Running on
Cargo
James Wilentz
About
Research & Advisory
Contact
Michelangelo at the Met
J.M.W Turner Retrospective at the Metropolitan Museum of Art, NYC
Francisco Goya: “Disasters of War” Series at the Peter Blum Gallery, NYC
Old Master Blockbusters: Some legitimate, some questionable Damien Hirst,"For The Love of God": a symbol of an age now deceased?
Paolo Veronese (c. 1528 – 1588) “Wisdom and Strength,” c.1580
A royal soap opera played out in art history: Francois Boucher’s overdoor panels at Chateau de La Muette
Bryan LeBoeuf
Sandro Botticelli’s “La Primavera”
What do Caravaggio and Jay-Z have in common?
“Eros: Love, Lust, and Its Consequences,”
Rembrandt’s “The Abduction of Proserpina”
Kim Keever
Vermeer's Milkmaid at the Met
"Old Masters in 2008"
The Current Outlook for the Art Market, Part II: Pessimism and Optimism
A chat with Hugo Nathan, President of Dickinson-Roundell New York
An Outlook for the Art Market in 2009
Old Masters in New Spaces
Old Masters at the Armory Show
Veronese at the Biennale
“The Master of the Blue Jeans”
A Blueprint for Art Collecting? OMNP examines Dr. Gregory Hedberg’s “New Model for Art History”
The charming references of Anne Connell
Bronzino’s Drawings at the Met
A Summer for Caravaggio: Part I
A Summer for Caravaggio: Part II
OMNP reflections from the ADAA panel, “The New Market for Old Masters”
A Summer for Caravaggio: Part III
September 29th: a day to remember in Art History
Old Masters for the Art Basel set
Untitled project
Sotheby’s Old Masters sales, NYC 2011
Indiana Jones and the Malvagna Triptych and Joe Coleman’s “Auto-Portrait”
Selections from Old Master Drawings Week, NYC 2011
Francisco Goya, "The Sleep of Reason Produces Monsters," from "Los Caprichos," aquatint etching, ca. 1799
