http://cargocollective.com ftjelly Fri, 12 Apr 2013 14:44:11 +0000 http://cargocollective.com en http://www.ftjelly.com/Square-Vision-1 http://www.ftjelly.com/following/ftjelly.com/Square-Vision-1 Fri, 12 Apr 2013 14:44:11 +0000 ftjelly 5392076 http://www.ftjelly.com/Production_2013 http://www.ftjelly.com/following/ftjelly.com/Production_2013 Wed, 10 Apr 2013 18:00:00 +0000 ftjelly 5381806 Directed by Lu Sisi Commissioned by Haizhen Wang DP Saimawn Si Shen Music by [UPLUS] Jewellry by Maria Piana Model Laura Beth Dean Directed by Lu Sisi Commissioned by Haizhen Wang DP Saimawn Si Shen Music by [UPLUS] Jewellry by Maria Piana Model Laura Beth Dean http://www.ftjelly.com/UPLUS http://www.ftjelly.com/following/ftjelly.com/UPLUS Sat, 09 Feb 2013 02:11:23 +0000 ftjelly 4948353 Haizhen Wang at London Fashion Week AW13 Soundtrack design Length: 15'30'' Haizhen Wang at London Fashion Week AW13 Soundtrack design Length: 15'30'' http://www.ftjelly.com/Awards-Press http://www.ftjelly.com/following/ftjelly.com/Awards-Press Thu, 04 Oct 2012 20:01:00 +0000 ftjelly 4201059 2013 Sky Arts Ignition: Futures Fund winners / UK 2013 The Film Skillet Winter Contest / Finalist / USA 2011 New York Festivals - Television & Film Awards - Gold World Medal / USA 2011 Creative Review Graduate special / One to watch / UK 2011 Creative Review / CR's Pick of D&AD New Blood / UK 2011 The Telfer Gallery / Installation / Performance / UK 2011 D&AD New Blood Exhibition / UK 2010 thisiscentralstation.com Book / UK 2010 Glasgow Short Film Festival / UK 2010 Brussels Short Film Festival / Belgium 2010 Geauga International Film Festiva / USA All content © 2012 by Lu-Sisi 2013 Sky Arts Ignition: Futures Fund winners / UK 2013 The Film Skillet Winter Contest / Finalist / USA 2011 New York Festivals - Television & Film Awards - Gold... http://www.ftjelly.com/The-Darkest-Planet http://www.ftjelly.com/following/ftjelly.com/The-Darkest-Planet Mon, 09 Jul 2012 05:00:34 +0000 ftjelly 3705616 The darkest planet is detected in the galaxy The darkest planet is called Coal-Black The darkest planet is a mystery Credit by ftjelly & Link Lee All content © 2012 by Lu-Sisi The darkest planet is detected in the galaxy The darkest planet is called Coal-Black The darkest planet is a mystery Credit by ftjelly & Link Lee All content ©... http://www.ftjelly.com/About http://www.ftjelly.com/following/ftjelly.com/About Sat, 07 Apr 2012 20:46:34 +0000 ftjelly 3161116 Moving Image / Design / Compose / PerformanceLondon / Glasgow / Beijing Contact：ftjelly@gmail.com Featured Work Stills <img src="http://payload43.cargocollective.com/1/6/216678/3161116/469640_10150946932458374_140487836_o.jpeg" width="670" height="357" width_o="1701" height_o="907" src_o="http://payload43.cargocollective.com/1/6/216678/3161116/469640_10150946932458374_140487836_o_o.jpeg" data-mid="22108975" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/6/216678/3161116/202011-08-072023.32.51_o.png" width="670" height="418" width_o="1440" height_o="900" src_o="http://payload43.cargocollective.com/1/6/216678/3161116/202011-08-072023.32.51_o_o.png" data-mid="22108965" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/6/216678/3161116/building 1.jpg" width="670" height="285" width_o="1920" height_o="818" src_o="http://payload43.cargocollective.com/1/6/216678/3161116/building 1_o.jpg" data-mid="22968197" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/6/216678/3161116/2.png" width="670" height="283" width_o="894" height_o="378" src_o="http://payload43.cargocollective.com/1/6/216678/3161116/2_o.png" data-mid="22109294" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/6/216678/3161116/Comp 2 0.00.00.00.jpg" width="670" height="285" width_o="1280" height_o="546" src_o="http://payload43.cargocollective.com/1/6/216678/3161116/Comp 2 