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GIRL WITH FAR AWAY EYES, 2013
water color on paper, 34x25 cm




DARK AND DARKER, 2013
water color on paper, 34x25 cm




FRONT, 2013
water color on paper, 40x29 cm




POPULAR, 2013
water color on paper, 40x29 cm




DIAL M FOR MURDER, 2013
ink on paper, 45x34 cm




TWO GIRLS ONE CAR, 2013
water color on paper, 34x25 cm




TWO GIRLS ONE CHAIR, 2013
water color on paper, 34x25 cm

INDIAN TOAST, 2012,
oil-on-canvas, 270 x 200 cm




GANG-BANG, 2012,
oil on canvas 300 x 210 cm




RED TRAIN TO CAIRO, 2012,
oil on canvas, 300 x 210 cm



GUERILLA WOMAN, 2012,
oil on canvas, 100 x 60 cm




TALKING WITH GODS #5, 2012,
mural, 300 x 95 cm, The Center for Digital Art Holon



Talking with gods#4 from Elad Larom on Vimeo.







The looting of a convenience store during a missile attack on one of Israel’s major cities is the scenario around which Elad Larom’s Looting revolves. A moving camera follows the journey of two men carrying large bags, with war sirens and missile strikes occasionally heard in the background.

The youngsters seek to loot food during a time of general anarchy and system breakdown, following a wartime catastrophe. A security guard and a cashier try to stop them and fail, as the two move into different aisles, aggressively grabbing foodstuff from the shelves, shoving them into their bags while pushing aside their rivals. The protagonists’ condition is one of survival, but also an ecstatic one; full of horror, but also of the sick pleasure of breaking loose and violating all rules. They seem to be grateful for the ability to follow their desires and sense of anarchy. Focusing on the act of looting, a symbol of chaotic breakdown, and a familiar feature of crisis states and disaster areas—and associating it with the Israeli urban landscape and its familiar consumer products, generates a sense of collapse: a materialization of the ultimate Israeli fear of the existential threat to its survival. The justification of all our fears is finally turned real.






LOCAL CLOUD, 2012,
Painting installation, oil on canvas, different sizes
/ (1 of 1)

DUCK AND COVER, 2011,
oil on canvas, 90x80 cm




MASK BRUTAL, 2011
oil on canvas, 123 x 200 cm




Transition, 2011
oil on canvas, 250x190 cm




Object, 2011
oil on canvas, 58 x 39 cm




GODDESS, 2011
ink jet print, 29 x 41 cm




*This video is done using the GTA IV video editor.
All copyrights of this video belong to Rockstar games

Editing done by Assaf Bezalel&Elad Larom



CIRCLE, LIGHT, MAGIC, 2011,
oil on canvas, 200 x 148 cm




ENLIGHTENMENT, 2011,
oil on canvas, 167X95 cm




BLUE HAND - KLEIN, 2011,
oil on canvas, 77 X 52 cm




RED BLUE SQUARE, 2011,
oil on canvas, 89x89 cm



ROTHKO'S DREAM, 2011,
oil on canvas, 147 x 120 cm




TALKING WITH GODS#3, 2011,
HDV Video



GOD COUNTS, 2011,
oil on canvas, 200 x 130 cm




HAND TO MOUTH, 2011,
oil on canvas, 210 x 165 cm




SOME TRIANGLE HIERARCHY/PLAYAS, 2011,
oil on canvas, 188 x 158 cm




SQUARE CIRCLE, 2011,
oil on canvas, 200 x 140 cm




RIGHT TRIANGLE DIPTYCH, 2010,
oil on canvas,160x120 cm



FALSE ATTRACTION, 2010
oil on canvas, 70 x 70 cm




GOD MOTHER, 2010,
oil on canvas mounted on wood, 50x23 cm




GODS AND THIER WORLDS, 2010
oil on canvas, 120x120 cm




GIANT STEPS, 2010
oil on paper mounted on wood, Various sizes




PIXEL DEATH, 2010,
oil on canvas, 80 x 80 Cm


/ (1 of 1)

