You can order prints of artworks from all projects on this site. For works that have been used on record covers, you may order with or without the text. Prints are giclée fine art prints using archival inks and are usually made at either 50cm or 100cm square, but other sizes are possible.
Please email one@optigram.net for a precise quote, specifying the size of print you would like, which work(s), and the country you live in. As prints are made to order please allow between two to four weeks for delivery. The following prices are offered as a guide only and do not include postage:
1st print:
100cm, £200
50cm, £120
Additional prints:
100cm, £180 each
50cm, £100 each
An overview of how work shown elsewhere on this site has appeared on record sleeves and book covers. See the individual project folders for the originals and for other related pieces.
With thanks to Steve Goodman, Marcus Scott, Mark Pritchard, James Burton, Lionel Skerratt, Alex Wilson, Mike Paradinas, Piers Martin, Tommi Grönlund, Jason Goz and Alex Pilkington.
We are destined to repeat the same mistakes... again, and again.
The fourth panel was used on the cover of the Kode9 & The Spaceape album, Black Sun. The preceding three images were made for the Optigram exhibition at the 2011 Unsound Festival.
The eighties science and science fiction magazine, Omni, has been a longtime inspiration, as has commercial erotic art.
Some illustrations have been used on the Citinite releases by Gosub, Watchers from the Black Universe and The Last Time..., and on the LD extended player, Electric. Also included is an image used on the cover of the Citinite compilation, Some Walk By Nite.
Some work here uses waves of shifting tones to investigate changes in colour dominance, whilst other pieces employ subtle displacement to create optical effects.
The Supremacy project was started as a result of a commission for Harmonic 313’s Battlestar single on Warp. Work has since also appeared on the Citinite extended player, Fast Life by Drive Me Home, and on the Hyperdub singles, Hylo by LV & Quarta 300, and Bellion by Ill Blu.
This project was for use on releases by DVA on Hyperdub; his album Pretty Ugly and the accompanying single, Polyphonic Dreams. It is thematically similar to previous work created for the DJ Nate album released by Planet Mu, Da Trak Genious, a version of which is shown here.
Patterns used for camouflage and deception have become part of an urban visual language disconnected from their original purpose. Whilst most patterns are intended to conceal, some are designed to confuse.
Disruptive work has been created for Hyperdub’s compilation album, 5, and Steve Goodman’s book, Sonic Warfare: Sound, Affect, and the Ecology of Fear, published by MIT Press.
Exploring the interplay of gradients against each other, often using incremental rotation and repetition.
Work from the Gradius project has been used on Ikonika’s album for Hyperdub, contact, love, want, have, Harmonic 313’s album, When Machines Exceed Human Intelligence, released on Warp, a Kode9 vs Martyn mix album released in Japan, and in the Red Bull Music Academy newspaper, Daily Note.
Creating depth and a sense of space whilst using a limited colour palette.
Fields work has been used on Harmonic 313’s Dirtbox single released on Warp, the Terror Danjah single You Make Me Feel released on Hyperdub, and for a Citinite x LuckyMe event.
Yoni is a Sanskrit word that means “origin of life” or “sacred space”. The original meaning of yoni was “divine passage”. As a stylized representation of the female genitalia, in Hinduism yonis are a sign of generative power.
The Yonospheres project was initiated for Ikonika’s Sahara Michael single on Hyperdub but has also been used on other projects, including a single by Villa Nah.
Two-dimensional marks dreaming of a three-dimensional world.
Work here includes the ? single by Mark Pritchard, elements used for the I’m That Alley single by Sweat.X, released on Citinite, and a logo concept for Villa Nah.
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