0.00.00.00_o.jpg" data-mid="22118171" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/6/216678/3161116/478502_10150921475758374_193794272_o.jpeg" width="670" height="189" width_o="1802" height_o="511" src_o="http://payload43.cargocollective.com/1/6/216678/3161116/478502_10150921475758374_193794272_o_o.jpeg" data-mid="22108970" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/6/216678/3161116/Lu20Sisi_25mm20still_6_o.png" width="670" height="244" width_o="1301" height_o="474" src_o="http://payload43.cargocollective.com/1/6/216678/3161116/Lu20Sisi_25mm20still_6_o_o.png" data-mid="22108986" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/6/216678/3161116/456345_10150946933098374_165919090_o.jpeg" width="670" height="375" width_o="1701" height_o="953" src_o="http://payload43.cargocollective.com/1/6/216678/3161116/456345_10150946933098374_165919090_o_o.jpeg" data-mid="22108995" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/6/216678/3161116/2_o.jpeg" width="670" height="188" width_o="1920" height_o="540" src_o="http://payload43.cargocollective.com/1/6/216678/3161116/2_o_o.jpeg" data-mid="22109010" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/6/216678/3161116/Lu20Sisi_846_Ads_stills_8_o.png" width="670" height="277" width_o="975" height_o="404" src_o="http://payload43.cargocollective.com/1/6/216678/3161116/Lu20Sisi_846_Ads_stills_8_o_o.png" data-mid="22109047" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/6/216678/3161116/Screen Shot 2012-10-05 at 01.48.10.png" width="670" height="279" width_o="1217" height_o="507" src_o="http://payload43.cargocollective.com/1/6/216678/3161116/Screen Shot 2012-10-05 at 01.48.10_o.png" data-mid="22109260" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/6/216678/3161116/5_o.jpeg" width="670" height="188" width_o="1920" height_o="540" src_o="http://payload43.cargocollective.com/1/6/216678/3161116/5_o_o.jpeg" data-mid="22109055" border="0" align="left"/>All content © 2012 by Lu-Sisi Moving Image / Design / Compose / PerformanceLondon / Glasgow / Beijing Contact：ftjelly@gmail.com Featured Work Stills All content © 2012 by Lu-Sisi http://www.ftjelly.com/846_Ads http://www.ftjelly.com/following/ftjelly.com/846_Ads Wed, 04 Apr 2012 13:46:15 +0000 ftjelly 3142980 This project is a continuation of 'Digital Analogue' an earlier exploration of the shift from the age of the analogue to that of the digital. '846_Ads' expands this further into the area of print, blending live footage of the Heidelberg in action with instructions found in the machine's manual. The sound for this was constructed using original samples of the machine that I recorded in the caseroom and then edited to create the illusion of industrial space. In some ways there is a clash between the audio with its industrial connotations and the footage coupled with its digital projection. '846_Ads' is a digital reflection upon an era gone by. All content © 2012 by Lu-Sisi This project is a continuation of 'Digital Analogue' an earlier exploration of the shift from the age of the analogue to that of the digital. '846_Ads' expands... http://www.ftjelly.com/Tempo-25mm http://www.ftjelly.com/following/ftjelly.com/Tempo-25mm Wed, 04 Apr 2012 13:42:20 +0000 ftjelly 3142963 This stopmotion animation is an iteration of my working process, in which I create the audio and the visuals simultaneously. The images are abstracted to relate to the process of how I create sound, in that in music, a sample is created and then edited and sampled again. I wanted to share a technical connection between how I create sound and visuals. The mechanical aspect of the machines is kept and enhanced to contrast the age of the machines with that of the digital projection. Rize Up_2001: A Space Odyssey. All content © 2012 by Lu-Sisi This stopmotion animation is an iteration of my working process, in which I create the audio and the visuals simultaneously. The images are abstracted to relate... http://www.ftjelly.com/Performance http://www.ftjelly.com/following/ftjelly.com/Performance Tue, 20 Mar 2012 15:01:23 +0000 ftjelly 3043040 <img src="http://payload37.cargocollective.com/1/6/216678/3043040/469640_10150946932458374_140487836_o.jpeg" width="670" height="357" width_o="1701" height_o="907" src_o="http://payload37.cargocollective.com/1/6/216678/3043040/469640_10150946932458374_140487836_o_o.jpeg" data-mid="18553245" border="0" align="left"/> Colour