Detail out of INITIATION, 2010
mixed media, Various sizes




GREEN WHITE RED COMPOSITION, 2010
oil on canvas, 69x45 cm




TALKING WITH GODS, 2010,
oil on canvas, 120x120cm





3D&Animation by Assaf Bezalel




POOL-CIRCLE, 2010,
oil on canvas, 200 x 160 Cm




POOL-CIRCLE, 2010,
oil on canvas, 200 x 160 Cm




COMAND, 2010,
oil on canvas, 120 x 80 Cm




PYRAMID INDEX, 2010,
oil on paper mounted on wood, Various sizes




SIGNAL, 2010,
oil on canvas, 80 x 50 cm



SEWER PIPES, 2010,
oil on canvas, 80x80 cm




SKEWER AND BIRD , 2009,
oil on canvas, 60x 45 cm



COLOSSUS, 2009,
oil on paper, 320x 130 cm



/ (1 of 1)

TOILET PYRAMID/PAINT SHAHID, 2010
Ink jet print, 41 x 29 cm




BEEF INDEX, 2009,
oil on paper, 35 x 20 cm x 16




POPULAR FRONT, 2009,
oil on paper, 200 x 140 Cm


/ (1 of 1)

UNTITLED, 2009,
oil on canvas, 120 x 100 Cm




SHOT AT, 2009,
oil on canvas, 31x 31 cm




GIANT DONER, 2009,
oil on canvas, 43x 39 cm




GREEN&GREY, 2009,
oil on canvas, 27x 21 cm




FOOD PYRAMID, 2009,
oil on cardboard boxes, Various sizes







/ (1 of 1)

UNTITLED , 2009,
oil on canvas, 160x 120 Cm




CHECKUP, 2009,
oil on canvas, 81 x 51 Cm




BOX, 2009
oil on canvas, 36 x 36 Cm




FLASH#1, 2009,
oil on canvas, 40 x 30 Cm




HERMIT#2, 2009,
oil on canvas, 27 x 27 Cm




BAUHAUS SURPRISE, 2009,
oil on canvas, 80 x 80 Cm




TWO MEN, 2009,
oil on canvas, 62 x 62 Cm




PIXEL ALIENS, 2009,
oil on canvas, 65 x 65 Cm




UNTITLED, 2009,
oil on canvas, 80 x 80 Cm




BALL, 2009,
oil on canvas, 60 x 60 Cm




CIRCLE ASS, 2009,
oil on canvas, 120 x 80 Cm



/ (1 of 1)

UNTITLED, 2009,
oil on paper 50 x 37 Cm




UNTITLED, 2008,
water color on paper, 45x29 Cm




SIX WHITE CIRCLES, 2009,
Acrylic on canvas, 360 x 160 Cm
/ (1 of 1)







The project "Coalitzia" consist a six chapter story which formulates one theme. A garbage man in Amsterdam finds by no coincidence a gun, and looks for its owner which reveals to be a key figure in town. We, like the main character, are not fully presiving the motives of that nonsense search except the garbage man's curiosity in power. The format is black and white video which inscribes style wise with the Neo Realism movement of the 60's and 70's and in that since misleading and timeless. "Coalition" has, like its name many layers of meanings from the name of the main character to the broader perception of the word - an endless playful game between the micro and macro world, between a real and fantasy and between truth and lie. "Coalition" is a craving for times that are gone. Times when cinema had a real social-political rule and in that sense, it is conceptually self aware: homage of looking at the past and mirroring the present.

The media It seems at the moment that our world of defining media has collapsed in cultural sense. As technology advance, the media change and the cultural value follows. Now is the time when all are artist: new music records are produced in private homes on private computers, movies are made by millions on small hand cameras, reality became
 
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