Matthew Wilcock
About:
Sound designer, sound editor, composer, mixer.
Works @ Zelig Sound.
Available for long-form TV / Film and game sound designer / editor, composer.

Credits:

Art:

"The 360 Project: Krump 360 & Ballet 360", 2011: Music composition, sound design. (Add. music for Ballet 360, Aleah Morrison)

Commercial / TV:

McVities: "Quirks, Falling Commercial", 2012: Sound edit, sound design, music direction, music production, tracklay.
Channel 4: "Everyone's Talking About", 2012: Programme open, stings, break bumpers, numbers. Music, sound design, sound edit, broadcast mix.
Magic Channel: "World's Greatest Party Classics", 2012: Programme open, stings, break bumpers, numbers. Music, sound design, sound edit, broadcast mix.
America's Cup 2013 Magazine Show PackageSound edit, sound design. Co-composer score. Tracklay, final mix supervision 30s. Mix for all TV package assets.
Kiss Channel: "Party Tonight", 2011: Programme open, stings, break bumpers. Music, sound design, sound edit, broadcast mix.
"Saucy Fish" TV Commercial, 2011: Sound edit, music edit, mix and master for broadcast
MTV "This Week's Top 20", 2011: Programme open, stings, break bumpers. Music, sound design, sound edit, broadcast mix.
MTV "No. 1s Month", 2011: Programme open, stings, break bumpers. Music, sound design, sound edit, broadcast mix.
Orange British Academy Film Awards, 2011: Music, award stings. Composer.
Barnabus "Spare change", 2011: Sound edit, TV mix.
Imperial War Museum, "Correspondent" 2011: Sound edit, score-mix, cinema tracklay.
Orange British Academy Film Awards, 2010: Music, award stings. Composer.
RTE "Pinata" Channel 30s Indent, 2010: Sound edit, sound design, mix, co-composer w/ Aleah Morrison.
MTV "Your Favourite Video", 2010: Programme open, stings, break bumpers. Music edit, sound design, sound edit, broadcast mix.
Nickelodeon "PSP sponsorship" bumpers, 2010: Sound edit, sound design, composer, TV mix.
Tote Sport TV commercial, 2010: Sound edit, sound design, TV mix.

Games:

The Official NASCAR Game Full Length Trailer, 2010: Sound edit, sound design, mix.
The Official NASCAR Game US TV commercial re-edits, 2011: Sound edit, sound design, broadcast mix.

Drama / Narrative:

"Myra", 2011, Dir. Dan K Smyth (15mins): Sound edit, dialogue edit, ADR, score mix, score sound design, re-recording mix. BAFTA, 2012 longer listed, Raindance Film Festival, Aesthetic Film Festival.

"Like a Kid in a Sweetshop" (ft. John Hurt), 2011 (8mins): Sound edit, sound design, score mix. (Audio section) Binaural recoding, binaural processing, dialogue edit, sound design, sound edit.

"Fear My Kingdom", 2011, Dir. Bjoern Ruehmann (25mins). Sound editor.

"Every Good Boy Looks Fine", 2010, Dir. Dan K Smyth (13mins), Vision+Media, UK Film Council Funded: Sound edit, dialogue edit, score mix, re-recording mix.

"The Mess Hall Of An Online Warrier", 2009, Dir. Dan K Smyth (8mins): Sound edit, dialogue edit, score mix, re-recording mix. Cannes Coupe de Cour award, South by South West Official Selection.

Branding:

SPOV showreel, 2012: Sound edit, sound design, score mix, mix.
One: "Free from Famine", 2011: Sound edit, sound design, co-composer score.
Black Ocean "Incubation", 2011: Sound design, sound edit, composition score.
Black Ocean indent, 2011: Sound design, sound edit, sonic branding.
Recorders exhibition promo, web commercial, 2011: Sound edit, sound design, composition.
Mackmyra, "Vit Hund", online commercial 2011: Sound design, sound edit, composition score.
Mackmyra, "Extra Rok", online commercial 2011: Sound design, sound edit, composition score.
Chivas Regal "J&J", China, 2011Sound edit, sound design, co-composer score, mix.

Exhibition:

Chopin Museum, Warsaw, 2010: Multiple exhibition videos, sound edit, sound design, dialogue edit, historical recreations.
Jewish Museum, London, 2010: Multiple exhibition enviroments, sound edit, sound design, dialogue edit, historical recreations.

Wants:
To experiment with sound design and music. Sound edit intricately, delicately and loudly. Mix subtly, intricately and with passion.

More microphones to play with, more Kyma time, more processing, more outboard, more recording, more machines and clicks.

Views:
Have one of the best views over London, love the view over Manhattan. The view from space would sound nice too.

talk to me at: matt@zeligsound.com