Deaf offered audiences an alternative experience in visual art and live music through installation art and sonic design. Their concepts pushed the boundaries of current sonic and visual interaction by introducing the element of audience participation that is not normally applied in a live performance environment. The aim of this project was to create a total artwork that encourages the viewer to interact with the exhibition/performance, ultimately testing the parameters of audience interaction and artist performance. A conceptual orchestra of new media was conducted by the audience: with visual projections; electronic audio; and the audience interaction acting as instruments - controlling their experience and commitment they have to their relationship/engagement with the artwork. The climax of this conceptual karaoke was accompanied by a live performance alongside moving visual, and live feed of the audience, where the audience indirectly became participants, as they reacted to the energetic performance and the sounds and visuals created. <img src="http://payload37.cargocollective.com/1/6/216678/3043040/456345_10150946933098374_165919090_o.jpeg" width="670" height="375" width_o="1701" height_o="953" src_o="http://payload37.cargocollective.com/1/6/216678/3043040/456345_10150946933098374_165919090_o_o.jpeg" data-mid="18553237" border="0" align="left"/><img src="http://payload37.cargocollective.com/1/6/216678/3043040/470536_10150946932818374_1719065397_o.jpeg" width="670" height="361" width_o="1701" height_o="918" src_o="http://payload37.cargocollective.com/1/6/216678/3043040/470536_10150946932818374_1719065397_o_o.jpeg" data-mid="18553247" border="0" align="left"/><img src="http://payload37.cargocollective.com/1/6/216678/3043040/416624_10150946932718374_1381591099_o.jpeg" width="670" height="361" width_o="1701" height_o="918" src_o="http://payload37.cargocollective.com/1/6/216678/3043040/416624_10150946932718374_1381591099_o_o.jpeg" data-mid="18553236" border="0" align="left"/><img src="http://payload37.cargocollective.com/1/6/216678/3043040/178761_10150946932953374_859224289_o.jpeg" width="670" height="361" width_o="1701" height_o="918" src_o="http://payload37.cargocollective.com/1/6/216678/3043040/178761_10150946932953374_859224289_o_o.jpeg" data-mid="18553232" border="0" align="left"/> All content © 2012 by Lu-Sisi Colour Deaf offered audiences an alternative experience in visual art and live music through installation art and sonic design. Their concepts pushed the... http://www.ftjelly.com/Digital-Analogue http://www.ftjelly.com/following/ftjelly.com/Digital-Analogue Mon, 19 Mar 2012 11:33:58 +0000 ftjelly 3034614 Since the introduction of digital technology the relationship between camera and photographer has altered dramatically. Speed and accessibility have come at the expense of mystery, intimacy and tactility - qualities exclusive to analogue photography. Initially, and in reaction to this cultural atrophy, I composed a piece of music made entirely from sounds that I had recorded from a collection of antique cameras. Constructed using the digital composition software Reason, this piece carried a strong hip hop feel and seemed to connect past with future technologies. To accompany this track I created a video response that captured traditional, analogue techniques yet also had a strong contemporary theme. This short film is made entirely with stop motion animation, with over six thousand still photos shot and then edited together. The cameras are literally ‘brought to life’ here, while image composition and lighting is as carefully considered in each video frame as they would be for individual photo shots. 2011 New York Festivals - Television & Film Awards - Gold World Medal / USA All content © 2012 by Lu-Sisi Since the introduction of digital technology the relationship between camera and photographer has altered dramatically. Speed and accessibility have come at the...