This page is the “Personal Network.” It displays work from the websites a member is following, in the order it was published. It also provides a way to engage in dialogue about the work in the form of “Cargo Comments.”

The “Projects/Images” toggle provides access to an Image Gallery, offering an alternate way of browsing websites in the Personal Network.

The small thumbnails on the top of this page are a random sampling of websites in a member’s Network.
Collaborations 
LION INTERVENTIONS w/ La Narval "A photography series that follows a Mexican ceramic lion who makes its way through the neighbourhood. The lion's golden mane...
 
JerksOffII 
Jerks Off II 2010 18x24" Digital Inkjet Print
 
Jerks Off II, 14 
Jerks Off II, Record 14 2010 18x24" Digital Inkjet Print
 
Jerks Off II, Record 21 
Jerks Off II, Record 21 2010 18x24" Digital Inkjet Print
Jerks Off II, Record 26 
Jerks Off II, Record 26 2010 18x24" Digital Inkjet Print
Jerks Off II, Record 27 
Jerks Off II, Record 27 2010 18x24" Digital Inkjet Print
 
Uncut 
Uncut 2011 Digital Inkjet Print 44"x100" Printed with help from the Philadelphia Photo Art Center
 
Detail of Uncut 3 
Detial of Uncut
 
Studies 
(1)Placing (print and painting) (2)Patagonia couples (print, collage, collagraph) (3)Faux finishings (prints made inking wood and abstraction of...
 
Articulation 32 Alternate Views 
Please Read This For Me, Articulation 32 Alternate Views
 
Please Read This For Me Installation Views 
Please Read This For Me Installation Views 2011 Primetime, Brooklyn, NY
 
Are you OK? (prints) 
____ (1) Topography of a Disaster 41.3" x 33" Linocut and collagraph on rice paper (2) Topography of a Disaster II 41.3" x 33" Linocut and collagraph on...
Please Read This For Me, Introduction 
Please Read This For Me, Introduction by AmyBeecher Please Read This For Me: Introduction rewritten by Amy Beecher Read by Lucy Boyle 12 min
 
Concrete list, piled 
Edifice at The Point of Contact Gallery, an exhibition with Natalia Porter. For this our third collaboration, Natalia and I employed work by Boston-based Andrew...
 
placement, new, old 
This work was made specifically for Edifice at The Point of Contact Gallery an exhibition with Natalia Porter. Porter and I employed work by Boston-based Andrew...
 
Concrete list, placement 
Concrete poetry is poetry in which the typographical arrangement of words is as important in conveying the intended effect as the conventional elements of the...
Scrubed 
Scrubed 2009 Mixed Media 40x16x14.5"
 
Language Is Not Transparent 
Language Is Not Transparent by Mel Bochner (Cover) 2010
 
OMG 
OMG 2009 54x20x46" Painted Wood
Uncut Alternate View 
Uncut Alternate View 2011
 
Detail of Uncut 2 
Detail of Uncut
 
Articulations 32, 46, 65, 38 
Articulations 32, 46, 65, 38, Please Read This For Me 2011 Screenprints on plastic Variable Dimensions
 
Installation View Please Read This For Me 
Installation View Articulations 52, 43, 113, Please Read This For Me Vinyl Banners Dimensions Variable 2011
 
Articulation 69 2011 
Articulation 69 (Please Read This For Me) 2011 Vinyl Banner 32x42"
 
Articulation 52 Please Read This For Me 
Articulation 52 (Please Read this For Me) 2011 Vinyl banner 32.25 x44
 
Articulation 43 (Please Read This For Me) 
Articulation 43 (Please Read this For Me) 2011 Vinyl banner 32 x 34”
 
Untitled 
Untitled 2010 33x44" Digital Inkjet Print
Please Read This For Me Poster 
Please Read This For Me opens November 30th at Primetime
 
Are you OK? 
(1) The Are you okay? series began by me simply hearing the question, even between strangers, of “Are you okay?” and me thinking “Why are they doing that?...
 
Broken glass studies iii, 2011. 
Individual photographic studies inspired in the thin line of crushed glas that divides a great number of homes in developing countries, and countries without...
 
Pile-age (overlapped, work on paper) 
(1) The original still was taken while traveling in the back seat of a trip in direction to Acapulco, Guerrero. By bringing up the contrast and adding yellow...
 
Corner shaped hat on corner 
The itinerant nature by which words travel ambivalently distracts and draws me to unfocused specificities. An anonymous opinion spoken, first walks silently, then...