success was my friend's comment on Facebook after I posted it online: "I just had the worst day of my life, and watching your video made me so calm and happy." Then I knew, I want to do this line of work to bring inspiration, hope, even (I dare say) a change.</description>
		
		<excerpt>OWLFONSE: the preview  Owlfonse preview from Karass Creative on Vimeo. This project is part of my work as a freelance in Karass Creative. I was given the task of...</excerpt>

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		<media:thumbnail url="http://payload.cargocollective.com/1/4/148060/2175671/prt_1319060215.png" />

	</item>
		
		
	<item>
		<title>WELCOME!</title>
				
		<link>http://cargocollective.com/jwattimena/WELCOME</link>

		<comments>http://cargocollective.com/jwattimena/following/jwattimena/WELCOME</comments>

		<pubDate>Tue, 25 Oct 2011 15:16:40 +0000</pubDate>

		<dc:creator>johanna wattimena</dc:creator>
		
		<category><![CDATA[reel, motion]]></category>

		<guid isPermaLink="false">2203734</guid>

		<description>

My 2010-2012 Reel is coming soon! In the mean time, check out my 2010-2011 Reel. Works range from video to stop motion. Contact: wattimenadesign(at)gmail.com</description>
		
		<excerpt>  My 2010-2012 Reel is coming soon! In the mean time, check out my 2010-2011 Reel. Works range from video to stop motion. Contact: wattimenadesign(at)gmail.com</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/4/148060/2203734/prt_1319572408.png" />

	</item>
		
	</channel>
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